Collections: Arts of the Americas: Horse Nation

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: [Untitled Film Still]

Always interested in changing identities, Cindy Sherman consistently acts as her own model. Her photographs depict female characters and usu...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Fragment of a Saltcellar

    During the first half of the sixteenth century, Sapi craftsmen in Sierra Leone became famous for carving ivory objects for export to Europea...

     

    Want to add this object to a set? Please join the Posse, or log in.

    close

    2011.6a_PS6.jpg CUR.2011.6a.jpg CUR.2011.6b.jpg 2011.6b_PS6.jpg

    Horse Nation

    • Artist: Linda Haukaas, Sicangu Lakota, born 1957
    • Medium: Colored pencil and ink on late 1800s ledger paper
    • Place Made: Tampa, Florida, United States
    • Dates: 8/2010
    • Dimensions: each sheet: 11 1/2 x 17 5/8 in. (29.2 x 44.7 cm)  (show scale)
    • Markings: (Old paper page title Citizens Nat'l Bank entry dated 1916) pg 183 on horses facing right; pg. 196 on horses facing left.
    • Signature: Left side along red paper line, Horse Nation, Linda Haukaas
    • Collections:Arts of the Americas
    • Museum Location: This item is not on view
    • Accession Number: 2011.6a-b
    • Credit Line: Gift of the artist
    • Rights Statement: © Linda Haukaas
    • Caption: Linda Haukaas (Sicangu Lakota, born 1957). Horse Nation, 8/2010. Colored pencil and ink on late 1800s ledger paper , each sheet: 11 1/2 x 17 5/8 in. (29.2 x 44.7 cm). Brooklyn Museum, Gift of the artist, 2011.6a-b. © Linda Haukaas
    • Image: component, 2011.6b_PS6.jpg. Brooklyn Museum photograph, 2011
    • Catalogue Description: This complimentary pair of drawings depicts horses galloping across the background-facing opposite directions on each drawing, with four women with their backs to the viewer watching the horses. Each woman wears elaborate regalia and carries fans and pouches, the type of decorations used to decorate and honor horses. The details on each of their clothing depict warriors and horses in battle .To paraphrase the artist: The purpose of the drawings, "Horse Nation," is to honor 'tasunka wakan,' the horse, for its importance for the Lakota, Nakota and Dakota Oyate, the People. The horse allowed them to increase their mobility for travel and hunting, expand their territory, advance their 'akicita' (warrior societies that protect them), improve their economy, relieve their burdens and,as Linda indicates "most importantly gave women someone else to love." Linda Haukaas recreates 19th century style ledger art within a modern context with themes that particularly highlight women's roles in Plains society and with ceremonial and daily scenes that resonate today. She researches Museum collections and her own history to authenticate the historical references. Since in the past such representative drawings would have been done solely by the male artist she has broken new boundaries as a female ledger artist.
    • Record Completeness: Good (77%)
    advanced 108,205 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."




    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.