Front Screen A: Focus on Modernism
Many American artists experimented with modernism during the first half of the twentieth century, participating in an international explosion of artistic innovations that broke with classical and Renaissance models and sought to express the values of an industrialized, urban world. Forms were often abstracted from objects in nature, as well as from machines and technology; color was released from its traditional associations with the natural world. As demonstrated here, the paintings of most American modernists were characterized by strong, flat colors and expressive distortions, but they rarely became completely nonobjective.
The visual conventions of modernism were largely based on French artistic innovations made before World War I, especially the late works of Paul Cézanne, the paintings of Henri Matisse and the Fauves, and the Cubist experiments of Pablo Picasso and Georges Braque. Many American artists were aware of European developments early on. Alfred Stieglitz’s 291 gallery, where Matisse’s work had been first exhibited in New York in 1908, was an early center for the display of advanced European art. A larger American public was introduced to a broad survey of European and American modern art at the 1913 Armory Show, where the avant-garde paintings caused great critical controversy.
| Visible Storage: Case 15, Screen A (Paintings) |
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39.240 |
Abraham Walkowitz By the Pool, n.d.
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44.69 |
Abraham Walkowitz Self-Portrait 1908, 1908
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47.10 |
Alfred Henry Maurer Still Life, 1928
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54.20 |
Isabel Lydia Whitney The Blue Peter, 1928
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56.2 |
Morgan Russell Abstraction, ca. 1922-1923
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63.148.2 |
Guy Pène du Bois Automobile Tires, 1915
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63.148.3 |
Guy Pène du Bois The Confidence Man, 1919
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67.181 |
Maurice Kish Job Hunters, 1932-1933
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72.3 |
Marsden Hartley Handsome Drinks, 1916
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72.99 |
Marguerite Thompson Zorach Memories of My California Childhood, 1921
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78.267 |
Max Weber The Cellist, 1917
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84.298.3 |
William Zorach Equestrian, ca. 1913
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88.122 |
Manierre Dawson Xdx, 1910
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1992.11.4 |
Stuart Davis Landscape with Clay Pipe, 1941
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1992.11.15 |
Marsden Hartley Sunday on the Reefs, 1935-1936
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1992.11.16 |
Marsden Hartley Starfish, 1936
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1992.11.17 |
Marsden Hartley Three Pears, Grapes, and White Flowers, 1936
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1992.11.19 |
Marsden Hartley Summer Clouds and Flowers, 1942
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1992.11.20 |
Marsden Hartley White Cod, 1942
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1992.11.24 |
Stanton MacDonald-Wright Synchromy No. 3, 1917
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1992.11.30 |
Max Weber The Visit, 1919
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1998.99 |
Dorothea A. Dreier Winter Wood Scene, before 1923
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| Visible Storage: Case 15, Screen B (Paintings) |
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01.1502 |
Henry Pember Smith Landscape, 1882
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14.552 |
Albert Pinkham Ryder Summer's Fruitful Pastures, mid-late 1870s
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14.554 |
Albert Pinkham Ryder The Grazing Horse, mid 1870s
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14.557 |
Albert Pinkham Ryder Moonrise, late 1870s
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15.281 |
Homer Dodge Martin Normandy Coast, 1884
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15.312 |
Ralph Albert Blakelock Embarkation, ca. 1880 - 1895
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21.107 |
Thomas Cole Ruined Castle and River, ca. 1832
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28.7 |
William Louis Sonntag Scene in the White Mountains, ca. 1860-1870
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31.696 |
Robert A. Eichelberger Coast Landscape, Dunes and Windmill, 1899
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32.830 |
David Johnson Wallkill Scenery, ca. 1885
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32.853 |
Arthur Parton The Mist, after 1875
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40.524 |
William Sidney Mount Study for Caught Napping (Boys Caught Napping in a Field), 1847
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44.237 |
Louis Michel Eilshemius Landscape, 1917
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51.198 |
John Frederick Kensett English Landscape, 1843-1845
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54.184 |
Albert Pinkham Ryder Marine, Moonlight, 1890s
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57.4 |
George Henry Smillie Sunset Landscape, 1867
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64.143 |
James Hamilton What are the Wild Waves Saying?, 1868
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65.148 |
Thomas Addison Richards On Claverack Creek near Hudson, New York, 1846
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73.57.1 |
William Trost Richards River Valley in the Moonlight, ca. 1855
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75.12.1 |
William Trost Richards A Rough Surf, after 1890
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75.12.3 |
William Trost Richards Marine Study, 1890s
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75.12.4 |
William Trost Richards Marine: Oil Sketch, 1880-1890
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75.12.6 |
William Trost Richards Marine Study, 1890s
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75.137 |
Winckworth Allan Gay Green Mountains, Lake Champlain, ca. 1865
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85.120.1 |
Hamilton Easter Field Niagara Falls and Rainbow, n.d.
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1992.105 |
William Trost Richards Blackberry Bush, 1858
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1992.173.1 |
Alfred Henry Maurer Landscape, ca. 1907-1910
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| Visible Storage: Case 15, Screen C (Paintings) |
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04.296 |
Charles Warren Eaton Connecticut Pines, 1904
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06.52 |
John Carleton Wiggins Cattle in a Pool, 1883
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08.218 |
Alexander Theobald van Laer Winter Landscape, ca. 1907
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08.222 |
Charles Day Hunt Lake Henderson, Adirondacks, 1881
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12.91 |
Eanger Irving Couse Lovers (Indian Love Song), 1905
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13.43 |
Alexander Helwig Wyant Keene Valley, ca. 1884-1886
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13.61 |
Arthur B. Davies Landscape with Pigs (Autumn Landscape), ca. 1897
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13.73 |
Unknown Picnic in the Catskills, ca. 1840
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22.85 |
Arthur B. Davies Double Realm, ca. 1905-1906
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23.86 |
Hamilton Easter Field Early Morning, ca. 1906
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33.270 |
Ralph Albert Blakelock Edge of the Forest, ca. 1880 - 1890
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1991.266 |
August Will View toward New York City from Montgomery Street Bluff, Jersey City, ca. 1875-1877
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| Visible Storage: Case 15, Screen D (Paintings) |
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11.530 |
Leon Dabo Silver Light, Hudson River, 1911
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18.34 |
Robert Loftin Newman Landscape with Figures, 1903
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19.91 |
Clifford Warren Ashley A Whaleship on the Marine Railway at Fairhaven, 1916
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20.636 |
George Oberteuffer In Stevenson's Moret, ca. 1920
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21.24 |
Jonas Lie The Old Ships Draw to Home Again, 1920
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22.89 |
Hamilton Easter Field River Front, New York, in Winter, ca. 1912
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30.42 |
Ogden M. Pleissner Chaisson's House, 1926-1927
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30.918 |
George Inness Sunrise, 1892
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30.966 |
Unknown Forest Landscape, ca. 1850s
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80.126 |
Dwight William Tryon A Glimpse of the Sea, 1872
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| Visible Storage: Case 15, Screen E (Paintings) |
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12.913 |
Hendrik Dirk Krusman van Elten Landscape, ca. 1885
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13.34 |
Albert Pinkham Ryder Evening Glow, The Old Red Cow, early - mid 1870s
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24.89 |
Unknown Decorative Landscape, After Michele Felice Corne, ca. 1820
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29.1196 |
Frank Horowitz Lumberville, Pa., n.d.
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30.1153 |
Glenn O. Coleman Fort Lee Ferry, 1923
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32.845 |
Thomas Moran Sunset at Sea, 1906
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33.183 |
Hugh Bolton Jones The Willows, ca. 1900
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51.8 |
Jasper Francis Cropsey Bareford Mountains, West Milford, New Jersey, 1850
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70.103 |
James Hamilton Seascape, ca. 1865
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| Visible Storage: Case 15, Screen F (Paintings) |
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06.31 |
Arthur Parton Misty Morning, Coast of Maine, ca. late 1860s
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06.309 |
Arthur Quartley On Synepuxent Bay, Maryland, 1876
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07.272 |
Elliott Daingerfield Midnight Moon, ca. 1906
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14.551 |
Albert Pinkham Ryder The Sheepfold, late 1870s
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15.279 |
Hayley Lever Winter, St. Ives, ca. 1914
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15.302 |
Alexander Helwig Wyant Autumn Scene, Asheville, North Carolina, ca. 1892
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15.329 |
Robert Swain Gifford Seconnet Rock, New Bedford, Massachusetts, ca. 1865
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15.509 |
John Sargeant Rollin Tilton Paestum, ca. 1860
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18.33 |
Robert Loftin Newman Landscape: The Sleeper, 1901
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33.268 |
Robert Crannell Minor In the Adirondacks, ca. 1890
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44.232 |
Unknown Panoramic Landscape with a View of a Small Town, ca 1840s-1850s
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58.81 |
Glenn O. Coleman Gloucester Harbor, ca. 1920s
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81.63 |
William Trost Richards Tulip Trees, 1859
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1992.12 |
Jasper Francis Cropsey Autumn at Mount Chocorua, 1869
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| Visible Storage: Case 15, Screen G (Paintings) |
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13.54 |
William Merritt Chase Still Life, Fish, 1912
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18.48 |
Sanford Robinson Gifford Derwentwater, 1856
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33.528 |
Eric Hudson Fishing Boats, Monhegan, ca.1922-1930
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51.191 |
Worthington Whittredge Rocky Shore, 1867
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68.95 |
Thomas Hewes Hinckley Deer, 1855
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74.210 |
Alfred Henry Maurer Two Heads, ca. 1924-1925
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75.12.2 |
William Trost Richards Rocky Coast, after 1891
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77.101 |
Aaron Draper Shattuck Madison Boulder, Conway, New Hampshire, ca. 1858
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86.197.3 |
Ernest Parton An Old Road in Wales, ca. 1888
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| Visible Storage: Case 15, Screen H (Paintings) |
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32.140 |
William Trost Richards The League Long Breakers Thundering on the Reef, 1887
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33.217 |
William Trost Richards White Island Light, Isle of Shoals, N.H., 1870
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41.624 |
Francis Guy View of Baltimore from Chapel Hill, 1802-1803
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45.166 |
Thomas Birch Shipwreck, 1829
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58.202 |
William Mason Brown Still Life, ca. 1882
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73.57.3 |
William Trost Richards Near Florence, ca. 1855-1856
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80.189 |
George Inness The Rigor of the Game, Kearsarge Hall, North Conway, New Hampshire, ca. 1875
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82.86 |
William Stanley Haseltine Rocks at Nahant, 1864
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1990.101.1 |
Albert Bierstadt Sunset - Last Reflections - Cloud Study,
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| Visible Storage: Case 15, Screen I (Paintings) |
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17.42 |
Alexander Helwig Wyant Moonlight and Frost, 1890-1892
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28.73 |
Robert Melvin Decker Old Chestnuts at Bolton, Lake George, ca. 1890-1895
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29.1306 |
William Henry Howe Milking Time in Holland, ca. 1902
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31.276 |
Arthur B. Davies Homage to the Ocean, ca. 1908
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41.391 |
Max Weber Music, ca. 1940
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45.61 |
Allen Tucker Cranberry Island Fog, 1906
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52.15 |
Winckworth Allan Gay Welch Mountain from West Campton, New Hampshire, 1858
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70.150 |
Francis Augustus Silva Boats on the Hudson, ca. 1874-1878
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71.18 |
William Holbrook Beard In the Forest, 1856
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| Visible Storage: Case 15, Screen J (Paintings) |
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32.141 |
William Trost Richards Early Summer, 1888
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33.218 |
Asher B. Durand Landscape, 1867
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49.3 |
Alfred Thompson Bricher Marine, after 1885
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49.6 |
Robert Salmon Curious Rocks, Coast of Scotland, 1828
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50.65 |
Alvan Fisher View of Springfield on the Connecticut River, 1819
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54.156 |
Emile Branchard Snow Scene, ca. 1920s-1930s
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55.138 |
James Hamilton The Last Days of Pompeii, 1864
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61.32 |
Edwin Dickinson View of Great Island, ca. 1940
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76.191 |
Jane Peterson Fishing Boats, Gloucester, ca. 1915-1920
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78.176 |
Frank Duveneck Villa Castellani, 1887
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87.136.6 |
Georgia O'Keeffe 2 Yellow Leaves (Yellow Leaves), 1928
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| Visible Storage: Case 15, Screen K (Paintings) |
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00.60 |
Carlton Theodore Chapman Calm in Gloucester Harbor, 1890
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08.219 |
Owen Cullen Yates Landscape, ca. 1907
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08.223 |
David Johnson Old Mill, West Milford, New Jersey, 1850
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13.76 |
George Inness Royal Beech in New Forest, Lyndhurst, 1887
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21.84 |
Gustave Wiegand Landscape, Moonrise, 1901
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33.577 |
James McDougal Hart Cow and Dog, n.d.
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54.104 |
Thomas B. Griffin Moonlight on the Delaware River, ca. 1896-1915
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79.18 |
Jervis McEntee Tivoli, 1868
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1992.11.10 |
Lyonel Feininger Lunar Web, 1951
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2002.32.1 |
James Hamilton Foggy Morning on the Thames, ca. 1875
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2002.32.2 |
James Hamilton After a Gale--Wreckers, ca. 1875
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2004.49 |
Albert Bierstadt Blue and White Cloud, n.d.
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2005.14 |
Maurice Sterne Village Scene, ca. 1910s
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| Visible Storage: Case 15, Screen L (Paintings) |
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05.87 |
Paul Dougherty Autumn Oaks, Forest of Fontainebleau, ca. 1900
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15.308 |
Ralph Albert Blakelock The Edge of the Woods, n.d.
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16.32 |
Edwin Howland Blashfield Island of Elephantine (Egypt), ca. 1886-1891
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21.118 |
J. Hall Mountain Landscape, 1853
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40.304 |
Arnold Blanch Swamp Folk, 1939
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46.14 |
Louis Michel Eilshemius Nude Ascending, 1908
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51.212 |
Samuel Lancaster Gerry New England Homestead, 1839
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69.24 |
Charles Octavius Cole Imperial Knob and Gorge: White Mountains of New Hampshire, 1853
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72.46 |
Henry Pember Smith Old Homestead, ca. 1877
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82.246.1 |
William Louis Sonntag Mountain View, ca. 1850
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87.139.2 |
Joseph Rusling Meeker Lake Mendota, Madison, Wisconsin, 1870-1871
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X521 |
George L. Clough Fort Dumpling, Rhode Island, ca. 1870
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| Visible Storage: Case 15, Screen M (Paintings) |
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15.287 |
John Francis Murphy Landscape, 1895
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27.736 |
Oscar Gieberich Fishermen's Houses, ca. 1927
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27.800 |
William Keith Mount Hood, Oregon, ca. 1881-1883
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32.120 |
Lionel Walden The White Bark, Evening Effect, ca. 1900-1915?
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42.6 |
Everett Shinn Keith's Union Square, ca. 1903 - 1906
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60.35 |
Glenn O. Coleman Bridge Tower, 1929
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| Visible Storage: Case 15, Screen N (Paintings) |
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05.85 |
Victor Gifford Audubon Startled Deer--A Prairie Scene, ca. 1847
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11.511 |
John La Farge Centauress, 1887
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15.326 |
Asher B. Durand Landscape (Birch and Oaks), ca. 1855-1857
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28.6 |
James McDougal Hart Midsummer, 1870
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34.1199 |
Clarence K. Chatterton House on the Cliff, n.d.
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40.686 |
Unknown Warwick Castle, ca. 1850s-1860s
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53.23 |
Johann Hermann Carmiencke Landscape, Hyde Park, New York, 1859
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1996.150.1 |
Thomas Pollack Anshutz House and Tree (The Artist's House), after 1895
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