This image is presented as a "thumbnail" because it is protected by copyright. The Brooklyn Museum respects the rights of artists who retain the copyright to their work.
Ram's Head, White Hollyhock-Hills (Ram's Head and White Hollyhock, New Mexico)
Georgia O’Keeffe filled her landscapes of the desert Southwest with an abundance of horns and antlers. This painting features an enlarged ram’s skull and antlers hovering emblematically over landscape and sky; the organic lines and complex orifices of these nearly abstract forms conjure associations both phallic and feminine. Sexuality was a complicated issue for O’Keeffe. She famously denied that her landscapes or flower paintings were allegories of the female form, yet their lineage is obviously physical. In both cases, she asserted her own vision of the female body—camouflaged with protective layers of meaning.
-
Artist: Georgia O'Keeffe, American, 1887-1986
- Medium: Oil on canvas
- Dates: 1935
- Dimensions: 30 x 36 in. (76.2 x 91.5 cm) (show scale)
- Collections:American Art
- Museum Location:
This item is on view in Morris A. and Meyer Schapiro Gallery, 4th Floor - Accession Number: 1992.11.28
- Credit Line: Brooklyn Museum, Bequest of Edith and Milton Lowenthal 1992.11.28
- Rights Statement: © artist or artist's estate
Copyright for this work may be controlled by the artist, the artist's estate, or other rights holders. A more detailed analysis of its rights history may, however, place it in the public domain.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright.
If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
- Caption: Georgia O'Keeffe (American, 1887-1986). Ram's Head, White Hollyhock-Hills (Ram's Head and White Hollyhock, New Mexico), 1935. Oil on canvas, 30 x 36 in. (76.2 x 91.5 cm). Brooklyn Museum, Brooklyn Museum, Bequest of Edith and Milton Lowenthal 1992.11.28, 1992.11.28. © artist or artist's estate
- Image: overall, 1992.11.28_SL1.jpg. Brooklyn Museum photograph, 2010
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don't yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Georgia O'Keeffe (American, 1887-1986). Ram's Head, White Hollyhock-Hills (Ram's Head and White Hollyhock, New Mexico), 1935. Oil on canvas, 30 x 36 in. (76.2 x 91.5 cm). Brooklyn Museum, Brooklyn Museum, Bequest of Edith and Milton Lowenthal 1992.11.28, 1992.11.28. © artist or artist's estate (Photo: Brooklyn Museum, 1992.11.28_SL1.jpg)- Record Completeness: Best (86%)
Not every record you will find here is complete. More information is
available for some works than for others, and some entries have been
updated more recently. Records are frequently reviewed and revised, and
we welcome any
additional information you might have.
Before you comment...
We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:
Why are some objects not on view?
The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.
How do I find out how much an object in the Brooklyn Museum collections is worth?
The Museum does not disclose the monetary values of objects in its collections.
Can you tell me the value of an artwork that I own?
The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.
I own a similar object. Can you tell me more about it?
Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.
How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?
Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.
How can I get a reproduction of a work in your collection?
Please see the Museum’s information on Image Services.
How can I show my work to someone at the Museum or be considered for an exhibition?
Please see the Museum’s Artist Submission Guidelines.
Why do many objects not have photographs and/or complete descriptions?
The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.
How can I find a conservator or get advice on how to treat my artwork?
Please visit the American Institute for Conservation, which has a feature on how to find a conservator.
I have a comment or question which is not included in this list.