Collections: Asian Art: Evening Shower at Nihonbashi Bridge, from Celebrated Places in the Eastern Capital (Toto Meisho)

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Evening Shower at Nihonbashi Bridge, from Celebrated Places in the Eastern Capital (Toto Meisho)

Given their quantity and availability, Japanese color woodblock prints played an especially important role in fostering Japonisme. This work exemplifies some of the formal characteristics that Western artists found so refreshingly different in the arts of Japan: compositions with strong diagonals or asymmetrical arrangements, dramatically foreshortened perspective, and an emphasis on flat, linear design. Hiroshige's prints were also admired for their high technical quality. The multiple blocks (a separate block vvas used for each color) had to be carved with exactitude in order to print in alignment, and they were hand-inked to create subtle gradations of hue and tone.

• Artist: Utagawa Hiroshige (Ando), Japanese, 1797-1858
• Medium: Woodblock print
• Place Made: Japan
• Dates: ca. 1832
• Period: Edo Period
• Dimensions: 10 5/16 x 15 1/4in. (26.2 x 38.7cm) Sheet: 10 5/16 x 15 5/16 in. (26.2 x 38.9 cm) Image: 9 1/16 x 13 3/4 in. (23 x 35 cm)
• Markings: Publisher's mark: Kikakudo.
• Collections: Asian Art
• Museum Location: This item is not on view
• Accession Number: 41.471
• Credit Line: Gift of Louis V. Ledoux
• Image: Overall, 41.471_IMLS_PS3.jpg. Brooklyn Museum photograph
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Evening Shower at Nihonbashi Bridge, from Celebrated Places in the Eastern Capital (Toto Meisho), ca. 1832. Woodblock print, 10 5/16 x 15 1/4in. (26.2 x 38.7cm) Sheet: 10 5/16 x 15 5/16 in. (26.2 x 38.9 cm) Image: 9 1/16 x 13 3/4 in. (23 x 35 cm). Brooklyn Museum, Gift of Louis V. Ledoux, 41.471 (Photo: Brooklyn Museum, 41.471_IMLS_PS3.jpg)