Collections: European Art: Life of Saint Philip of Jesus (Vida de San Felipe de Jesus)

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: "Octopus" Coat Hanger

Today when we think of where inventive contemporary design is manufactured, we often think of Italy. This, however, was not always the c...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Power Figure (Nkishi)

    This figure’s protruding abdomen allowed room for the insertion of various medicines by an nganga (ritual specialist) to activate the ...


    Want to add this object to a set? Please join the Posse, or log in.


    Showing images 1 - 60 of 93Next

    Showing images 1 - 60 of 93Next

    44.195.50_p29_PS4.jpg 44.195.50_page24_SL3.jpg 44.195.50_page04_PS6.jpg CUR.44.195.50_page04.jpg CUR.44.195.50_page05.jpg CUR.44.195.50_page06.jpg CUR.44.195.50_page07.jpg CUR.44.195.50_page08.jpg CUR.44.195.50_page09.jpg CUR.44.195.50_page10.jpg CUR.44.195.50_page11.jpg CUR.44.195.50_page12.jpg CUR.44.195.50_page13.jpg CUR.44.195.50_page14.jpg CUR.44.195.50_page15.jpg CUR.44.195.50_page16.jpg CUR.44.195.50_page17.jpg CUR.44.195.50_page18.jpg CUR.44.195.50_page19.jpg CUR.44.195.50_page20.jpg CUR.44.195.50_page21.jpg CUR.44.195.50_page22.jpg CUR.44.195.50_page23.jpg CUR.44.195.50_page24.jpg CUR.44.195.50_page25.jpg CUR.44.195.50_page26.jpg CUR.44.195.50_page27.jpg CUR.44.195.50_page28.jpg CUR.44.195.50_page29.jpg CUR.44.195.50_page30.jpg CUR.44.195.50_page31.jpg CUR.44.195.50_page32.jpg CUR.44.195.50_page33.jpg CUR.44.195.50_page34.jpg CUR.44.195.50_page35.jpg CUR.44.195.50_page36.jpg CUR.44.195.50_page37.jpg CUR.44.195.50_page38.jpg CUR.44.195.50_page39.jpg CUR.44.195.50_page40.jpg CUR.44.195.50_page41.jpg CUR.44.195.50_page42.jpg CUR.44.195.50_page43.jpg CUR.44.195.50_page44.jpg CUR.44.195.50_page45.jpg CUR.44.195.50_page46.jpg CUR.44.195.50_page47.jpg CUR.44.195.50_page48.jpg CUR.44.195.50_page49.jpg CUR.44.195.50_page50.jpg CUR.44.195.50_page51.jpg CUR.44.195.50_page52.jpg CUR.44.195.50_page53.jpg CUR.44.195.50_page54.jpg CUR.44.195.50_page55.jpg CUR.44.195.50_page56.jpg CUR.44.195.50_page57.jpg CUR.44.195.50_page58.jpg CUR.44.195.50_page59.jpg CUR.44.195.50_page60.jpg

    Life of Saint Philip of Jesus (Vida de San Felipe de Jesus)

    These three objects tell a story of Mexico’s early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained.

    Estos tres objetos cuentan la historia del patriotismo criollo en el México de inicios del siglo XIX. El movimiento de independencia mexicano fue promovido por criollos, a quienes con frecuencia se les negó voz en el gobierno colonial. El Acta de la Independencia de 1821 formalizó la independencia que había sido declarada en 1810 y fue firmada por muchos aristócratas criollos, entre ellos don José María Gómez de Cervantes, cuyo retrato se exhibe aquí cerca. Las imágenes sagradas del Nuevo Mundo como la Virgen de Guadalupe, la que milagrosamente se le apareció al indio Juan Diego en 1521, y San Felipe de Jesús, el primer santo nacido en México, llegaron a ser importantes símbolos nacionalistas que apoyaron la idea de que la independencia de México era un designio divino.

    This text refers to these objects: ' 45.128.189; 44.195.50; 52.166.19

    • Artist: José Montes de Oca, Mexican, active ca. 1788-1820
    • Medium: Engraved prints on white antique laid paper, modern binding
    • Dates: 1801
    • Dimensions: size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm) average sheet size: 8 1/2 x 5 3/4 in. (21.6 x 14.6 cm)  (show scale)
    • Collections:European Art
    • Museum Location: This item is not on view
    • Exhibitions:
    • Accession Number: 44.195.50
    • Credit Line: Museum Expedition 1944, Purchased with funds given by the Estate of Warren S.M. Mead
    • Rights Statement: No known copyright restrictions
    • Caption: José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). Brooklyn Museum, Museum Expedition 1944, Purchased with funds given by the Estate of Warren S.M. Mead, 44.195.50
    • Image: overall, 44.195.50_p29_PS4.jpg. Brooklyn Museum photograph, 2012
    • Record Completeness: Good (66%)
    advanced 110,573 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.