Exhibitions: 20th-Century Decorative Arts (installation).

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Sword Gold Weight

Gold was extremely important in the economic and political life of the Akan kingdoms of southern Ghana and Côte d’Ivoire. Until ...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Bowl with Beveled Internal Rim

    These finely crafted objects demonstrate Egyptian mastery of stoneworking in the Early Dynastic Period. An artisan fitted the two parts of t...

     
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    20th-Century Decorative Arts (installation).

    Exhibition Didactics ?
    • American Architectural Metalwork, 1890–1930
      The use of metal for architectural embellishment, which can be traced back to ancient times, enjoyed a great flowering in the United States between about 1890 and 1930, when it was often an important component of all sorts of buildings. Exhibited here are a few examples of this golden age of American architectural metalwork, which, because they were meant to blend with the buildings for which they were designed, also serve to illustrate some of the major styles of the period.

      The three pieces made in Chicago, for example, represent the Prairie School, an indigenous American style that originated in the Midwest as a conscious reaction to the perceived exuberant floridity of the European Art Nouveau and the staid neoclassicism of Beaux Arts. The grille by Samuel Yellin reflects his personal synthesis of the Renaissance Revival and Arts and Crafts styles, while Thomas Lamb’s ventilation cover, from a famous 1930s movie palace, is rendered in the Art Moderne (or Art Deco) style, which originated in France in the 1920s. Two of the Chicago-made pieces are from elaborate elevators made for early skyscrapers, a building form invented by the Chicago architects Louis H. Sullivan, Denkmar Adler, and William Le Baron Jenney. Unlike contemporary skyscrapers, in which the mechanical elements of elevators are hidden and elevator doors blend seamlessly with the building’s interior, the first tall buildings featured elevators with an exposed mechanical structure and ornate metal doors and cages designed to celebrate the skyscraper’s novelty.

      By 1940 the use of elaborate metal architectural decoration in America had declined sharply. Both the austerity of the Great Depression and government restrictions on the use of all types of metal due to the military demands of World War II sounded the final death knell.

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    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
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