Dolce Far Niente

John Singer Sargent

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Object Label

John Singer Sargent spent part of several summers painting open-air subjects in Italy’s Val d’Aosta. The resulting works reveal his pleasure in the description of vividly brilliant light. To suggest an alluring sensuality, Sargent often dressed his models in costumes that he had purchased in the Middle East. Here, several figures almost seem to merge with the water, enhancing the intimacy of the gathering. All three male figures were modeled by Nicola d’Inverno, Sargent’s servant, a fact that reveals the contrivances underpinning this seemingly casual scene.

Caption

John Singer Sargent (American, born Italy, 1856–1925). Dolce Far Niente, ca. 1907. Oil on canvas, 16 1/4 x 28 1/4 in. (41.3 x 71.7 cm) frame: 24 3/8 x 36 3/8 x 3 in. (61.9 x 92.4 x 7.6 cm). Brooklyn Museum, Bequest of A. Augustus Healy, 11.518. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

American Art

Title

Dolce Far Niente

Date

ca. 1907

Medium

Oil on canvas

Classification

Painting

Dimensions

16 1/4 x 28 1/4 in. (41.3 x 71.7 cm) frame: 24 3/8 x 36 3/8 x 3 in. (61.9 x 92.4 x 7.6 cm)

Signatures

Signed lower right: "John S. Sargent"

Credit Line

Bequest of A. Augustus Healy

Accession Number

11.518

Frequent Art Questions

  • What art style is it?

    The style of this painting is called Impressionism, where the "impression" of a place was seen as more important than exact replication. Sargent spent time in France and met the first wave of French Impressionists, including Claude Monet.
    You can see the loose brush strokes of pure color that look "messy" close up but form a complete picture from far away. They capture the effect of light on the water, grass, and white clothing!
    Thanks!
  • Tell me more.

    John Singer Sargent was an American artist who lived much of his life abroad.
    The style of this painting is called Impressionism, where the "impression" of a place was seen as more important than exact replication. Sargent spent time in France and met the first wave of French Impressionists, including Claude Monet.
    Take a close look at the brushwork! This quick, loose, and “painterly” application of pigment captures the immediacy of a fleeting moment in time.
    This painting shows the "sweetness of doing nothing"--- an Italian phrase. We do not know who modeled for the female figures in this scene, but it has been speculated that they may be the artist's nieces.
    Thank you!

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