The Annunciation (L'annonciation)

James Tissot

Brooklyn Museum photograph

Object Label

According to Luke, an angel appeared to Mary and announced that she would bear the Son of God. Tissot adhered to art-historical precedents for this biblical episode, placing the Angel Annunciate at left and Mary at right. Her white robes, symbolizing purity, set her apart from the pattern-on-pattern furnishings that the artist used to signal the “authenticity” of the exotic Eastern setting. Mary sits on the floor with head bowed and hands open, humbly accepting her role.

In a later passage of his published Bible, Tissot wrote an extensive commentary on the hierarchies and anatomies of angels. Citing biblical texts, he indicates that the cherubim, the angelic messengers he depicted in some of his images, are endowed with the face of a man and three pairs of wings: one pair to veil the face, another to cover the body, and the last used for flight on divine missions.

Caption

James Tissot (Nantes, France, 1836–1902, Chenecey–Buillon, France). The Annunciation (L'annonciation), 1886–1894. Opaque watercolor over graphite on gray wove paper, Image: 6 11/16 x 8 9/16 in. (17 x 21.7 cm) Sheet: 6 11/16 x 8 9/16 in. (17 x 21.7 cm) Frame: 15 x 20 x 1 1/2 in. (38.1 x 50.8 x 3.8 cm). Brooklyn Museum, Purchased by public subscription, 00.159.16. (Photo: Brooklyn Museum)

Gallery

Not on view

Title

The Annunciation (L'annonciation)

Date

1886–1894

Geography

Place made: France

Medium

Opaque watercolor over graphite on gray wove paper

Classification

Watercolor

Dimensions

Image: 6 11/16 x 8 9/16 in. (17 x 21.7 cm) Sheet: 6 11/16 x 8 9/16 in. (17 x 21.7 cm) Frame: 15 x 20 x 1 1/2 in. (38.1 x 50.8 x 3.8 cm)

Signatures

Signed top right: "J.J. Tissot"

Credit Line

Purchased by public subscription

Accession Number

00.159.16

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