Collections: Decorative Arts: Lounge Chair

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Mrs. Sylvester (Abigail Pickman) Gardiner

About 1760 Miguel Cabrera painted Doña María de la Luz, a Creole patron of well-known lineage, without the lengthy biographica...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: House Post, from a Set of Four

    The two house posts seen here and owned by the Heiltsuk eagle clan of Yálátli (Goose Island) depict the following creation sto...

     

    Want to add this object to a set? Please join the Posse, or log in.

    close

    Lounge Chair

    • Designers: Charles Eames, American, 1907-1978; Ray Eames, American, born Bernice Alexander Kaiser, 1912-1988
    • Manufacturer: The Herman Miller Company, 1923-present
    • Medium: Ash plywood, rubber, metal
    • Place Manufactured: Zeeland, Michigan, United States
    • Dates: 1946
    • Dimensions: Overall: 25 3/8 x 22 x 23 in. (64.5 x 55.9 x 58.4 cm) Seat height: 14 1/4 in. (36.2 cm.)  (show scale)
    • Markings: no marks
    • Signature: no signature
    • Inscriptions: no inscriptions
    • Collections:Decorative Arts
    • Museum Location: This item is on view in Luce Visible Storage and Study Center, 5th Floor
    • Accession Number: 83.153.1
    • Credit Line: Gift of Barry Friedman and Patricia Pastor
    • Rights Statement: Creative Commons-BY
    • Caption: Charles Eames (American, 1907-1978). Lounge Chair, 1946. Ash plywood, rubber, metal, Overall: 25 3/8 x 22 x 23 in. (64.5 x 55.9 x 58.4 cm). Brooklyn Museum, Gift of Barry Friedman and Patricia Pastor, 83.153.1. Creative Commons-BY
    • Image: overall, 83.153.1_bw.jpg. Brooklyn Museum photograph
    • Catalogue Description: Seat and back of ash plywood molded in compound curves, contoured to human form; supported by understructure composed of a pair of upside-down U-shaped legs, the front ones taller than the back. A slightly irregular C-shaped piece of heavier molded plywood bent only in two dimensions, links the back and seat panels with the legs. Rubber shock-mounts separate and connect seat and back to frame. CONDITION: Normal wear with no chips or breaks; numerous marks to surface: (4m) indentation in center of seat near top; short white scuff and clear scratch to front proper left of seat at bend; black crayon (?) mark to rear proper right back near bottom; two water stains (?) to rear of back; three slight stains (possibly from production) surrounding top of frame; scuff along width of frame rear, just below seat; several stains and few black lines on top of rear legs. Rubber mounts at back drying out; these and the ones on bottom possibly replaced some years ago. Stucturally sound with normal flex due to rubber mounts,
    • Record Completeness: Good (76%)
    advanced 108,744 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."




    Please note, the Museum does not provide monetary appraisals. Please see our FAQ.

    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.