The Marriage at Cana (Les noces de Cana)
Object Label
Attentive to Jewish ritual, which dictated that men and women would have been separated at such an event, Tissot suggests in his text that Mary communicated the news of the missing wine to Jesus through a partition. The artist paints this wood screen in the background of the scene, behind the distinctive horseshoe arrangement of the feast tables.
Spurning apocryphal legends of wondrous deeds performed during Christ’s youth, Tissot insists in his commentary on the Holy Childhood that this episode represents Jesus’ first miracle.
Caption
James Tissot (Nantes, France, 1836–1902, Chenecey–Buillon, France). The Marriage at Cana (Les noces de Cana), 1886–1894. Opaque watercolor over graphite on gray wove paper, Image: 8 15/16 x 7 13/16 in. (22.7 x 19.8 cm) Sheet: 8 15/16 x 7 13/16 in. (22.7 x 19.8 cm) Frame: 20 x 15 x 1 1/2 in. (50.8 x 38.1 x 3.8 cm). Brooklyn Museum, Purchased by public subscription, 00.159.62.
Gallery
Not on view
Gallery
Not on view
Artist
Title
The Marriage at Cana (Les noces de Cana)
Date
1886–1894
Geography
Place made: France
Medium
Opaque watercolor over graphite on gray wove paper
Classification
Dimensions
Image: 8 15/16 x 7 13/16 in. (22.7 x 19.8 cm) Sheet: 8 15/16 x 7 13/16 in. (22.7 x 19.8 cm) Frame: 20 x 15 x 1 1/2 in. (50.8 x 38.1 x 3.8 cm)
Signatures
Signed bottom right: "J.J. Tissot"
Credit Line
Purchased by public subscription
Accession Number
00.159.62
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