Dance Ornament
- Medium: Wood, Turbo petholatus opercula, pigment
- Place Made: Bismarck Archipelago, New Ireland, Papua New Guinea
- Dates: 19th century
- Dimensions: 7 1/4 x 6 1/4 x 12 3/4 in. (18.4 x 15.9 x 32.4 cm)
- Collections: Arts of Africa and the Pacific Islands
- Museum Location:
This item is not on view - Accession Number: 84.109
- Credit Line: Helen Babbott Sanders Fund
- Image: Overall, 84.109_SL1.jpg. Brooklyn Museum photograph
- Catalogue Description: Carved and painted Malanggan dance ornament in the shape of a rooster standing on a flying fish. Painted in black and red with traces of white. Eyes of rooster are inlaid shells. Condition: Paint flaking off. Piece of the cockscomb has broken off and is stored with the piece. There is already a repair on this tip. Tip of fish's wing is missing. Old repairs: across tail feathers; on cockscomb; across tip of fish's wing (repaired with a nail under fish's wing).
The malagan is a funerary festival held several months or even years after the death of the person honored. Its purpose is to free the living from the spirit of the dead and to enable the deceased's spirit to acclimate itself to the world of the dead. Birds are the most common motif for malagan dance ornaments, but many other type of creatures, either real or imaginary, are known. Though only the carver and dancer usually know the symbolism of these creatures, the bird generally represents the spirit world. The small, flat bit behind the bird on this mouth ornament was held between the dancer's teeth as he performed in imitation of bird movements. The dances in which these mouthpieces are used are part of the concluding rite of the malagan ceremonies.
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