Gustav Mahler

Auguste Rodin

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Object Label

Alma Mahler, wife of the Viennese composer Gustav Mahler (1860–1911), provided this account of Rodin’s working methods in her recollection of her husband’s sitting for this portrait in 1909:

His method was unlike that of any other sculptor I have had the opportunity of watching. He first made flat surfaces in the rough lump, and then added little pellets of clay which he rolled between his fingers while he talked. He worked by adding to the lump instead of subtracting from it. As soon as we left he smoothed it all down and next day added more. I scarcely ever saw him with a tool in his hand.

Caption

Auguste Rodin (French, 1840–1917). Gustav Mahler, 1909; cast between 1910–1914. Bronze, 13 3/8 x 11 x 9 3/4 in. (34.0 x 27.9 x 24.8 cm). Brooklyn Museum, Ella C. Woodward Memorial Fund, 22.10. (Photo: Brooklyn Museum)

Gallery

Not on view

Title

Gustav Mahler

Date

1909; cast between 1910–1914

Geography

Place made: France

Medium

Bronze

Classification

Sculpture

Dimensions

13 3/8 x 11 x 9 3/4 in. (34.0 x 27.9 x 24.8 cm)

Signatures

Proper left shoulder and on interior plate: "A. Rodin"

Markings

Back, on neck: ALEXIS RUDIER/FONDEUR.PARIS/2eme Epreuve

Credit Line

Ella C. Woodward Memorial Fund

Accession Number

22.10

Frequent Art Questions

  • Which Rodin sculpture was cast while he was alive?

    There is only one work in the show that we know was cast when Rodin was alive: the portrait bust of Gustav Mahler. The portrait of Father Pierre-Julien Eymard was possibly cast in his lifetime, or within a few years of Rodin passing.
    I find it interesting that even if there were multiples cast of each work, every piece has a slightly different surface patina that makes it unique.

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