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When you visit the Brooklyn Museum, you can use our app to ask us questions or chat about the artwork you see.

You’ll be connected with a team of art historians and educators who know our collection, can answer your questions, and can give you recommendations on what to see next. 

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Explore our permanent collection or a special exhibition on a guided group tour led by one of our friendly and experienced Museum Guides, or on your own with a self-guided group tour. These tours are for adult groups with at least 10 people, last about one hour, and can be tailored to meet the interests and needs of your group.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

We're renovating our second floor to bring you a better experience, which means the Libraries and Archives are closed to the public until fall 2017. If you're a researcher who would like to access our resources, send us an email and we'll do our best to assist you.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Exhibitions on the Fifth Floor

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk on the first floor.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Exhibitions on the Fourth Floor

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk on the first floor.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Exhibitions on the Third Floor

Also on the Third Floor: Iris and B. Gerald Cantor Auditorium

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk on the first floor.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Our Second Floor galleries are currently closed for renovations.

Also on the Second Floor

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk on the first floor.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Parking
Parking is available in the lot behind the Museum, off Washington Avenue. On Target First Saturdays, there's a flat rate of $6 starting at 5 p.m. Park your bicycle in the rack behind the building, next to our sculpture garden.

Shopping
Our Shop offers an eclectic mix of gifts, jewelry, books, clothing, crafts, and foods from around Brooklyn and around the world. Shop hours

Dining
Have small plates, dinner, or drinks at The Norm restaurant and bar, led by Michelin-starred Chef Saul Bolton. Or stop by the BKM Café or Bowl. Planning a group tour? Consider a catered lunch for your group.

Rest Rooms
Rest rooms are on the first and third floors (floor plan), are wheelchair accessible, and have baby-changing tables. A family rest room is located just off the main lobby.

Coat Check
A free coat check is available on the first floor, where you can leave any packages, large bags, umbrellas, or strollers.

Wheelchairs
Complimentary wheelchairs are available at the coat check on the first floor. Our entrances and rest rooms are wheelchair accessible. For more information, visit our Accessibility page.

Strollers
You're welcome to use strollers throughout the building (although from time to time there are certain areas where we might need to restrict their use, on account of small spaces, especially fragile art, or other circumstances). If necessary, leave your stroller at the coat check.

Wireless Access
We offer free wireless access throughout our galleries and grounds. During your visit, we encourage you to switch to wifi (BrooklynMuseum) for faster download speeds. The wireless project was created by the Brooklyn Museum Technology Department, with help from NYCWireless.

Go Mobile
Need information on the go? Planning your next visit? Access www.brooklynmuseum.org from your mobile phone to view our mobile-friendly website.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

We're committed to making our galleries and facilities accessible to everyone.

  • We are fully wheelchair accessible. Check our online and printed floor plan for details.
  • If you need a wheelchair during your visit, they're available for free at the coat check in the lobby.
  • Companions of people with disabilities are admitted for free.
  • The parking lot behind the Museum is fully accessible. There's a free, 15-minute grace period for pickups and dropoffs.
  • If you need an assistive-listening device, they're available for free at our Admissions Desk, on the first floor.

We also offer a wide range of services for our visitors of all ages with special needs.

  • For those who have low or no vision, guided visits that include verbal descriptions can be scheduled for both adult and school groups, with advance notice. We also offer Sensory Tours, monthly public tours designed to accommodate and engage both sighted and non-sighted visitors. Verbal descriptions of collection highlights are available via Art Beyond Sight.
  • For those who are deaf or hard-of-hearing, American Sign Language interpretation for both adult and school group tours can be arranged, with advance notice.
  • For those with intellectual disabilities or other special needs, we offer specially tailored guided gallery visits to adult and school groups.

We hope that you'll get in touch with us via email or at 718.501.6229 if you have questions about any of the above services, or if you'd like to make advance arrangements.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

No matter what your interest, there's a tour for you:

  • Join our Museum Guides for daily public tours (free with admission) focusing on a variety of themes, eras, and movements in art.
  • Book a group tour for ten or more adults.
  • Explore tours and programs for school groups, all designed to help students and teachers construct meaningful experiences with works of art.
ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Exhibitions on the First Floor

Also on the First Floor

  • Admissions Desk
  • Museum Shop
  • Dining (The Norm restaurant and bar; BKM Café and Bowl)

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

By Subway

2/3 to Eastern Parkway/Brooklyn Museum. Transfer to 2/3 from 4/5 (at Nevins Street) and B, D, Q, N, R, and LIRR (at Atlantic Terminal-Barclays Center). See a subway map. Make sure to check with the MTA for any service changes, especially on the weekend.


By Bus

The closest bus stops are:

B41 and B69 at Grand Army Plaza

B45 at St. Johns Place and Washington Avenue

Check with the MTA for the most up-to-date bus information.


By Car

From Manhattan:

Brooklyn Bridge; left at Tillary Street; right on Flatbush Avenue for about 1.5 miles to Grand Army Plaza; about 2/3 around Plaza; right on Eastern Parkway. We're at the first intersection (Eastern Parkway and Washington Avenue). Or: Manhattan Bridge enters directly onto Flatbush Avenue.

From Westchester, the Bronx, Queens, or Connecticut:

Robert F. Kennedy Bridge (Triborough) to Brooklyn Queens Express (BQE); Manhattan Bridge exit to Tillary Street; left onto Flatbush Avenue and proceed according to the directions from Manhattan.

From Staten Island and southern or central New Jersey:

Verrazano-Narrows Bridge to Gowanus Expressway (Route 278 towards Manhattan); exit to 38th Street; left on Fourth Avenue for about 2 miles; right on Union Street; 5 blocks to Grand Army Plaza; go 1/2 around Plaza; right on Eastern Parkway. We're at first intersection (Eastern Parkway and Washington Avenue).

From northern or north central New Jersey:

George Washington Bridge/Holland or Lincoln Tunnel to Manhattan; follow directions from Manhattan.

From Long Island:

Grand Central Parkway to Jackie Robinson Parkway; exit at Bushwick Avenue; left at third traffic light to Eastern Parkway; about 3 miles to Washington Avenue. We're across intersection at left.


Parking

On-site parking is available in the lot behind the Museum, off Washington Avenue. On Target First Saturdays there's a flat rate of $5 beginning at 5 p.m.


Bikes

Park your bicycle at the racks behind the Museum, next to the Sculpture Garden. Bikes are parked at your own risk; we don't accept responsibility for vandalism or theft.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

Who is Lois Martin?
She was a research associate here at the Brooklyn Museum, working on the "Paracas textile" in the early 1990s.
She specialized in pre-Columbian art. She's not on the staff currently, but we're certainly still using her research, as you can see!
Can you tell me more about the artist who painted The Root?
Lynette Yiadon-Boakye was born in London in 1977 and she attended St Martins School of Art and Design and the Royal Academy Schools in London. She usually paints figures, and her influences include Edouard Manet, Edgar Degas, and the British artist Walter Sickert. Here's an interesting quote from Yiadom-Boakye: “People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.”
Thanks!
You're welcome!
How many ounces do these glasses hold? What drink were they probably used for?
Those were designed by Elsa Tennhardt and were used for mixed drinks and cocktails. I'm not sure how many ounces they might hold, but they are certainly smaller than modern-day martini glasses! The idea of mixing alcohols into a cocktail was new in the 20th century.
Why is he pointing at the ground?
I believe it's just the way he is holding his sword, which is a ceremonial sword, more for symbolism and status than for actual use.
His right hand does have a specific meaning though, it's an "oratorical" gesture, showing that he is about to speak. In fact, many of the objects in that portrait are symbolic and have meanings related to Washington's career and accomplishments!
Are the colors on the paper original or are they rewritten with colors believed to be used back then?
The colors are original, with red being used for the titles of spells.
Amazing, thank you!
You're welcome!
I'm looking at a pile of clothes with a vaguely feminine form. What makes these found object arrangements museum quality?
Thoughtful question. With this work, as with many, many contemporary works that utilize found objects and materials, it is really the intent and the idea of the artist that makes them of interest to collectors and museums.
The artist, Shinique Smith, was inspired by a film that tracks a T-shirt with a university logo from a thrift shop in New York to a mountain village in Africa, where it is purchased by a man and becomes his second shirt. Her piece really comments on the global economy through the path of second hand clothing. The title "Mitumba" is a Swahili word that literally means “bundles” and refers to the packages and articles of used clothing donated by people in prosperous countries to charitable causes. Smith has a series of sculptures like this.
Ok, I see that. Is the Santa Claus an original part of it?
Yes, her bundles include fabric scraps, clothing and toys and it was a complete piece when it was gifted to the Museum in 2009.
Thanks!
You're welcome!
I'm going to be volunteering here soon and I need to learn more about the collections. How many mummies are here? Is the mummy still in Nespanetjerenpere's container?
Their are four mummies on view. "Mummy and Cartonnage of Hor," "Anthropoid Coffin of Thothirdes," "Inner Cartonnage of Gautsesheni," and "Cartonnage and Mummy." Nespanetjerenpere's cartonnage is empty, the mummy has been lost.
Hor and Gautsesheni are inside of their cartonnages so you can't actually see the mummies themselves, but those two are in there. You can see Thothirdes and one more unnamed mummy. Those would be the two the kids are really after!
Exactly where is the collar that is discussed in discription below?
The collar you're referring to is like a broad necklace. The area from Nespanetjernepere's neck to the top of the winged-ram deity, underneath the wig, is all the wesekh collar.
Okay, thank you!
You're welcome!
Is this "The Peaceable Kingdom" the only one that exists? I thought I had seen it before elsewhere but bigger?
You're right! This isn't the only version of Edward Hicks 'The Peaceable Kingdom'. From about 1820, the self-taught artist and Quaker preacher Edward Hicks painted approximately sixty versions of 'The Peaceable Kingdom'. The other versions are scattered at many different institutions across the nation. So you very well have seen a larger one.
Hi! I am wondering if you have any information regarding the commission of this work?
Hello, thanks for using the ASK app today. I have just been researching this mosaic window, it's so fascinating!
This work was created for the Charles Merrill Memorial Chapel at the Brooklyn Home for Aged Men. A woman named Abigail Merrill commissioned it in 1911 in memory of her husband, Charles. The window remained in the chapel until the 1960s when the chapel was torn down. The window came here as a gift from various donors to the Museum.
Neat, thanks!
You're welcome!
Marine mosaics are extremely captivating! I would love to hear your perspective on the window as well. It's truly an under appreciated style!
I am so intrigued by the window and just Brigham's style overall. The fact that he was using found materials, especially natural materials, well before it was popular in the arts to do so is fascinating to me. I also love that he followed in the footsteps of the big names in stained glass-Tiffany, Lamb-and created objects like lampshades and jewelry, as they were, but in the marine mosaic style. He's definitely under appreciated, I agree!
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.