Front Screen A: Focus on Impressionism
The term Impressionism is generally applied to innovations associated with certain late nineteenth-century French artists, especially Claude Monet, who worked in a spontaneous, naturalistic style characterized by visible brushwork and a brightly colored palette. Their subjects, mostly urban scenes and landscapes, were sometimes painted outdoors (a technique called plein-air painting). For them, the depiction of outdoor light itself took precedence over the portrayal of subject matter and commitment to spatial illusion. Impressionist chromatic innovations were informed by scientific color theory, whereas the informality of their compositions was associated with both the new technology of photography and the popularity in Europe of Japanese prints.
By the 1890s a group of American painters had adopted French Impressionist techniques in varying degrees, evolving their styles independently. Mary Cassatt was the first American formally associated with the Impressionist movement. Some American artists, including Theodore Robinson, John Singer Sargent, Theodore Wendel, and Frederick C. Frieseke, enjoyed direct contact with Monet. Childe Hassam, Willard L. Metcalf, and Henry O. Tanner discovered Impressionism while pursuing art studies in Paris. Hassam, in particular, was a pioneer in adapting Impressionist strategies to evocative images of New York City.
In general American artists did not carry the technique as far as Monet and his associates did, maintaining a firmer grasp on modeled form and conventional appearances. Painters such as John H. Twachtman occasionally employed Impressionist devices to achieve effects that verged on poetic abstraction. An international Impressionist manner persisted well into the twentieth century and is demonstrated in the paintings of Ernest Lawson, Edward Potthast, and William Glackens.
| Visible Storage: Case 23, Screen A (Paintings) |
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13.36 |
John Henry Twachtman Meadow Flowers (Golden Rod and Wild Aster), ca. 1892
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15.291 |
Edward Henry Potthast On the Beach, ca. 1913
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19.95 |
Mary Cassatt Woman in a Red Bodice and Her Child, ca. 1901
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23.67 |
John Henry Twachtman The End of the Rain, ca. 1900-1901
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24.85 |
George Wesley Bellows The Sand Cart, 1917
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27.861 |
Frederick Carl Frieseke The Artist's Daughter, 1927
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32.10 |
Henry Ossawa Tanner The Arch, 1914
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39.53 |
Maurice Brazil Prendergast Flowers in a Vase (Zinnias), ca. 1910-1913
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67.24.12 |
Ernest Lawson Winter Landscape: Washington Bridge, ca. 1907-1910
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.JPG) |
79.36 |
Will Hicock Low Love Disarmed, 1889
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83.122.2 |
Anna Mary Robertson Moses Early Skating, 1951
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86.194 |
Theodore Wendel Giverny Farm, ca. 1886
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.JPG) |
1992.107.16 |
Frederick Childe Hassam Montauk, 1921
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.JPG) |
1996.150.2 |
William Glackens Pears and Oranges in a Bowl, ca. 1915
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| Visible Storage: Case 23, Screen B (Paintings) |
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06.321 |
Walter M. Brackett Trout, 1867
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13.69 |
Robert Swain Gifford Trees and Meadow, ca. 1885
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26.186 |
Frederick Carl Frieseke Le Pouldu Landscape, ca. 1901
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29.1084 |
Charles Harold Davis In Spring Sunshine, ca. 1920
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29.1390 |
Henry Lee McFee Still Life, 1928-1929
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38.691 |
Yasuo Kuniyoshi Alabaster Vase and Fruit, 1928
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41.1084 |
Robert Brackman Still Life with Discarded Pitcher, ca. 1940
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43.139 |
William Merritt Chase Carll H. de Silver, ca. 1909
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47.174 |
Samuel Marsden Brookes California Smelt, ca. 1865-1880
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48.197 |
William Stanley Haseltine After a Shower -- Nahant, Massachusetts, ca. 1864
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55.13 |
Henry Lee McFee Leaves and Blossoms, before 1955
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64.80.28 |
William Sidney Mount Cactus in Blossom, 1857
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64.208 |
Martin Johnson Heade Two Humming Birds: "Copper-tailed Amazili", ca.1865-1875
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80.190.2 |
Eugene E. Speicher Landscape, 1919
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85.121.1 |
William Jacob Hays Two Orchids, Brassia Lanceana, Cattleya Labiata, 1869
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85.121.2 |
William Jacob Hays Three Orchids, Acropera, Peristeria Elata, Cattleya Bicolor, 1869
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1992.11.23 |
Yasuo Kuniyoshi End of Juanita, 1942
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| Visible Storage: Case 23, Screen C (Paintings) |
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17.39 |
Dwight William Tryon Twilight, 1893-1894
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32.834 |
Nicholas Winfield Scott Leighton Two Horses at a Wayside Trough, 1883
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46.124 |
Jack Levine Welcome Home, 1946
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59.96 |
Augustus Vincent Tack Canyon, ca. 1931
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76.120 |
Alma W. Thomas Wind, Sunshine and Flowers, 1968
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2006.49 |
Emmi Whitehorse Fire Weed, 1998
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L34.118 |
Francis Criss City Landscape, 1934
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| Visible Storage: Case 23, Screen D (Paintings) |
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12.93 |
Robert Henri Laughing Girl, 1910
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15.290 |
Edward Henry Potthast Bathers, ca. 1913
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41.780 |
Theodore Robinson La Roche Guyon, 1891
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42.216 |
Jon Corbino Flood, ca. 1930s
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42.253 |
Alfred Henry Maurer Carrousel, ca. 1901 - 1902
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45.132 |
Mervin Jules The Conductor, ca. 1940
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65.204.8 |
Homer Dodge Martin Effect of Trees, ca. 1879
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66.80 |
Robert Gwathmey Vacationist, 1945
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80.125.1 |
George Tooker Singer, 1961-1962
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1991.147.2 |
Isabel Bishop Study for "Soda Fountain with Passers By", 1960
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.JPG) |
2004.30.1 |
Romare Bearden Southern Courtyard, 1976
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2005.38.3 |
Charles Volkmar Landscape, ca. 1885
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| Visible Storage: Case 23, Screen E (Paintings) |
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13.62 |
Arthur B. Davies Children of Yesteryear, ca. 1897
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22.101 |
Sven Birger Sandzén Creek at Moonrise, 1921
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41.680 |
Bernard Karfiol The Awakening, ca. 1940
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45.58 |
Alexander Brook Remember Me? I Was at Bataan, ca. 1943
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46.15 |
Raphael Soyer Cafe Scene, before 1946
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62.76 |
Philip Howard Francis Evergood The Tooters, 1961
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67.182 |
Niles Spencer Camp Chair, 1933
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72.136a-b |
Marguerite Thompson Zorach Skiff in Waves (recto) and Figures in Landscape (verso), (verso) c1913 (recto)1914
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1992.11.27 |
Alfred Henry Maurer Head of a Girl, 1929
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1992.107.18 |
Hans Hofmann Autumn, 1949
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| Visible Storage: Case 23, Screen F (Paintings) |
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28.207 |
Joseph Stella The Virgin, 1926
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28.421 |
Adolphe Borie Girl Meditating, 1916
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36.867 |
Alexander Brook Bacchante, 1934
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44.68 |
Abraham Walkowitz Self-Portrait 1903, 1903
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44.198 |
Fred Gardner Ben Bolt, 1941
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53.231 |
Fred Gardner The Studio Window, 1925 or 1926
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57.43 |
Loren MacIver Fishers' Island, ca. 1952
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62.51.2 |
Joseph Stella Portrait of Moses Soyer, 1944
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66.127 |
George Copeland Ault Manhattan Mosaic, 1947
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67.234.1 |
John Henry Twachtman Niagara, ca. 1893-1894
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75.74 |
Romare Bearden At Connie's Inn, from the "Of the Blues" series, 1974
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76.190.1 |
Eugene Berman Balconies and Stairways, 1954
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78.211 |
Adolph Gottlieb Unstill Life, 1955
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1992.271.12 |
Milton Avery Striped Shirt, 1932
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| Visible Storage: Case 23, Screen G (Paintings) |
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82.83 |
Al Held Solar Wind III, 1974
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.JPG) |
1992.16 |
Charmion von Wiegand The Ancestral Altar from I Ching, 1954
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2006.79 |
Jaune Quick-to-See Smith Ghost Dance Dress, 2000
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| Visible Storage: Case 23, Screen H (Paintings) |
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86.91 |
Carroll Dunham No Nature, 1985-1986
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1995.114 |
David Diao Black and White, 1986
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| Visible Storage: Case 23, Screen I (Paintings) |
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56.180 |
Grace Hartigan East Side Sunday, 1956
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68.51 |
Hans Hofmann Towering Spaciousness, 1966
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73.177 |
James Albert Rosenquist Hello, Hello, Hello, 1973
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| Visible Storage: Case 23, Screen J (Paintings) |
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87.136.2 |
Georgia O'Keeffe Fishhook From Hawaii - No. I, 1939
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| Visible Storage: Case 23, Screen K (Paintings) |
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86.200 |
Sylvia Plimack Mangold The Inversion, 1984
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1991.151a-g |
Lorna Simpson The Service, 1990
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| Visible Storage: Case 23, Screen L (Paintings) |
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65.55 |
Moses Soyer Three Brothers,
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.JPG) |
72.135 |
Fairfield Porter Interior in Sunlight, 1965
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85.289.1 |
Mark Rothko Untitled, 1930-1935
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88.34a-b |
Ree Morton Regional Work #2, 1976
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1991.149 |
Francois Morellet On a Square 0-90 and a Square 15-105, 1976
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1994.4 |
Bill Jensen Untitled (with Yellow), 1990-1993
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2004.89 |
Kambui Olujimi Something Like a Phenomenon, 2002
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| Visible Storage: Case 23, Screen M (Paintings) |
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17.40 |
Dwight William Tryon Apple Blossoms, 1895
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58.39 |
Helen Frankenthaler Lorelei, 1957
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58.40 |
Milton Avery Sunset, 1952
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72.167.1 |
Frank Stella Palmito Ranch, 1962
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72.167.2 |
Frank Stella Sabine Pass, 1962
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72.167.3 |
Frank Stella Hampton Roads, 1962
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72.167.4 |
Frank Stella Island No. 10, 1962
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72.167.5 |
Frank Stella New Madrid, 1962
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72.167.6 |
Frank Stella Delaware Crossing, 1962
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1992.107.13 |
Sam Francis Untitled, before 1960
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2002.100 |
Will Barnet The Three Brothers, 1964
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| Visible Storage: Case 23, Screen N (Paintings) |
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32.116 |
Eugene Lawrence Vail Jour de Fête à Venise, ca. 1904
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1999.113 |
Cecelia Beaux Mrs. Robert Abbe (Catherine Amory Bennett), 1898-1899
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