Exhibitions: Robert Fried: Prints, Posters and Drawings

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: The Princess and the Frog

One of Mary Shepard Greene Bluemenschein’s best known works, The Princess and the Frog uses a playfully decorative composition to repr...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: The Mellow Pad

    The starting point for this lively patterned abstraction was an earlier canvas by Stuart Davis entitled House and Street, 1931. Treating eac...

     
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    Robert Fried: Prints, Posters and Drawings

    Press Releases ?
    • May 21, 1973: Disproving the old adage “You can’t go home again”, Brooklyn-born Robert Fried, a California resident for the past seven years, returns to Brooklyn for his first one-man museum show in the east when ROBERT FRIED: PRINTS, POSTERS AND DRAWINGS opens at The Brooklyn Museum on June 6.

      Highlighting the exhibition of sixty-two prints, posters and drawings are two billboard size screenprints, The Family Dog is Coming Down to Earth and The Wild West, each produced from hand-cut stencils, and a five-minute videotape loop entitled ”Bridge Piece”. The exhibition will be on view through August 26 in the Print Gallery. Admission is free.

      Born in Brooklyn in 1937, Fried studied art at Cooper Union, completing his B.F.A. in 1961. During the late fifties, he also worked in advertising, television, and designed first day covers for commemorative stamps. In 1963 he worked at Pratt Graphic Workshop in lithography under Andrew Stasik, receiving a Fullbright Grant in ‘63-‘64 to work in Spain. This grant was renewed for the following year.

      About a year after he returned from Spain, Fried moved to the West Coast to work on an MFA degree at the San Francisco Art Institute (formerly the California School of Fine Arts). Fried quickly became involved with the San Francisco “scene” of the middle and late sixties and became one of the most innovative and prolific members of a small group of artists designing posters for rock groups and concert ballrooms in the Bay Area.

      Media with a direct message to a widely recognized, growing and specifically American sub-culture, these posters have changed the “face” and social significance of the poster in the United States.

      When the demand for posters began to wane, Fried again turned to the limited edition print. During the last three years he has produced immaculate screenprint editions characterized by a cool, professional, almost off hand technical precision, expert draughtmanship and lush color. The images are funky, poetic and very personal. Fried’s work is not concerned with formal problems. He works from personal experience and reactions to events, playing with free associations, puns which are both literal and visual and uses humor to make his statements accessible. Fried’s work is above all concerned with the primacy of the visual experience, with vitality and energy, and with the immediacy of the printed image.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1971 - 1988. 1973, 012-13. View Original 1 . View Original 2

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    Prints, Drawings and Photographs

    Over the years, the collections of the Brooklyn Museum have been organized and reorganized in different ways. Collections of the former Department of Prints, Drawings, and Photographs include works on paper that may fall into other categories: American Art, European Art, Asian Art, Contemporary Art, and Photography.
    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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