Skip Navigation

Triptych: Madonna with Saints and Christ Blessing (Center); The Nativity and the Annunciate Angel (Left Wing); Crucifixion and the Virgin Annunciate (Right Wing)

Maso di Banco

European Art

This folding triptych (a painting on three panels) is filled with multiple figures and scenes meant to inspire devotion and reflection. Because the Virgin appears four times, and Catherine of Alexandria (right) and Mary Magdalene (left) are prominently featured on either side of her in the central image, this triptych may have been of a type primarily intended for use by women at home, perhaps bought or commissioned by husbands to encourage their wives’ virtuous behavior.
MEDIUM Tempera and tooled gold on poplar panel in original engaged frame
  • Place Made: Italy
  • DATES ca. 1336
    DIMENSIONS Center panel: 30 1/8 x 11 3/4 in. (76.5 x 29.8 cm) Wings: 17 3/4 x 5 1/8 in. (45.1 x 13 cm)  (show scale)
    COLLECTIONS European Art
    ACCESSION NUMBER 34.838
    CREDIT LINE Gift of Mary Babbott Ladd, Lydia Babbott Stokes, and Frank L. Babbott, Jr. in memory of their father Frank L. Babbott
    CATALOGUE DESCRIPTION Center panel: Virgin and Child with Twenty Saints Center pinnacle: God the Father Light wing: Angel Annunciate; The Annunciation to the Shepherds; The Nativity Right wing: Virgin Annunciate; Crucifixion
    MUSEUM LOCATION This item is not on view
    CAPTION Maso di Banco (Italian, Florentine School, 1341-1346). Triptych: Madonna with Saints and Christ Blessing (Center); The Nativity and the Annunciate Angel (Left Wing); Crucifixion and the Virgin Annunciate (Right Wing), ca. 1336. Tempera and tooled gold on poplar panel in original engaged frame, Center panel: 30 1/8 x 11 3/4 in. (76.5 x 29.8 cm). Brooklyn Museum, Gift of Mary Babbott Ladd, Lydia Babbott Stokes, and Frank L. Babbott, Jr. in memory of their father Frank L. Babbott, 34.838 (Photo: Brooklyn Museum, 34.838_SL3.jpg)
    IMAGE framed, 34.838_SL3.jpg. Brooklyn Museum photograph
    "CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
    RIGHTS STATEMENT No known copyright restrictions
    This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
    RECORD COMPLETENESS
    Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.