Collections: Arts of the Islamic World: Top Section of a Water Jug

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Madonna and Child

This painting is the cut-down central panel of a triptych, or three-panel work, which would have included two “wings” in additio...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: A View of the Two Lakes and Mountain House, Catskill Mountains, Morning

    By the 1840s, when he painted this view, Thomas Cole was at the fore of a new movement in American landscape painting that would later be kn...

     

    Want to add this object to a set? Please join the Posse, or log in.

    close

    73.30.6_PS2.jpg 73.30.6_print_bw.jpg CUR.73.30.6_side_view1.jpg CUR.73.30.6_side_view2.jpg CUR.73.30.6_view1.jpg CUR.73.30.6_view2.jpg

    Top Section of a Water Jug

    This remarkable object is the top half of a habb, or water jug. The unglazed ceramic body allowed for the cooling of water stored inside; for this reason, habbs have been used in Mesopotamia since pre-Islamic times. Surviving early examples vary in their degree of decoration. This habb is elaborately embellished, with a depiction of a ruler seated on a carpet and flanked by armed attendants and harpies (mythical birds possessing the head of a woman) with tails that terminate in dragon heads. A background of scrolling vines inhabited by birds is pierced into the vessel’s body. Overall, such figural decoration is typical of the courtly imagery popular in the eastern Islamic world during the medieval period, as is evident from both architectural decoration and manuscript painting of the time.

    • Medium: Ceramic; earthenware, pierced decoration
    • Geographical Locations:
      • Possible place made: Iraq
      • Possible place made: Syria
    • Dates: late 12th-early 13th century
    • Dynasty: Possibly Seljuq
    • Period: Possibly Seljuq
    • Dimensions: 11 1/2 x 13 1/2 in. (29.2 x 34.3 cm)  (show scale)
    • Collections:Arts of the Islamic World
    • Museum Location: This item is not on view
    • Accession Number: 73.30.6
    • Credit Line: Gift of The Roebling Society
    • Rights Statement: Creative Commons-BY
    • Caption: Top Section of a Water Jug, late 12th-early 13th century. Ceramic; earthenware, pierced decoration, 11 1/2 x 13 1/2 in. (29.2 x 34.3 cm). Brooklyn Museum, Gift of The Roebling Society, 73.30.6. Creative Commons-BY
    • Image: overall, 73.30.6_PS2.jpg. Brooklyn Museum photograph, 2007
    • Catalogue Description: Top of a large water cistern or cooler of porous clay. It has an elaborate molded and incised ornament of human and animal figures in vegetative motifs in ogival panels, which constitute a decorative screen for an air space 1 1/4" thick. Center motif is of a seated figure on a throne with a cup, a symbol of office in his left hand, perhaps in the manner of a Seljuk sultan. He is dressed in a long embroidered robe, riding boots and a conical fur brimmed hat from which 2 pigtails dangle. Surrounding the seated figure is an open-work intertwined arabesque ornament. Surmounting this are two confronting birds with heads turned towards their tails. Flanking the seated figure to right and left are standing guards dressed in early 13th century Seljuk fashion, one of whom carries a sword. The standing figure on the right is faceless and probably was also carrying a sword, but it is absent. Next to the guards are crowned, winged sphinxes with tails terminating in a dragon head. The handle emerges from a straight piece is jagged with several missing sections.
    • Record Completeness: Best (86%)
    advanced 108,019 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."




    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.