Collections: European Art: Doña Josefa de la Cotera y Calvo de la Puerta

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: "Silver Streak" Iron

    Although Pyrex glass, able to resist high levels of heat, had been invented as long ago as 1915, the Silver Streak iron put it to a new use....


    Want to add this object to a set? Please join the Posse, or log in.


    52.166.5_PS4.jpg 52.166.5.jpg 52.166.5_bw.jpg CONS.52.166.5_1941_xrs_detail01.jpg CONS.52.166.5_xrs_detail01.jpg CONS.52.166.5_xrs_detail02.jpg CONS.52.166.5_xrs_detail03.jpg CONS.52.166.5_xrs_detail04.jpg CONS.52.166.5_xrs_detail05.jpg CONS.52.166.5_xrs_detail06.jpg

    Doña Josefa de la Cotera y Calvo de la Puerta

    To explain and legitimize their place within the imperial system, the Spanish American moneyed elite displayed titles and coats of arms in portraits as proud markers of rank. Here, Mexico City’s Creole marquesa of Rivas Cacho, adorned with diamond and pearl earrings, appears beside her family’s coat of arms.

    The more understated dress of Mrs. Robert Nicholls Auchmuty, painted in the same year by Gilbert Stuart, reflects the relative restraint of the former British American colonies, where noble titles did not exist. Both ladies wear their era’s fashionable high Empire-waist dresses, Mrs. Auchmuty’s of formal black silk taffeta and Doña Josefa’s of equally expensive but less elaborate embroidered white cotton muslin.

    Para explicar y legitimar su lugar en el sistema imperial, la rica élite hispanoamericana exhibía orgullosamente títulos y escudos de armas en retratos como indicadores de rango. Aquí, la marquesa de Rivas Cacho, de la Ciudad de México, adornada con diamantes y aretes de perlas, aparece junto al escudo de armas de su familia.

    El vestido un poco más recatado de la Sra. de Robert Nicholls Auchmuty, pintado el mismo año por Gilbert Stuart, refleja la relativa modestia de las ex-colonias británicoamericanas, donde los títulos nobiliarios no existían. Ambas damas llevan vestidos de estilo imperio de cintura alta a la moda de su tiempo, el de la Sra. Auchmuty formal de tafetán de seda negra y el de doña Josefa de muselina de algodón blanco, igual de costoso pero menos elaborado.

    This text refers to these objects: ' 21.55; 52.166.5

    • Artist: Mexican
    • Medium: Oil on canvas
    • Place Made: Mexico
    • Dates: 1816
    • Dimensions: 33 x 25 1/2 in. (83.8 x 64.8 cm) frame: 38 x 31 x 2 in. (96.5 x 78.7 x 5.1 cm)  (show scale)
    • Inscriptions: Inscribed lower left: "La Sra. Da. Josepha de la Cotera/y Calvo de la Puerta, Marquesa/de Rivasacho./Año de 1816."
    • Collections:European Art
    • Museum Location: This item is on view in Luce Visible Storage and Study Center, 5th Floor
    • Exhibitions:
    • Accession Number: 52.166.5
    • Credit Line: Museum Collection Fund and Dick S. Ramsay Fund
    • Rights Statement: No known copyright restrictions
    • Caption: Mexican. Doña Josefa de la Cotera y Calvo de la Puerta, 1816. Oil on canvas, 33 x 25 1/2 in. (83.8 x 64.8 cm). Brooklyn Museum, Museum Collection Fund and Dick S. Ramsay Fund, 52.166.5
    • Image: overall, 52.166.5_bw.jpg. Brooklyn Museum photograph
    • Catalogue Description: Dona Josefa de la Cotera y Calvo de la Puerta, Marguesa del Rivescacho (dates unknown). An oil painting by an unknown artist dated 1816 in which she is shown as an older woman. Her hair is white and worn in a braided knot in the back of her head. Although her dates are unknown it is known that she was married in 1782. She wears a white dress and a blue shawl that has embroidery around the edges and a gold fringe. She has elaborate earrings on, and rings on both hands on the fourth and fifth fingers. She is shown three-quarter length and view facing to the left side of the picture. Condition: Good; Another portrait of a younger woman has been found by -ray underneath this one by Mr. Keck of the Museum Laboratory. There is a small crack along the edge and at the right side at the top edge by the condition is generally good.
    • Record Completeness: Best (92%)
    advanced 110,591 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.