Collections: Arts of the Americas: Figurine (Rattle)

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Hairpin

Ivory’s value results from its scarcity, as well as its association with the elephant, a symbol of power and strength. Ivory bracelets...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Hoop Earring

    The Sumerian culture in Iraq, established in the third millennium b.c., was one of the world’s earliest civilizations. It reached a he...

     

    Want to add this object to a set? Please join the Posse, or log in.

    close

    37.2785PA.jpg 37.2785PA_view1_acetate_bw.jpg 47.117.2_36.904_37.2785PA_acetate_bw.jpg 37.2785PA_view2_acetate_bw.jpg

    Figurine (Rattle)

    Solid and hollow Maya ceramic figurines like these representing men wearing elaborate animal headdresses and masks are common funerary items, found primarily on Jaina Island in Mexico. High social status is indicated by the elaborate regalia and ornaments. The nobleman in the center wears a removable serpent-head headdress decorated with precious quetzal feathers, possibly associating him with the Feathered Serpent deity Kukulcán. The whistle on the left depicts a man wearing a jaguar mask and sacrificial scarf emblematic of the God of the Underworld. The rattle on the right represents a man wearing a bird mask and holding two rattles. His large, feathered back ornament is an attribute of the turkey or vulture. Turkeys (associated with fertility) and vultures (associated with sacrifice) were used as ceremonial offerings.


    Figurillas maya sólidas y huecas como éstas, representando hombres que visten elaborados tocados animales y máscaras, son objetos funerarios comunes, encontrados principalmente en la Isla Jaina en México. La alta posición social se indica por los ropajes elaborados y la ornamentación. El hombre al centro lleva un tocado removible de cabeza de serpiente decorado con preciosas plumas de quetzal, asociándolo posiblemente a la deidad Kukulcán, la Serpiente Emplumada. El silbato a la izquierda muestra un hombre llevando una máscara de jaguar y un pañuelo ceremonial emblemático del Dios del Inframundo. La maraca a la derecha representa a un hombre llevando una máscara de pájaro, y sosteniendo dos maracas. El gran ornamento de plumas que lleva a su espalda es un atributo del pavo o zopilote. Pavos (asociados con fertilidad) y zopilotes (asociados con sacrificio) eran utilizados como ofrendas ceremoniales.

    This text refers to these objects: ' 37.2785PA; 2009.2.14; 2009.2.19

    • Culture: Maya
    • Medium: Ceramic
    • Period: Pre-Spanish
    • Dimensions: 7 1/4 x 5 x 3 1/4 in. (18.4 x 12.7 x 8.3 cm)  (show scale)
    • Collections:Arts of the Americas
    • Museum Location: This item is on view in Arts of the Americas Galleries, 5th Floor
    • Exhibitions:
    • Accession Number: 37.2785PA
    • Credit Line: Frank Sherman Benson Fund and the Henry L. Batterman Fund
    • Rights Statement: Creative Commons-BY
    • Caption: Maya. Figurine (Rattle). Ceramic, 7 1/4 x 5 x 3 1/4 in. (18.4 x 12.7 x 8.3 cm). Brooklyn Museum, Frank Sherman Benson Fund and the Henry L. Batterman Fund, 37.2785PA. Creative Commons-BY
    • Image: group, 47.117.2_36.904_37.2785PA_acetate_bw.jpg. Brooklyn Museum photograph
    • Record Completeness: Good (68%)
    advanced 108,205 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."




    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.