Exhibitions: Lace with the Delicate Air

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    Arts of Africa, Steinberg Family Sculpture Garden
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    Arts of Asia and the Islamic World
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    Egyptian Art, European Paintings
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    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
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    Luce Center for American Art

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    Lace with the Delicate Air

    • Dates: May 23, 1956 through August 19, 1956
    Press Releases ?
    • April 19, 1956: “The Lace With The Delicate Air,” a special exhibition, will open at the Brooklyn Museum on Tuesday, May 23, according to an announcement today by Edgar C. Schenck, Director of the museum. Consisting of choice examples from the museum’s collection of lace, one of the finest in this country, the show will be on view in the special exhibition galleries thru August 19.

      Inspired by the current trend toward extensive use of lace in home furnishings and apparel, the exhibition will highlight interesting uses of lace from ancient Coptics to this seasons fashions for men and women. In popular use are men's lace sports and dress shirts designed by Damon and Mr. John.

      The traditional adornment of kings and queens, dating from the 15th Century, a number of pieces of lace in the exhibition were worn by celebrated figures in history and society. These include: Brussels lace shawl worn by Marie Antoinette and the Empress Josephine; wedding handkerchief carried by Maria Henrietta at her marriage to Leopold II of Belgium; costumes and accessories richly adorned in antique laces worn by Rita de Acosta Lydig, a romantic figure in New York society during the early 20th Century.

      Robert Riley, research consultant for the Design Laboratory of the museum, with the aid of Mrs. Dassah Saulpaugh, has organized the exhibition. Miss Marian Powys, noted lace authority, was consultant.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1953 - 1970. 1956, 011. View Original

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      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.