Jimmy DeSana (American, 1949–1990). Marker Cones, 1982. Chromogenic print, 21 3/4 × 26 in. (55.3 × 66 cm). Courtesy of the Estate of Jimmy DeSana. © Estate of Jimmy DeSana
Mona Chalabi. The Gray-Green Divide (detail), 2022. Ink and colored pencil on paper, dimensions variable. © Mona Chalabi.
Written, directed, and produced by Duke Riley, cinematography by Alexandra Egan, and edited by Brett Land and Duke Riley. Welcome Back to Wasteland Fishing, Episode Two, 2019. Single-channel video, color, sound, 6 min. 12 sec. Courtesy of the artist
Photo: © Juergen Teller, All Rights Reserved
Guadalupe Maravilla (born El Salvador, 1976). Disease Thrower #0, 2022. Gong, hammock, LCD TV, ceremonial ash, pyrite crystals, volcanic rock, steel, wood, cotton, glue mixture, plastic, loofah, objects collected from a ritual of retracing the artist's original migration route, 118 × 123 × 64 in. (299.7 × 312.4 × 162.6 cm). Courtesy of the artist and P·P·O·W, New York. © Guadalupe Maravilla. (Photo: Stan Narten)
Claude Monet (French, 1840–1926). The Doge’s Palace, 1908. Oil on canvas, 32 × 39 in. (81.3 × 99.1 cm). Brooklyn Museum; Gift of A. Augustus Healy, 20.634. (Photo: Brooklyn Museum)
Rafael Lozano-Hemmer (born Mexico City, 1967). Documentation of memorial for Manuel Felguérez Barra in A Crack in the Hourglass, 2020–ongoing. Sand, glass, robotic platform, cameras, computers, OpenFrameworks software, lights, anodized aluminum base, 3-D–printed polymer head, electronic circuit, tubes, funnels, plastic valves, website. Courtesy of Museo Universitario Arte Contemporáneo. © Rafael Lozano-Hemmer. (Photo: Courtesy of the artist)
Baseera Khan (born Denton, Texas, 1980). Braidrage, 2017–ongoing. Performance, duration variable. Photograph documenting performance at Participant Inc., New York, 2017. Courtesy of the artist and Simone Subal Gallery, New York. © Baseera Khan. (Photo: Maxim Ryazansky)
Christian Dior (French, 1905–1957). Bar suit, afternoon ensemble with an ecru natural shantung jacket and black pleated wool crepe skirt. Haute Couture Spring–Summer 1947, Corolle line. Dior Héritage collection, Paris. © Katerina Jebb
Andy Warhol (American, 1928–1987). The Last Supper (Detail), 1986. Screenprint and colored graphic art paper collage on HMP paper, 315/8 × 233/4 in. (80.3 × 60.3 cm). The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc., 1998.1.2125. © 2021 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
Derek Fordjour (American, born 1974). Blue Horn, 2017. Oil pastel, charcoal, acrylic, cardboard, and carved newspaper mounted on canvas, 60 × 40 in. (152.4 × 101.6 cm). Brooklyn Museum; Gift of Tiffany Hott, 2019.31. © Derek Fordjour. (Photo: Brooklyn Museum)
Installation view, Truth Be Told. Brooklyn Museum, May 28, 2021–March 20, 2022. (Photo: Jonathan Dorado)
Kimbel and Cabus (New York, 1863–82). Cabinet-Secretary, circa 1875. Painted cherry, gilding, copper, brass, leather, earthenware, 60 × 35 × 14 in. (152.4 × 88.9 × 35.6 cm). Brooklyn Museum; Bequest of DeLancey Thorn Grant in memory of her mother, Louise Floyd-Jones Thorn, by exchange, 1991.126. (Photo: Gavin Ashworth)
Cotsiogo (Cadzi Cody) (Shoshone, 1866–1912). Painted Hide, circa 1900. Elk hide, pigment, 81 × 78 in. (205.7 × 198.1 cm). Dick S. Ramsay Fund, 64.13. (Photo: Brooklyn Museum)
Installation view, Kameelah Janan Rasheed: Are We Reading Closely? Brooklyn Museum, November 11, 2020—January 10, 2021. (Photo: Jonathan Dorado)
The Queen and The Crown: A Virtual Exhibition of Costumes from “The Queens Gambit” and “The Crown.” On view at thequeenandthecrown.com, October 30–December 13, 2020. (Photos: Courtesy of Netflix)
Installation view, JR: The Chronicles of New York City. Brooklyn Museum, November 18, 2020–February 14, 2021. (Photo: Brooklyn Museum)
KAWS (American, born 1974). WHAT PARTY, 2020. Bronze, paint, 90 × 435/16 × 353/8 in. (228.6 × 110 × 89.9 cm). © KAWS. (Photo: Michael Biondo)
Carrie Mae Weems (American, born 1953). RESIST COVID TAKE 6!, 2020. © Carrie Mae Weems and Social Studies 101. (Photo: Courtesy of Carrie Mae Weems and Social Studies 101)
Ebony G. Patterson (Jamaican, born 1981). Still from ...three kings weep…, 2018. Single-channel video (color, sound): 8 min., 34 sec. Courtesy of the artist and Monique Meloche Gallery, Chicago. © Ebony G. Patterson. (Three-channel version: Brooklyn Museum; Gift of the Contemporary Art Committee and purchase gift of Carla Chammas and Judi Roaman, 2019.11)
Tejo Remy, designer (Dutch, born 1960). Droog Design, Design Cooperative, manufacturer, Amsterdam, Netherlands (founded 1993). Chest of Drawers “You Can't Lay Down Your Memory,” designed 1991, made 2005. Maple, other woods, painted and unpainted metals, plastic, paper, textile, 60 × 60 × 30 in. (152.4 × 152.4 × 76.2 cm). Brooklyn Museum; Gift of Joseph F. McCrindle in memory of J. Fuller Feder, by exchange, 2005.36. © Droog Design. (Photo: Brooklyn Museum)
John Edmonds (American, born 1989). Two Spirits, 2019. Archival pigment photograph, 50 × 381/2 in. (127 × 97.8 cm). Courtesy of the artist and Company, New York. © John Edmonds
Kehinde Wiley (American, born 1977). Barack Obama, 2018. Oil on canvas, 841/18 × 577/8 × 11/4 in. (213.7 × 147 x 3.2 cm). National Portrait Gallery, Smithsonian Institution. The National Portrait Gallery is grateful to the following lead donors for their support of the Obama portraits: Kate Capshaw and Steven Spielberg, Judith Kern and Kent Whealy, and Tommie L. Pegues and Donald A. Capoccia. © 2018 Kehinde Wiley. (Photo: Courtesy of National Portrait Gallery)
Jeffrey Gibson (Choctaw/Cherokee, born 1972). WHEN FIRE IS APPLIED TO A STONE IT CRACKS, 2019. Acrylic on canvas, glass beads and artificial sinew inset into custom wood frame, 78 × 78 in. (198 × 198 cm). Courtesy of the artist and Kavi Gupta, Chicago. © Jeffrey Gibson. (Photo: John Lusis)
Lorraine O'Grady (American, born 1934). Rivers, First Draft: The Woman in White eats coconut and looks away from the action, 1982/2015. Digital chromogenic print from Kodachrome 35mm slides in 48 parts, 16 × 20 in. (40.64 × 50.8 cm). Edition of 8 plus 2 artist's proofs. Courtesy Alexander Gray Associates, New York. © Lorraine O’Grady / Artists Rights Society (ARS), New York
Alaska Native artist. Engraved Whale Tooth, late 19th century. Sperm whale tooth, black ash or graphite, oil, 61/2 × 3 × 2 in. (16.5 × 7.6 × 5.1 cm). Brooklyn Museum; Gift of Robert B. Woodward, 20.895. Creative Commons-BY. (Photo: Brooklyn Museum)
Lourdes Grobet (born Mexico City, Mexico, 1940). Untitled, from the series Painted Landscapes, circa 1982. Silver dye bleach photograph, 711/16 × 73/4 in. (19.5 × 19.7 cm). Brooklyn Museum; Gift of Marcuse Pfeifer, 1990.119.12. © Maria de Lourdes Grobet. (Photo: Brooklyn Museum)
Kuba artist. Mask (Mwaash aMbooy), late 19th or early 20th century. Rawhide, paint, plant fibers, textile, cowrie shells, glass, wood, monkey pelt, feathers, 22 × 20 × 18 in. (55.9 × 50.8 × 45.7 cm). Brooklyn Museum; Robert B. Woodward Memorial Fund, 22.1582. (Photo: Brooklyn Museum)
yasiin bey (American, born 1973). Alämayyähu and yasiin, 2015. Courtesy of The Third Line. © The Third Line
Guy Marineau (French, born 1947). Pat Cleveland on the dance floor during Halston's disco bash at Studio 54, 1977. (Photo: Guy Marineau / WWD / Shutterstock)
Xu Bing (Chinese, born 1955). Square Word Calligraphy: Crossing Brooklyn Ferry, Walt Whitman, 2018. Ink on paper, 893/8 x 4813/16 in. (227 x 124 cm). Brooklyn Museum, Gift of Xu Bing to the Brooklyn Museum in honor of his father, 2018.24a–b. (Photo: Courtesy of the artist)
Jen Catron (American, born 1984) and Paul Outlaw (American, born 1980). B.S.O. (Bright Shiny Object), 2018. Papier-mâché, acrylic paint, resin, imitation chocolate sauce, pump, motorized turntable. Courtesy of Postmasters Gallery and the artists, EL186.01. (Photo: Jonathan Dorado)
JR (French, born 1983). The Chronicles of New York City, 2018–19 (detail). Dimensions variable. © JR-ART.NET
Head of a Guardian. Japan, Kamakura period (1185–1333), 13th century. Hinoki cypress wood with lacquer on cloth, pigment, rock crystal, metal, 221⁄16 × 101⁄4 × 1315⁄16 (56 × 26 × 35.5 cm). Brooklyn Museum; Gift of Mr. and Mrs. Alastair B. Martin, the Guennol Collection, 86.21. (Photo: Brooklyn Museum)
Kehinde Wiley (American, born 1977). Napoleon Leading the Army over the Alps, 2005. Oil on canvas, 108 x 108 in. (274.3 x 274.3 cm). Brooklyn Museum; Partial gift of Suzi and Andrew Booke Cohen in memory of Ilene R. Booke and in honor of Arnold L. Lehman, Mary Smith Dorward Fund, and William K. Jacobs, Jr. Fund, 2015.53. © Kehinde Wiley. (Photo: Brooklyn Museum)
Pablo Picasso (Spanish, 1881–1973). Head of a Young Man (Tête de jeune homme), 1923. Grease crayon on pink Michallet laid paper, 241/2 x 185/8 in. (62.2 x 47.3 cm). Brooklyn Museum; Carll H. de Silver Fund, 39.18. © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Titus Kaphar (American, born 1976). Shifting the Gaze, 2017. Oil on canvas, 83 × 1031/4 in. (210.8 × 262.3 cm). Brooklyn Museum, William K. Jacobs Jr., Fund, 2017.34. © Titus Kaphar. (Photo: Courtesy of Jack Shainman Gallery)
Terry O'Neill (British, born 1938). Raquel Welch in a Pierre Cardin outfit featuring a miniskirt and necklace in blue vinyl, worn with a Plexiglas visor, 1970. Image courtesy of Iconic Images. © Terry O’Neill / Iconic Images
Liz Johnson Artur (born Bulgaria, 1964). Josephine, Peckham, 1995. Chromogenic photograph, 20 x 24 in. (50.8 x 60.9 cm). Courtesy of the artist. © Liz Johnson Artur
Tuesday Smillie (American, born 1981). S.T.A.R., 2012. Watercolor, collage on board, 91/2 x 11 in. (24.1 x 27.9 cm). Courtesy of the artist. © Tuesday Smillie
Garry Winogrand (American, 1928–1984). Untitled (New York), 1960. 35mm color slide. Collection of the Center for Creative Photography, The University of Arizona. © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco
Eric N. Mack in his studio, 2018. Digital photograph. (Photo: Lula Hyers, © Lula Hyers)
Nickolas Muray (American, born Hungary, 1892–1965). Frida in New York, 1946; printed 2006. Carbon pigment print, image: 14 x 11 in. (35.6 x 27.9 cm). Brooklyn Museum; Emily Winthrop Miles Fund, 2010.80. © Nickolas Muray Photo Archives. (Photo: Brooklyn Museum)
Yorùbá artist. Egúngún Masquerade Dance Costume (paka egúngún), circa 1920–48. Lekewọgbẹ compound, Ògbómọ̀ṣọ́, Ọ̀yọ́ State, Nigeria. Cotton, wool, wood, silk, synthetic textiles (including viscose rayon and acetate), indigo dye, and aluminum, 58 x 7 x 70 in. (147.32 x 17.78 x 177.8 cm). Brooklyn Museum; Gift of Sam Hilu, 1998.125. (Photo: Brooklyn Museum)
Kwang Young Chun (born Hongchun, South Korea, 1944). Aggregation 17–NV089, 2017. Mixed media with Korean mulberry paper, 723/4 x 633/4 in. (184.8 x 162 cm). Courtesy of Young Hwan Jeong
Do Ho Suh (born Seoul, South Korea, 1962). The Perfect Home II, 2003. Translucent nylon. Brooklyn Museum; Gift of Lawrence B. Benenson, 2017.46. (Photo: Courtesy of the artist and Lehmann Maupin Gallery)
Small Vase (detail). Raqqa, Syria. Ayyubid period, 13th century. Ceramic, 43/4 x 43/4 x 41/4 in. (12 x 12 x 10.8 cm). Brooklyn Museum; Gift of Mr. and Mrs. Frederic B. Pratt, 36.944. (Photo: Brooklyn Museum)
Exterior installation view, Something to Say: Brooklyn Hi-Art! Machine, Deborah Kass, Kameelah Janan Rasheed, and Hank Willis Thomas (visible: OY/YO, Deborah Kass; DO NOT DISAPPEAR INTO SILENCE, Brooklyn Hi-Art! Machine). Brooklyn Museum, October 3, 2018–June 30, 2019. © 2018 Deborah Kass/Artists Rights Society (ARS), New York. (Photo: Jonathan Dorado)
Wendy Red Star (Apsáalooke (Crow), born 1981). Alaxchiiaahush / Many War Achievements / Plenty Coups, 2014, from the series 1880 Crow Peace Delegation. Pigment print on paper, from digitally reproduced and artist-manipulated photograph by C.M. (Charles Milton) Bell, National Anthropological Archives, Smithsonian Institution, 25 × 17 in. (63.5 × 43.2 cm). Brooklyn Museum; Elizabeth A. Sackler Center for Feminist Art, Gift of Loren G. Lipson, M.D., TL2018.8.5a–b. © Wendy Red Star. (Photo: Jonathan Dorado, Brooklyn Museum)
Rob Wynne (American, born 1950). Installation view of EXTRA LIFE, 2018. Poured and mirrored glass, 160 x 300 in. (406.4 x 762 cm). Courtesy of the artist and Gavlak, Los Angeles/Palm Beach. (Photo: Jonathan Dorado, Brooklyn Museum)
Barkley Hendricks (American, 1945–2017). Blood (Donald Formey), 1975. Oil and acrylic on canvas, 72 x 501/2 in. (182.9 x 128.3 cm). Courtesy of Dr. Kenneth Montague | The Wedge Collection, Toronto. © Estate of Barkley L. Hendricks. Courtesy of the artist’s estate and Jack Shainman Gallery, New York. (Photo: Jonathan Dorado, Brooklyn Museum)
Giovanni della Robbia (Italian, Florentine, 1469–1529/30). The Resurrection of Christ, circa 1520–25. Glazed terracotta, 683/4 x 1431/2 x 13 in. (174.6 x 364.5 x 33 cm). Brooklyn Museum; Gift of A. Augustus Healy, 99.5
William Trost Richards (American, 1833–1905). Woodland Boulders, circa 1877–78. Transparent and opaque watercolors over graphite on gray/green, moderately thick, smooth textured wove paper, Sheet: 101/16 x 147/16 in. (25.6 x 36.7 cm). Brooklyn Museum, Bequest of Mrs. William T. Brewster through the National Academy of Design, 53.228
Cecilia Vicuña (born 1948, Santiago, Chile). Skyscraper Quipu (Incan quipu performance, New York), 2006. Rephotographed 2018. Cotton, dimensions variable. Collection of the artist. © Cecilia Vicuña. Courtesy of the artist and Lehmann Maupin, New York and Hong Kong. (Photo: Matthew Herrmann)
Actor performing monologue in David Levine: Some of the People, All of the Time. Photo taken 5/23/18. (Photo: Rachel Papo, courtesy of Brooklyn Museum)
Jean-Michel Basquiat (American, 1960–1988). Untitled, 1982. Acrylic, spray paint, and oilstick on canvas, 721/8 x 681/8 in. (183.2 x 173 cm). Collection of Yusaku Maezawa. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York
Sylvia Palacios Whitman (born Chile, 1941; lives and works in the United States). Passing Through, Sonnabend Gallery, 1977. Documentation of performance; photographer: Babette Mangolte. Photograph, 11 × 14 in. (27.9 × 35.6 cm). Courtesy of Babette Mangolte. © 1977 Babette Mangolte (all rights of reproduction reserved)
Ahmed Mater (Saudi, born 1979). Still from Leaves Fall in All Seasons, 2013. Video, color, sound, 19 min. 57 sec. Courtesy of the artist. © Ahmed Mater
Photograph from the album cover shoot for Aladdin Sane, 1973. Photograph by Brian Duffy. Photo Duffy © Duffy Archive & The David Bowie Archive
Auguste Rodin (French, 1840–1917). Pierre de Wiessant, Monumental Nude, 1886, cast 1983. Cast by Fonderie de Coubertin, Saint-Rémy-lès-Chevreuse. Bronze, 781/4 x 443/4 x 361/2 in. (198.8 x 113.7 x 92.7 cm). Brooklyn Museum; Gift of the B. Gerald Cantor Collection, 86.310. (Photo: Justin Van Soest)
Shirah Dedman, Phoebe Dedman, and Luz Myles visiting Shreveport, Louisiana, where in 1912 their relative Thomas Miles, Sr., was lynched. 2017. (Photo: Rog Walker and Bee Walker for the Equal Justice Initiative)
Ewer in the Shape of a Lotus Bud. Korea, Goryeo dynasty, first half 12th century. Carved stoneware with slip decoration under celadon glaze, 97/8 x 91/2 x 51/2 in. (25.1 x 24.1 x 14 cm). Brooklyn Museum, Gift of Mrs. Darwin R. James III, 56.138.1a–b. (Photo: Brooklyn Museum)
Details: Francisco de Goya y Lucientes (Spanish, 1746–1828). The Sleep of Reason Produces Monsters (reproduced in black and white), from The Caprices (Los Caprichos), 1797–98. Brooklyn Museum; A. Augustus Healy Fund, Frank L. Babbott Fund, and Carll H. de Silver Fund, 37.33.8. (Photo: Jonathan Dorado, Brooklyn Museum); Sergei Eisenstein (Russian, 1898–1948). Still from Alexander Nevsky, 1938. Gosfilmofond (National Film Foundation of Russian Federation); Robert Longo (American, born 1953). Untitled (Raft at Sea), 2017. © Robert Longo, Private European Collection. (Photo: Courtesy of the artist and Metro Pictures, New York)
Baboon Appliqué from an Animal Mummy. Possibly from Saqqara, Egypt. Ptolemaic Period, 305–30 B.C.E. Linen, 51/2 x 23/8 in. (14.2 x 5.6 cm). Brooklyn Museum; Charles Edwin Wilbour Fund, 37.272E. (Photo: Gavin Ashworth, Brooklyn Museum)
Judy Chicago Designing the Entry Banners for “The Dinner Party,” 1978. Courtesy of Through the Flower Archive
Jan van Raay (American, born 1942). Faith Ringgold (right) and Michele Wallace (middle) at Art Workers Coalition Protest, Whitney Museum, 1971. Digital C-print. Courtesy of Jan van Raay, Portland, OR, 305–37. © Jan van Raay
Alfred Stieglitz (American, 1864–1946). Georgia O’Keeffe, circa 1920–22. Gelatin silver print, 41/2 x 31/2 in. (11.4 x 9 cm). Georgia O’Keeffe Museum, Santa Fe, N.M.; Gift of The Georgia O’Keeffe Foundation, 2003.01.006. © Georgia O’Keeffe Museum
Joseph Kosuth (American, born 1945). 276 (On Color Blue), 1993. Neon tubing, transformer, and electrical wires, 30 x 162 in. (76.2 x 411.48 cm). Brooklyn Museum; Mary Smith Dorward Fund, 1992.215. © 2016 Joseph Kosuth / Artists Rights Society (ARS), New York. (Photo: Brooklyn Museum)
Amarna King, circa 1352–1336 B.C.E. Limestone, paint, gold leaf, 83/8 x 17/8 in. (21.3 x 4.8 cm). Brooklyn Museum; Gift of the Egypt Exploration Society, 29.34. (Photo: Brooklyn Museum)
Iggy Pop Life Class by Jeremy Deller. Organized by the Brooklyn Museum, February 21, 2016. (Photo: Elena Olivo, © Brooklyn Museum)
Philippe Parreno (French, born Algeria 1964). My Room Is Another Fish Bowl, 2016. Mylar and helium, overall dimensions vary. Installation view of IF THIS THEN ELSE at Gladstone Gallery, New York, March 5–April 16, 2016. © Philippe Parreno. Courtesy of the artist and Gladstone Gallery, New York and Brussels. (Photo: David Regen)
Jan van Raay (American, born 1942). Faith Ringgold (right) and Michele Wallace (middle) at Art Workers Coalition Protest, Whitney Museum, 1971. Digital C-print. Courtesy of Jan van Raay, Portland, OR, 305–37. © Jan van Raay
Marilyn Minter (American, born 1948). Blue Poles, 2007. Enamel on metal, 60 x 72 in. (152.4 x 182.9 cm). Private collection, Switzerland
Beverly Buchanan (American, 1940–2015). Untitled (Double Portrait of Artist with Frustula Sculpture) (detail), n.d. Black-and-white photograph with original paint marks, 81/2 x 11 in. (21.6 x 27.9 cm). Private collection. © Estate of Beverly Buchanan
Loïs Mailou Jones (American, 1905–1998). Dans un Café à Paris (Leigh Whipper), 1939. Oil on canvas, 36 × 29 in. (91.4 × 73.7 cm). Brooklyn Museum; Brooklyn Museum Fund for African American Art and gift of Auldlyn Higgins Williams and E.T. Williams, Jr., 2012.1. © Estate of Loïs Mailou Jones, Loïs Mailou Jones Pierre-Noel Trust. (Photo: Sarah DeSantis, Brooklyn Museum)
Amunhotep III (detail), circa 1390–1352 B.C.E. Possibly from Thebes. Wood, gilded, Total height: 103⁄8 in. (26.3 cm). Brooklyn Museum; Charles Edwin Wilbour Fund, 48.28. (Photo: Jonathan Dorado, Brooklyn Museum)
Workshop of Bernardino Luini (Italian, Milanese School, circa 1480–1532). Madonna and Child Enthroned with Angels, mid-16th century. Oil on poplar panel, 963/4 x 541/16 in. (245.7 x 137.3 cm). Brooklyn Museum; Purchased with funds given by Martin Joost, Frank S. Jones, L. W. Lawrence, Dick S. Ramsay, John T. Underwood, Henry H. Benedict, Herman Stutzer, F. Healy, Horace J. Morse, Luke V. Lockwood, Henry L. Batterman, Edward C. Blum, Frank L. Babbott, William H. Crittenden, W.C. Courtney, Frederic B. Pratt, H.I. Pratt, Alfred T. White, E. LeGrand Beers, C.D. Pratt, C.J. Peabody, Wallace A. Putnam, and A. Augustus Healy, 16.441. (Photo: Brooklyn Museum)
Ken Geiger (American, born 1957). Nigerian Relay Team, Olympics, Barcelona, 1992, printed 2016. Inkjet print, 195/8 x 177/16 in. (49.9 x 44.3 cm). Courtesy of Ken Geiger/The Dallas Morning News
Tom Sachs (American, born 1966). Model One, 1999. Mixed media, 32 x 41 x 14 in. (81.3 x 104.1 x 35.6 cm). Collection of Philip and Shelley Fox Aarons, New York. Courtesy of the artist
Zina Saro-Wiwa (British/Nigerian, born 1976). The Invisible Man (detail), 2015. Pigmented inkjet print, 28 ¾ x 44 in. (73 x 111.8 cm). Seattle Art Museum, Commission, 2015. Courtesy of the artist. © Zina Saro-Wiwa
Wendy Ewald (American, born 1951). At Home, photograph by Amal, Negev Desert, 2012. Archival pigment ink print mounted on aluminum, 53/8 x 67⁄8 in. (13.7 x 17.5 cm). © Wendy Ewald, all rights reserved
Ai Weiwei (Chinese, b. 1957). Single-Panel Portrait of Ai Weiwei, 2014. Plastic LEGO, 15 x 15 in. (38.1 x 38.1 cm). Image courtesy of the FOR-SITE Foundation, San Francisco
Stephen Powers paints at ICY SIGNS, Brooklyn, 2014. © Matthew Kuborn
Stephen Salmieri (American, born 1945). Coney Island, 1971. Gelatin silver photograph, image: 8 × 101⁄8 in. (20.3 × 25.7 cm). Brooklyn Museum, Gift of Edward Klein, 82.201.48. ©Stephen Salmieri. (Photo: Sarah DeSantis, Brooklyn Museum)
Dread Scott (American, born 1965). Performance still from On the Impossibility of Freedom in a Country Founded on Slavery and Genocide, 2014. Pigment print, 22 × 30 in. (55.9 × 76.2 cm). Project produced by More Art. Collection of the artist, Brooklyn. © Dread Scott. (Photo: Mark Von Holden Photography. © Dread Scott)
Titus Kaphar (American, born 1976) The Jerome Project (My Loss), 2014. Oil, gold leaf, and tar on wood panel, each 761⁄2 x 591⁄2 x 33⁄4 in. (194.3 × 151.1 × 9.5 cm). Brooklyn Museum, William K. Jacobs, Jr. Fund, 2015.7a–b. © Titus Kaphar. Photo: Courtesy of the artist and Jack Shainman Gallery, New York, 2015
Lisette. Phyllis Porter Place Setting, from the series Shared Dining, by Women of York, 2015. Courtesy of Susan Meiselas/Three Guineas Fund Project. Photo: © Susan Meiselas
Harvey Stein (American, born 1941). The Hug: Closed Eyes and Smile, 1982. Digital, inkjet archival print, 13 × 19 in. (33 × 48.3 cm). Collection of the artist. © Harvey Stein, 2011
Francisco Oller (Puerto Rican, 1833–1917). Still Life with Coconuts (Naturaleza muerta con cocos), circa 1893. Oil on canvas, 273⁄4 x 441⁄4 in. (70.5 × 112.4 cm), framed. Private collection, New Jersey
KAWS (American, born 1974). ALONG THE WAY, 2013. Wood, 216 × 176 × 120 in. (548.6 × 447 × 304.8 cm) overall. Brooklyn Museum; Gift in honor of Arnold Lehman, TL2015.27a–b. © KAWS, courtesy of the Mary Boone Gallery. (Photo: Adam Reich, courtesy of the Mary Boone Gallery, New York)
Kara Walker (American, b. 1969). African Boy Attendant Curio with Molasses and Brown Sugar, from “The Marvelous Sugar Baby” Installation at the old Domino Sugar Factory Warehouse (Bananas), 2014. Cast pigmented polyester resin with polyurethane coating with molasses and brown sugar, 591⁄2 x 20 × 19 in. (151.1 × 50.8 × 48.3 cm). Edition of 5. © Kara Walker. (Photo: Jason Wyche)
The FAILE & BÄST Deluxx Fluxx Arcade, New York, 2010. Courtesy of the artists. © FAILE. (Photo: FAILE)
Nike. Air Jordan I, 1985. Nike Archives. (Photo: Ron Wood. Courtesy American Federation of Arts/Bata Shoe Museum)
Zanele Muholi (South African, b. 1972). Faces and Phases installed at dOCUMENTA (13), Kassel, Germany, 2012. (Photo: © Anders Sune Berg)
Grey Area (Brown version), 1993. Fred Wilson (American, b. 1954). Paint, plaster, and wood; five busts, each: 183⁄4 x 9 × 13 in. (47.6 × 22.9 × 33 cm); overall: 20 × 84 in. (50.8 × 213.4 cm). Brooklyn Museum; Bequest of William K. Jacobs, Jr., and bequest of Richard J. Kempe, by exchange, 2008.6a–j. (Photo: Sarah DeSantis and Jonathan Dorado, Brooklyn Museum)
Tamra Davis (American, b. 1962). Still from A Conversation with Basquiat, 2006. 23 min., 22 sec. © Tamra Davis. Courtesy of the artist. By permission of the Estate of Jean-Michel Basquiat, all rights reserved. Photo: Jonathan Dorado, Brooklyn Museum
Kehinde Wiley (American, b. 1977). Shantavia Beale II, 2012. Oil on canvas, 60 × 48 in. (152.4 × 121.9 cm). Collection of Ana and Lenny Gravier. © Kehinde Wiley. (Photo: Jason Wyche, courtesy of Sean Kelly, New York)
Chitra Ganesh (American, born 1975). Eyes of Time (detail), 2014. Mixed-media wall mural. Courtesy of the artist and Gallery Wendi Norris, San Francisco. © Chitra Ganesh. Photo: Jonathan Dorado, Brooklyn Museum
Guilmet Cie (active 1861–1910). Five-Piece Clock Garniture, circa 1885. Silvered bronze, 91⁄4 x 41⁄2 x 41⁄2 in. (23.5 × 11.4 × 11.4 cm). Brooklyn Museum, Gift of Marcus S. Friedlander, by exchange, 2009.49.1-5
Judith Scott (American, 1943‒2005). Untitled, 2004. Fiber and found objects, 28 × 15 × 27 in. (71.1 × 38.1 × 68.6 cm). The Smith-Nederpelt Collection. © Creative Growth Art Center. (Photo: Brooklyn Museum)
