Exhibitions: African Art and Leadership

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Box in the Form of a Leopard's Head

    This box was used to hold kola nuts presented to visitors in the royal court of Benin. Leopards are one of the most commonly portrayed anima...

    Want to add this object to a set? Please join the Posse, or log in.


    AON_E1989i006.jpg AON_E1989i005.jpg AON_E1989i004.jpg AON_E1989i003.jpg AON_E1989i002.jpg AON_E1989i001.jpg PHO_E1989i022.jpg PHO_E1989i021.jpg PHO_E1989i020.jpg PHO_E1989i019.jpg PHO_E1989i018.jpg

    African Art and Leadership

    • Dates: April 15, 1989 through August 21, 1989
    • Collections: Arts of Africa
    Press Releases ?
    • April 1989: African Art and Leadership, an exhibition comprising approximately 75 objects from six cultural groups in Cameroon, Ghana, Nigeria and Zaire, will open at The Brooklyn Museum on April 15 and will remain on view through August 21, 1989. The objects, which span a period of over 500 years and are drawn from the Museum’s permanent collection, illustrate the close relationship of art to political authority in West Africa. The exhibition will be on view in the Special Exhibition Gallery of the Department of African, Oceanic and New World Art, located on the first floor.

      Works of African art in many forms often served to symbolize governing authority and to enhance the status or validate the role of various political communities in Africa. In these communities, a king or chief often was looked upon not only as a political head, but also as a divine spiritual leader, able to ensure the welfare of his people by his own well-being. The ruler’s power was established through the use of costume elements, often made of precious materials such as gold, coral, or ivory, and through symbols of authority, such as crowns, jewelry, thrones, and staffs of office. Whether carved or cast, these objects are often extensively detailed, elaborately ornamented, and finely crafted.

      Highlights of the exhibition include a 17th-century royal portrait statue of Kuba King Mishe miShyaang maMbul from Zaire; a 16th-century bronze court hornblower from Benin, Nigeria; two late 19th- or early 20th-century royal beaded crowns from the Yoruba people of Nigeria; and a 16th-century pendant mask in the form of a leopard also from Benin, Nigeria.

      African Art and Leadership
      was made possible, in part, with generous support from the New York State Council on the Arts and the Museum Council of The Brooklyn Museum. The exhibition was coordinated by William Siegmann, Associate Curator in the African, Oceanic and New World Art Department.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 1989, 039-40. View Original 1 . View Original 2

    • April 1989: An afternoon of African arts will be offered to families with children ages eight and older on Saturday, May 6 at The Brooklyn Museum. In conjunction with the exhibition African Art and Leadership, the event will begin with a gallery visit where objects from various cultural groups of West Africa will be explored. Immediately following the exhibition tour, the Maimouna Keita School of African Dance will conduct a dance workshop in keeping with the theme of leadership. All interested should meet at the Information Desk in the Grand Lobby at 1 p.m. This program is made possible, in part, with public funds from the New York State Council on the Arts.

      In celebration of Mothers’ Day, a storytelling program will be offered on Sunday, May 14 at the Museum. Storytellers Laura Simms and Melissa Heckler will recount stories relating to the Mothers’ Day theme as they visit several of the Museum’s collections. Sign-language interpretation for deaf and hearing impaired visitors will be offered for this program. All interested should meet at the Information Desk in the Grand Lobby at 3 p.m. This program is made possible, in part, by funds appropriated to the Museum by the New York Legislature through the Natural Heritage Trust, a public benefit corporation established in 1968 by the Legislature and administered by the New York State Office of Parks, Recreation and Historic Preservation. Additional support for this program comes from the Louis Calder Foundation, Norcross Wildlife Foundation, The Moses L. Parshelsky Foundation for the Grace Bachrach Memorial fund for Children’ s Education.

      Both programs are free with Museum admission (suggested contribution: $3.00, free to members and children under 12 accompanied by an adult).

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 1989, 041. View Original

    advanced 109,686 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Recently Tagged Exhibitions

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.

    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.