Exhibitions: What Cortez Saw in Mexico

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Traveling Desk (Escritorio)

A number of Spanish American towns became well-known manufacturing centers specializing in escritorios and related desk types. Among the mos...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Male Face Mask

    Little is known about the functions of masks such as this one, since they fell out of use by 1910. It is thought that they might have had a ...

    Want to add this object to a set? Please join the Posse, or log in.


    PHO_E1948i008.jpg PHO_E1948i007.jpg PHO_E1948i006.jpg PHO_E1948i005.jpg

    What Cortez Saw in Mexico

    Press Releases ?
    • September 24, 1948: “What Cortez Saw in Mexico” is the title of a special exhibition which opened today in the Entrance Gallery of the Brooklyn Museum and which will remain on view through November 11th.

      Mexico, the people and their culture at the time of the Spanish Conquest in 1519, are shown by means of objects chiefly from the Brooklyn Museum collection supplemented by loans from the American Museum of Natural History, Museum of the American Indian, and Miguel Covarrubias; and by illustrations from 16th Century manuscripts.

      A prominent section of the exhibition is devoted to religion and ceremony which penetrated every phase of Aztec life. Here the Brooklyn Museum is exhibiting for the first time stone sculptures of various gods, these sculptures having been recently received in an exchange with the National Museum of Mexico.

      How the people dressed, how they lived, and how they amused themselves are reconstructed, as well as the extensive trade they carried on, their wars, and tribute. They brought up their children to go to school and then to learn a craft or a profession just as we do today. Their arts, such as painted pottery, gold and jewelry are given considerable attention. There are pottery vessels of all sorts such as “blue plate” dishes with sauce compartments, graters, bowls and street lamps. A tiny gold mask, a necklace of gold and jade, an aquamarine grasshopper are some of the pieces illustrating their work in precious metal and stone. Other media represented in this exhibition include wood, turquoise mosaic and obsidian.

      When Cortez and his small army beheld the great empire of Montezuma, they were dazzled by the large cities, the well-organized society, and the riches which they found. This has been best summarized by one of Cortez’s captains, Bernal Diaz del Castillo, who said: “Gazing on such wonderful sights we did not know what to say or whether what appeared before us was real, for on one side in the land there were great cities and in the lake ever so many more, and the lake itself was crowded with canoes, and in the causeway were many bridges at intervals, and in front of us stood the great city of Mexico, and we----we did not even number four hundred soldiers.”

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1947 - 1952. 07-09/1948, 076. View Original

    advanced 110,570 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Recently Tagged Exhibitions

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.

    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.