At Work in America
Work is a theme that runs through the American collections. Colonial and Federal portraits rarely show the sitter engaged in actual work, although the attributes of the sitter’s profession—whether it be that of schoolmaster, mapmaker, soldier, or statesman—may be included. Landscape paintings often include images of rural labor celebrating the fertility of the land and the patriotic ideal of the yeoman farmer. Idealized or caricatured images of rural workers provided both humor and nostalgia for nineteenth-century city dwellers whose childhoods had often been spent in the country. Women’s work was the special province of Lilly Martin Spencer, whose humorous and sentimental images of domestic labor in the mid-nineteenth century brought her fame as one of the few professional female artists of her day (70.26).
Cities provided the setting for new kinds of labor. Francis Guy’s view of Brooklyn catalogues the businesses and businessmen as well as the workers of the early nineteenth-century village. George Luks portrayed immigrant street culture a century later, with urban crowds surging by storefronts and vendors (40.339). George Bellows’s grim yet dynamic image captures the antlike laborers swarming in and out of the gigantic excavation that became Pennsylvania Station (67.205.1).
The collections also include a rich array of objects used in household labor. Food molds were deemed utilitarian by their nineteenth-century users, but a curatorial selection of these objects provides an aesthetic display. In contrast, many twentieth-century century designers collaborated with manufacturers to offer the consumer functional objects that are both beautiful and useful.
26 objects are included in this theme. |
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97.13 |
Francis Guy Winter Scene in Brooklyn, ca. 1819-1820
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06.311 |
Thomas Waterman Wood New Cider, 1868
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16.30 |
Julian Alden Weir Willimantic Thread Factory, 1893
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28.422 |
Mahonri M. Young Right to the Jaw, ca. 1926-1927
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30.1109 |
Bertram Hartman Trinity Church and Wall Street, 1929
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39.116 |
Chester Beach The Stoker, 1912
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39.608 |
William Sidney Mount Caught Napping (Boys Caught Napping in a Field), 1848
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40.223 |
American Platter (Knights of Labor), 1869
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40.238 |
American Platter (McCormack Reaper), 1831
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40.339 |
George Benjamin Luks Street Scene (Hester Street), 1905
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.JPG) |
41.878 |
John Mason Furness John Vinall, ca. 1792
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43.25 |
Union Porcelain Works Century Vase, 1876
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51.8 |
Jasper Francis Cropsey Bareford Mountains, West Milford, New Jersey, 1850
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51.108 |
Francis William Edmonds All Talk and No Work, 1855-1856
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67.61 |
Jerome Thompson Apple Gathering, 1856
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67.205.1 |
George Wesley Bellows Pennsylvania Station Excavation, ca. 1907-1908
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79.169.231 |
W. Cory Mold, 19th century
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79.169.236 |
Unknown Mold, 19th century
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85.74 |
Edward P. Schreyer "Petipoint" Iron, Model #W410, ca. 1941
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.JPG) |
86.15a-f |
Lurelle Guild Vacuum Cleaner, ca. 1937
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87.31 |
Randy Dudley Gowanus Canal from 2nd Street, 1986
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1992.167 |
Saunders Corporation "Silver Streak" Iron, ca. 1946
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1994.109.1a-c |
George Howe Inkstand and Calendar, ca. 1931
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1998.143.1 |
Harold L. van Doren Sentinel Scale, 1930-1940
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1998.143.3a-b |
Egmont Arens Meat Slicer, ca. 1935
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.JPG) |
X908a-c |
Stile Craft Manufacturers, Inc. Pencil Sharpener, "Electro-Pointer", ca. 1930
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