Oniwakamaru and the Giant Carp Fight Underwater
Known by many names (including Kintaro, or Golden Boy), Sakata Kaidomaru was an eleventh-century warrior of legendary strength who is said to have displayed great prowess as a fighter even in his early childhood. This celebrated image shows the well-muscled boy wrestling a giant carp under a waterfall. Kuniyoshi adds considerable depth and energy to the scene through his innovative depictions of a transparent stream of water and scattering white spray.
- Artist: Utagawa Kuniyoshi, 1797-1861
- Medium: Woodblock print; ink and color on paper
- Place Made: Japan
- Dates: 1835
- Period: Edo Period
- Dimensions: 15 x 10 5/16 in. (38.1 x 26.2 cm) (show scale)
- Collections:Asian Art
- Museum Location:
This item is not on view - Accession Number: 1999.139.1
- Credit Line: Gift of Dr. Eleanor Z. Wallace in memory of her husband, Stanley L. Wallace M.D.
- Rights Statement: No known copyright restrictions
- Caption: Utagawa Kuniyoshi (1797-1861). Oniwakamaru and the Giant Carp Fight Underwater, 1835. Woodblock print; ink and color on paper, 15 x 10 5/16 in. (38.1 x 26.2 cm). Brooklyn Museum, Gift of Dr. Eleanor Z. Wallace in memory of her husband, Stanley L. Wallace M.D., 1999.139.1
- Image: overall, 1999.139.1_IMLS_PS3.jpg. Brooklyn Museum photograph
- Catalogue Description: This print depicts the famous legend of a young demon, Oniwakamaru (aka Sakata Kaidomaru, aka Kintaro, aka Golden Boy), fighting with a Giant Carp, which swallowed his mother. Oniwakamaru's mother gave birth to him after a mysterious dream that she would miraculously conceive a child in her old age. The title of the print is located on the upper left, and the artist's signature appears under the title, and the legend about Oniwakamaru is written in an extended text on the lower left. The artist, Utagawa Kuniyoshi (1797-1861), is one of the Utagawa school's ukiyo-e artists, who portrayed old stories and legends as most of his themes.
- Record Completeness: Best (86%)



RajArumugam
not_here
Eastern Parkway/Brooklyn Museum
with just a bib of red and gold
often red-naked;
Kintaro, child of nature
of the Ashigara mountain
friend of rabbit, monkey, squirrel,
tanuki and fox
Oh Kintaro! save us from this wild carp
so gigantic no human can tame
or catch
Oh Kintaro! super child, child of thunder sent by red dragon of Mt Ashigara
Oh subdue the Gigantic carp,
Oh Kintaro – save us!
and see now Kintaro comes
leaps into the waters
and Kintaro fights the carp
Kintaro subdues the monster
and the waters leap out
and flow like rivers
and they fill lake and ponds
and Kintaro has subdued the carp
and we are all safe now again!
Thanks to Kintaro!
and so may all boys be strong
may all boys be brave
like little boy Kintaro
like mighty, mighty Kintaro
Before you comment...
We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:
Why are some objects not on view?
The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.
How do I find out how much an object in the Brooklyn Museum collections is worth?
The Museum does not disclose the monetary values of objects in its collections.
Can you tell me the value of an artwork that I own?
The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.
I own a similar object. Can you tell me more about it?
Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.
How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?
Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.
How can I get a reproduction of a work in your collection?
Please see the Museum’s information on Image Services.
How can I show my work to someone at the Museum or be considered for an exhibition?
Please see the Museum’s Artist Submission Guidelines.
Why do many objects not have photographs and/or complete descriptions?
The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.
How can I find a conservator or get advice on how to treat my artwork?
Please visit the American Institute for Conservation, which has a feature on how to find a conservator.
I have a comment or question which is not included in this list.