Banda Mask

Nalu; or Baga

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Object Label

This mask combines human features and those of a crocodile or shark with teeth bared. It has the tail of a chameleon, the horns and ears of an antelope, and features of less identifiable animals. Worn horizontally on top of the head, the mask is attached to a skirt of vegetal fibers that covers the body of the wearer. Banda masks were the property of the Simo men’s society, which historically oversaw and regulated fertility and initiation ceremonies. Today it is danced primarily for entertainment.

Caption

Nalu; or Baga. Banda Mask, late 19th or early 20th century. Wood, metal, pigment, 61 1/2 x 15 3/4 x 15 3/8 in. (156.0 x 40.0 x 39.0 cm). Brooklyn Museum, Caroline A.L. Pratt Fund, 58.7. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

Arts of Africa

Cultures

Nalu, or Baga

Title

Banda Mask

Date

late 19th or early 20th century

Geography

Place made: Guinea

Medium

Wood, metal, pigment

Classification

Masks

Dimensions

61 1/2 x 15 3/4 x 15 3/8 in. (156.0 x 40.0 x 39.0 cm)

Credit Line

Caroline A.L. Pratt Fund

Accession Number

58.7

Frequent Art Questions

  • What is this?

    The Banda Mask was made by either a Nalu or Baga artist in Guinea. Banda is the name of a masked supernatural being found among the Baga and Nalu people along the coastal regions of Guinea. The many different animals incorporated here (crocodiles, chameleons, and antelopes) are believed to be mythical ancestors that play an important role in traditional Baga spirituality. As the Nalu and Baga have more recently converted to Islam, these masks are danced for entertainment and not for spiritual reasons.
    The human characteristic demonstrate Baga scarification patterns and elaborately brained hair, popular among Baga women. Interestingly this mask is so iconic it appeared on Guinea currency! From 1985 on this mask was featured on the 50 Franc bill.

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