Collections: European Art: Chest

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Fragment of Relief

Scenes of daily life, many of which may actually have had religious significance, were a basic element of private-tomb decoration until the ...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Hairpin

    Ivory’s value results from its scarcity, as well as its association with the elephant, a symbol of power and strength. Ivory bracelets...


    Want to add this object to a set? Please join the Posse, or log in.


    2011.86.2_right_PS6.jpg 2011.86.2_left_PS6.jpg 2011.86.2_left_edited_version_PS6.jpg 2011.86.3_2011.86.2_PS6.jpg CUR.2011.86.2.jpg CUR.2011.86.2_back.jpg CUR.2011.86.2_right.jpg CUR.2011.86.2_threequarter_front.jpg CUR.2011.86.2_top.jpg CUR.2011.86.2_left.jpg


    These two Peruvian leather-bound chests are painted on the front with large allegorical figures flanking smaller Old World aristocrats. The sides show figures with their servants, including music-making dwarfs, modeled on European representations of such entertainers at the Spanish court, on the grounds of a country estate.

    The chests were most likely commissioned by a member of Peru’s privileged class for proud display in a reception room, where they would have functioned as signifiers of their owner’s erudition and education. Inside were stored fine imported textiles, which in colonial Peru were worth more than their weight in silver. The chests’ four allegories of Fire, Earth, Wind, and Water on the front panels are based on sixteenth-century Flemish prints (see illustration at right, the model for the figure of Fire), whereas the dining scene on one of the sides has a Mexican print source (see illustration at far right).

    Estos dos baúles peruanos forrados en cuero están pintados en el frente con grandes figuras alegóricas flanqueando a aristócratas del Viejo Mundo, representados a menor escala. Los lados muestran a figuras y sus criados; entre ellos se incluyen músicos enanos, representados de acuerdo al formato europeo empleado en la corte española. La escena sucede en los predios de una propiedad campestre.

    Los baúles fueron probablemente comisionados por algún miembro de la clase privilegiada del Perú para ser orgullosamente expuestos en su sala de recepción. Allí habrían funcionado como indicadores de la erudición y educación de su propietario. Dentro de ellos se guardaban finos textiles importados, que en el Perú colonial valían más que su peso en plata. Las cuatro alegorías, Fuego, Tierra, Viento y Agua, en los paneles delanteros del baúl están basadas en imágenes flamencas del siglo XVI (ver ilustración superior, el modelo de la figura del Fuego), mientras que la escena del banquete en uno de los lados proviene de un grabado mexicano (ver ilustración inferior).

    This text refers to these objects: ' 2011.86.2; 2011.86.3

    • Culture: Peruvian
    • Medium: Polychromed and gilded leather, wood, and iron
    • Dates: ca. 1700
    • Dimensions: 22 13/16 x 33 1/16 x 17 5/16 in. (58 x 84 x 44 cm)  (show scale)
    • Collections:European Art
    • Museum Location: This item is on view in Luce Visible Storage and Study Center, 5th Floor
    • Exhibitions:
    • Accession Number: 2011.86.2
    • Credit Line: Gift of George S. Hellman and Sir John Lavery, bequest of Henry P. Martin, by exchange and Designated Purchase Fund
    • Rights Statement: Creative Commons-BY
    • Caption: Peruvian. Chest, ca. 1700. Polychromed and gilded leather, wood, and iron, 22 13/16 x 33 1/16 x 17 5/16 in. (58 x 84 x 44 cm). Brooklyn Museum, Gift of George S. Hellman and Sir John Lavery, bequest of Henry P. Martin, by exchange and Designated Purchase Fund , 2011.86.2. Creative Commons-BY
    • Image: left, CUR.2011.86.2_left.jpg. Brooklyn Museum photograph, 2012
    • Record Completeness: Good (68%)
    advanced 110,582 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.