Napoleon Leading the Army over the Alps
Painting is about the world that we live in. Black men live in the world. My choice is to include them. This is my way of saying yes to us.
Historically, the role of portraiture has been not only to create a likeness but also to communicate ideas about the subject's status, wealth, and power. During the eighteenth century, for example, major patrons from the church and the aristocracy commissioned portraits in part to signify their importance in society. This portrait imitates the posture of the figure of Napoleon Bonaparte in Jacques-Louis David's painting Bonaparte Crossing the Alps at Grand-Saint-Bernard. Wiley transforms the traditional equestrian portrait by substituting an anonymous young Black man dressed in contemporary clothing for the figure of Napoleon. The artist thereby confronts and critiques historical traditions that do not thereby confronts and critiques historical traditions that do not acknowledge Black cultural experience. Wiley presents a new brand of portraiture that redefines and affirms Black identity and simultaneously questions of the history of Western painting.
- Artist: Kehinde Wiley, American, born 1977
- Medium: Oil on canvas
- Dates: 2005
- Dimensions: 108 x 108 in. (274.3 x 274.3 cm) (show scale)
- Collections:Contemporary Art
- Museum Location: This item is on view in Martha A. and Robert S. Rubin Pavilion, 1st Floor
- Accession Number: L2005.6
- Credit Line: Collection of Suzi and Andrew B. Cohen
- Rights Statement: © Kehinde Wiley. Courtesy Sean Kelly Gallery, New York
- Caption: Kehinde Wiley (American, born 1977). Napoleon Leading the Army over the Alps, 2005. Oil on canvas, 108 x 108 in. (274.3 x 274.3 cm). Brooklyn Museum, Collection of Suzi and Andrew B. Cohen , L2005.6. © Kehinde Wiley. Courtesy Sean Kelly Gallery, New York
- Record Completeness: Best (82%)