Collections: Arts of Africa and the Pacific Islands: Ox Mask (Dugn'be)

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Ox Mask (Dugn'be)

Masks representing dugn'be, "the ox raised in the village," are used in young men's initiation ceremonies in the Bissagos Islands. The cord that runs through the mask's nostrils shows that the initiate is like a tethered ox: like the ox's, his strength must be both encouraged and controlled.

• Culture: Bidjogo
• Medium: Wood, raffia, bone, glass, metal, fur, paint, fiber
• Place Made: Bissagos Islands, Guinea-Bissau
• Dates: 20th century
• Dimensions: 15 1/2 x 19 x 9in. (39.4 x 48.3 x 22.9cm)
• Collections: Arts of Africa and the Pacific Islands
• Museum Location: This item is on view in African Galleries, 1st Floor
• Accession Number: 1992.69.3
• Credit Line: Gift of Mr. and Mrs. Joseph Gerofsky
• Image: Overall, 1992.69.3_transp499.jpg. Brooklyn Museum photograph
Bidjogo. Ox Mask (Dugn'be), 20th century. Wood, raffia, bone, glass, metal, fur, paint, fiber, 15 1/2 x 19 x 9in. (39.4 x 48.3 x 22.9cm) . Brooklyn Museum, Gift of Mr. and Mrs. Joseph Gerofsky, 1992.69.3 (Photo: Brooklyn Museum, 1992.69.3_transp499.jpg)
• Catalogue Description: Wooden buffalo helmet mask in two pieces: head and neck attached by series of raffia ties which span holes around perimeter of each piece. Head: bone animal horns extend and curve out from sides of head; in back of head, below level of horns, a band projects out at sides with triangular tips painted white and red representing ears; large projecting glass eyes circumscribed by raised bands of fur nailed to surface; muzzle area and recessed triangle at center of forehead accentuated with white paint; string inserted through holes in nostrils wraps around to back of head. Neck: spiralling ridged surfaces. CONDITION: Generally good. Fur attachments around eyes worn. Deep cracks extending from perimeter at either side of head.