Neferhotep in the Crown of Upper and Lower Egypt

ca. 380–30 B.C.E. or later

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Object Label

Neferhotep symbolizes the perpetuity of kingship and is usually depicted, as here, with a rounded wig surmounted by the Crown of Upper and Lower Egypt. He may also have incarnated the appeasement of various deities, including the goddesses featured in the installation Temples, Tombs, and the Egyptian Universe. Although his cult flourished mostly in southern Egypt, statues such as this are also known from northern Egypt.

Caption

Neferhotep in the Crown of Upper and Lower Egypt, ca. 380–30 B.C.E. or later. Bronze, 8 3/4 x 1 5/16 x 2 15/16 in. (22.2 x 3.4 x 7.5 cm) mount: 10 3/4 x 3 x 4 in. (27.3 x 7.6 x 10.2 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 08.480.50. (Photo: Brooklyn Museum)

Title

Neferhotep in the Crown of Upper and Lower Egypt

Date

ca. 380–30 B.C.E. or later

Period

Late Period to Ptolemaic Period

Geography

Place collected: Egypt

Medium

Bronze

Classification

Sculpture

Dimensions

8 3/4 x 1 5/16 x 2 15/16 in. (22.2 x 3.4 x 7.5 cm) mount: 10 3/4 x 3 x 4 in. (27.3 x 7.6 x 10.2 cm)

Credit Line

Charles Edwin Wilbour Fund

Accession Number

08.480.50

Frequent Art Questions

  • Why all the sculpture left foot is forward?

    The left foot forward is used to imply movement, power and stepping into the future. It directly relates to Egyptian hieroglyphs. The reasoning for the left foot specifically relates to the way hieroglyphs were most commonly read, from right to left, and always into the faces of figures. You might notice women are shown with both feet together or their left feet only slightly advanced due to the tight dresses they're shown wearing. So the step is certainly tied to masculinity and is gendered!

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