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When you visit the Brooklyn Museum, you can use our app to ask us questions or chat about the artwork you see.

You’ll be connected with a team of art historians and educators who know our collection, can answer your questions, and can give you recommendations on what to see next. 

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Explore our permanent collection or a special exhibition on a guided group tour led by one of our friendly and experienced Museum Guides, or on your own with a self-guided group tour. These tours are for adult groups with at least 10 people, last about one hour, and can be tailored to meet the interests and needs of your group.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

We're renovating our second floor to bring you a better experience, which means the Libraries and Archives are closed to the public until fall 2017. If you're a researcher who would like to access our resources, send us an email and we'll do our best to assist you.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Exhibitions on the Fifth Floor

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk on the first floor.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Exhibitions on the Fourth Floor

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk on the first floor.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Exhibitions on the Third Floor

Also on the Third Floor: Iris and B. Gerald Cantor Auditorium

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk on the first floor.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Our Second Floor galleries are currently closed for renovations.

Also on the Second Floor

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk on the first floor.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Parking
Parking is available in the lot behind the Museum, off Washington Avenue. On Target First Saturdays, there's a flat rate of $6 starting at 5 p.m. Park your bicycle in the rack behind the building, next to our sculpture garden.

Shopping
Our Shop offers an eclectic mix of gifts, jewelry, books, clothing, crafts, and foods from around Brooklyn and around the world. Shop hours

Dining
Have small plates, dinner, or drinks at The Norm restaurant and bar, led by Michelin-starred Chef Saul Bolton. Or stop by the BKM Café or Bowl. Planning a group tour? Consider a catered lunch for your group.

Rest Rooms
Rest rooms are on the first and third floors (floor plan), are wheelchair accessible, and have baby-changing tables. A family rest room is located just off the main lobby.

Coat Check
A free coat check is available on the first floor, where you can leave any packages, large bags, umbrellas, or strollers.

Wheelchairs
Complimentary wheelchairs are available at the coat check on the first floor. Our entrances and rest rooms are wheelchair accessible. For more information, visit our Accessibility page.

Strollers
You're welcome to use strollers throughout the building (although from time to time there are certain areas where we might need to restrict their use, on account of small spaces, especially fragile art, or other circumstances). If necessary, leave your stroller at the coat check.

Wireless Access
We offer free wireless access throughout our galleries and grounds. During your visit, we encourage you to switch to wifi (BrooklynMuseum) for faster download speeds. The wireless project was created by the Brooklyn Museum Technology Department, with help from NYCWireless.

Go Mobile
Need information on the go? Planning your next visit? Access www.brooklynmuseum.org from your mobile phone to view our mobile-friendly website.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

We're committed to making our galleries and facilities accessible to everyone.

  • We are fully wheelchair accessible. Check our online and printed floor plan for details.
  • If you need a wheelchair during your visit, they're available for free at the coat check in the lobby.
  • Companions of people with disabilities are admitted for free.
  • The parking lot behind the Museum is fully accessible. There's a free, 15-minute grace period for pickups and dropoffs.
  • If you need an assistive-listening device, they're available for free at our Admissions Desk, on the first floor.

We also offer a wide range of services for our visitors of all ages with special needs.

  • For those who have low or no vision, guided visits that include verbal descriptions can be scheduled for both adult and school groups, with advance notice. We also offer Sensory Tours, monthly public tours designed to accommodate and engage both sighted and non-sighted visitors. Verbal descriptions of collection highlights are available via Art Beyond Sight.
  • For those who are deaf or hard-of-hearing, American Sign Language interpretation for both adult and school group tours can be arranged, with advance notice.
  • For those with intellectual disabilities or other special needs, we offer specially tailored guided gallery visits to adult and school groups.

We hope that you'll get in touch with us via email or at 718.501.6229 if you have questions about any of the above services, or if you'd like to make advance arrangements.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

No matter what your interest, there's a tour for you:

  • Join our Museum Guides for daily public tours (free with admission) focusing on a variety of themes, eras, and movements in art.
  • Book a group tour for ten or more adults.
  • Explore tours and programs for school groups, all designed to help students and teachers construct meaningful experiences with works of art.
ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

Exhibitions on the First Floor

Also on the First Floor

  • Admissions Desk
  • Museum Shop
  • Dining (The Norm restaurant and bar; BKM Café and Bowl)

Rest rooms are on the first, second, and third floors; those on the first and third floors are wheelchair accessible. The second-floor rest rooms can be reached only via the stairs from the Schapiro Wing on the third floor. Water fountains are near the first- and third-floor rest rooms.

Pick up Assistive Listening Devices at the Admissions Desk.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

By Subway

2/3 to Eastern Parkway/Brooklyn Museum. Transfer to 2/3 from 4/5 (at Nevins Street) and B, D, Q, N, R, and LIRR (at Atlantic Terminal-Barclays Center). See a subway map. Make sure to check with the MTA for any service changes, especially on the weekend.


By Bus

The closest bus stops are:

B41 and B69 at Grand Army Plaza

B45 at St. Johns Place and Washington Avenue

Check with the MTA for the most up-to-date bus information.


By Car

From Manhattan:

Brooklyn Bridge; left at Tillary Street; right on Flatbush Avenue for about 1.5 miles to Grand Army Plaza; about 2/3 around Plaza; right on Eastern Parkway. We're at the first intersection (Eastern Parkway and Washington Avenue). Or: Manhattan Bridge enters directly onto Flatbush Avenue.

From Westchester, the Bronx, Queens, or Connecticut:

Robert F. Kennedy Bridge (Triborough) to Brooklyn Queens Express (BQE); Manhattan Bridge exit to Tillary Street; left onto Flatbush Avenue and proceed according to the directions from Manhattan.

From Staten Island and southern or central New Jersey:

Verrazano-Narrows Bridge to Gowanus Expressway (Route 278 towards Manhattan); exit to 38th Street; left on Fourth Avenue for about 2 miles; right on Union Street; 5 blocks to Grand Army Plaza; go 1/2 around Plaza; right on Eastern Parkway. We're at first intersection (Eastern Parkway and Washington Avenue).

From northern or north central New Jersey:

George Washington Bridge/Holland or Lincoln Tunnel to Manhattan; follow directions from Manhattan.

From Long Island:

Grand Central Parkway to Jackie Robinson Parkway; exit at Bushwick Avenue; left at third traffic light to Eastern Parkway; about 3 miles to Washington Avenue. We're across intersection at left.


Parking

On-site parking is available in the lot behind the Museum, off Washington Avenue. On Target First Saturdays there's a flat rate of $5 beginning at 5 p.m.


Bikes

Park your bicycle at the racks behind the Museum, next to the Sculpture Garden. Bikes are parked at your own risk; we don't accept responsibility for vandalism or theft.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.

ASK Brooklyn Museum Bloomberg Philanthropies

Here's what people are asking.

What is this style of art called?
It's an early twentieth-century version of Realism.
In the 1920s, some artists continued to work in the abstract avant-garde styles that emerged in Europe at the turn of the 20th century. (See the completely non-objective painting by Kandinsky nearby.) But in the wake of World War I, many artists returned to a more realist style in which objects and people were shown more naturalistically. This post-war trend is sometimes called "the return to order" and it took on different configurations in different places. The Russian artist Boris Grigoriev traveled and lived in many countries after the war. His work is often associated with the German brand of post-WWI realism known as the New Objectivity movement and its key exponent, Otto Dix.
Can you tell me more about this Degas?
Degas was inspired to paint this picture after seeing a rehearsal for the ballet La Source before it opened in Paris in 1866. However, the final work was done later in his studio, from a variety of sketches and other sources.
It's actually his first work of a ballet subject, the thing that he's most famous for today! This ballet had a live horse onstage, and real water.
This dancer was a celebrity who rose through the ranks of the ballet troupe at the Paris Opéra. She's in costume for her part,  the Georgian princess Nouredda. She wears a blue robe with silver braid, gold-speckled gauze trousers, and a "Tartar" headdress in red satin embroidered with black and red pearls and gold spangles. (The Tartars were a Turkic people living in Asia and Europe.)
It's a remarkable painting and it seems modern.
I agree, Degas was certainly ahead of his time in his ideas about composition and space.
I am surprised about the horse and water. My daughter is a ballerina and we think she's cooling her feet after removing pointe shoes. 
This really must have been quite a production, right? I love the idea of her cooling her feet after a long rehearsal.
Thanks!
You are very welcome!
Who is depicted here?
This early-20th century French work depicts the Biblical figure Jacob wrestling with an angel. Odilon Redon was known for his symbolist works in oils, prints, and pastels.
What can you tell me about this?
That's a really interesting piece by a female artist named Dottie Attie. It's one in a series of works she made, looking back at "master" artists (all male).
This piece is a reference to two famous works by the 19th century Philadelphia artist Thomas Eakins. Both works date ca. 1875-76 and are very famous works by Eakins. The painting at the top of the grouping (the man with the oars) depicts Eakins' painting of the rower, Max Schmitt, in his scull on the Schuykill River. The other is a large scene called "The Gross Clinic," which shows a doctor demonstrating a surgical procedure to students. Two details from the Eakins painting are re-created by Attie: the 2 bloody hands with scalpels.
The title is "Barred from the Studio," and the texts she includes refer to something that happened in Eakins career. In the 1870s, women art students were still not allowed to study from male nude models. Eakins found that rule ridiculous, and one day he removed the loincloth from a male model in the studio so that women could view his entire body. Because of this act, he lost his teaching job at the Pennsylvania Academy of the Fine Arts.
I'm curious about the use of folding stools in Versailles. Today, we think of folding furniture as practical for compact spaces or for shipping, but why did folks bother with folding furniture in the Palace of Versailles?
Folding stools were used by ancient Roman senators and so stools like this held allusions to Rome's imperial past. They signified power and so the design was used in Versailles. When not in use, such stools would have been placed around the walls of a room but would not have been folded. Their portability was useful in rooms that had many uses.
I went to the official Versailles website, and here's a direct quote for you: "folding chairs and seating chairs will testify to the revolution that the 18th century brought about in the history of furniture, a reflection of the evolving tastes of a society enamoured by modernity and wanting to live in comfort and luxury."
Is there a functional purpose to this mirror that inverts and distorts the image?
Indeed there was, the mirror would help illuminate the room by reflecting all of the candles in the space. It would also help show off the fancy furnishings of the elite who would own these Federal-era mirrors, since it gives a wide-angle view of the room.
Can you tell me what this green, yellow, and red model is for?
This is a model for a folding picnic table by Henry P. Glass Associates from 1961.
How many works by Monet does this museum have?
The Museum has 5 paintings by Claude Monet and currently two are on view in the Beaux-Arts Court. This one is called "Houses of Parliament." 
Along with a third Monet from our collections, we also have some very special Monet paintings on loan right now in our Special Exhibition on the 4th floor about Francisco Oller. There are paintings by Cézanne, Pissarro, Caillebotte and many other Impressionist artists in the show. I highly recommend taking a look!
I wanted to know more about Mlle Rosina, the subject of this painting.
This work is actually a "portrait" in quotations because it isn't actually a portrait of the woman Mademoiselle Rosina. Huntington based this work on a favorite model.
The woman is intended to be an ideal figure, personifying the art of drawing and the spirit of creativity. This was something artists commonly did at the time -- portraying women as symbols of virtues or other abstract ideas.
Did Degas often paint portraits?
Yes he did! Especially earlier in his career (in the 1860s), before he came to his most famous subject (ballet dancers), Degas spent most of his time working on portraits of his family and friends.  He was interested in capturing people in unguarded moments, and showing something of their psychology. Although portraits are usually commissioned, Degas never painted a portrait on commission. He always maintained a certain independence.
ASK App ASK Team

Curious about how we developed ASK Brooklyn Museum? The project team is blogging regularly on BKM Tech, and we've open sourced our code on Github.