Collections: American Art: Sinchi Roca, Second Inca, 1 of 14 Portraits of Inca Kings

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Sinchi Roca, Second Inca, 1 of 14 Portraits of Inca Kings

Throughout the embattled environment of the colonial Americas—above and below the equator—portraits served as potent symbols of political and social power. The Brooklyn Museum's strong holdings of Spanish colonial art afford an unusual opportunity to study American colonial portraiture on the broadest possible level. Portraits of the historical kings of the Inca dynasty of Peru—including this eighteenth-century example—were a type that originated in the context of the vying powers of native and Spanish rule in the city of Cuzco. Native artists in that city, the ancient highland center of Inca culture and a native stronghold throughout the colonial period, began producing the type about 1600 for Spanish patrons, adopting a European portrait mode but adding native facial characteristics and indigenous costumes for authenticity. Although these portraits were in a sense inventions—there were no actual historical likenesses on which they could have been based—they nevertheless served to "document" for the Spanish the powerful dynasty vanquished by the Conquest in 1541. At the same time, they were commissioned and prized by Cuzco's surviving Inca aristocracy, for whom they represented an illustrious and royal heritage. Because they reinforced the notion of Inca power, portraits of the native kings were banned and destroyed after the outbreak of Inca rebellions in the 1780s. After the demise of Spanish rule in 1824, surviving examples such as these became highly valued tourist souvenirs; the group of fourteen in the Museum's collection was collected by the Dutch-descended New Yorker Frederic de Peyster.

This text refers to these objects: ' 1995.29.14; 1995.29.1; 1995.29.2; 1995.29.8; 1995.29.10

Medium: Oil on canvas
Place Made: Peru
Dates: mid 18th century
Period: Colonial Period
Dimensions: 23 5/8 x 21 11/16 in. (60 x 55.1 cm) (show scale)

Inscriptions: Inscribed on roundel: "Sinchiroca Sequndo Ynqa;"
Collections:American Art
Museum Location: This item is not on view
Accession Number: 1995.29.2
Credit Line: Dick S. Ramsay Fund, Mary Smith Dorward Fund, Marie Bernice Bitzer Fund, Frank L. Babbott Fund; Gift of The Roebling Society and the American Art Council; purchased with funds given by an anonymous donor, Maureen and Marshall Cogan, Karen B. Cohen, Georgia and Michael deHavenon, Harry Kahn, Alastair B. Martin, Ted and Connie Roosevelt, Frieda and Milton F. Rosenthal, Sol Schreiber in memory of Ann Schreiber, Joanne Witty and Eugene Keilin, Thomas L. Pulling, Roy J. Zuckerberg, Kitty and Herbert Glantz, Ellen and Leonard L. Milberg, Paul and Thérèse Bernbach, Emma and J. A. Lewis, Florence R. Kingdon
Rights Statement: No known copyright restrictions
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Caption: Sinchi Roca, Second Inca, 1 of 14 Portraits of Inca Kings, mid 18th century. Oil on canvas, 23 5/8 x 21 11/16 in. (60 x 55.1 cm). Brooklyn Museum, Dick S. Ramsay Fund, Mary Smith Dorward Fund, Marie Bernice Bitzer Fund, Frank L. Babbott Fund; Gift of The Roebling Society and the American Art Council; purchased with funds given by an anonymous donor, Maureen and Marshall Cogan, Karen B. Cohen, Georgia and Michael deHavenon, Harry Kahn, Alastair B. Martin, Ted and Connie Roosevelt, Frieda and Milton F. Rosenthal, Sol Schreiber in memory of Ann Schreiber, Joanne Witty and Eugene Keilin, Thomas L. Pulling, Roy J. Zuckerberg, Kitty and Herbert Glantz, Ellen and Leonard L. Milberg, Paul and Thérèse Bernbach, Emma and J. A. Lewis, Florence R. Kingdon, 1995.29.2
Image: overall, 1995.29.2_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don't yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.

Catalogue Description: Portrait of Sinchi Roca, the Second Inca King, dressed in the finery of his office and holding a staff in his left hand and pointing with his right. This portrait is part of a series of 14 Inca King portraits that is based on the engraving by Antonio de Herrera, which in turn is based on a painted prototype (see Converging Cultures, 1996, p. 239).
Record Completeness: Best (84%)
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.

inca [x]		man [x]
painting [x]		king [x]
portrait [x]

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