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Kehinde Wiley (American, born 1977). Napoleon Leading the Army over the Alps, 2005. Oil on canvas, 108 x 108 in. (274.3 x 274.3 cm). Brooklyn Museum; Partial gift of Suzi and Andrew Booke Cohen in memory of Ilene R. Booke and in honor of Arnold L. Lehman, Mary Smith Dorward Fund, and William K. Jacobs, Jr. Fund, 2015.53. © Kehinde Wiley. (Photo: Brooklyn Museum)


                          
                          Kehinde Wiley (American, born 1977). Napoleon Leading the Army over the Alps, 2005. Oil on canvas, 108 x 108 in. (274.3 x 274.3 cm). Brooklyn Museum; Partial gift of Suzi and Andrew Booke Cohen in memory of Ilene R. Booke and in honor of Arnold L. Lehman, Mary Smith Dorward Fund, and William K. Jacobs, Jr. Fund, 2015.53. © Kehinde Wiley. (Photo: Brooklyn Museum)

Kehinde Wiley (American, born 1977). Napoleon Leading the Army over the Alps, 2005. Oil on canvas, 108 x 108 in. (274.3 x 274.3 cm). Brooklyn Museum; Partial gift of Suzi and Andrew Booke Cohen in memory of Ilene R. Booke and in honor of Arnold L. Lehman, Mary Smith Dorward Fund, and William K. Jacobs, Jr. Fund, 2015.53. © Kehinde Wiley. (Photo: Brooklyn Museum)

<p>Jacques-Louis David (French, 1748–1825). <em>Bonaparte Crossing the Alps (Bonaparte franchissant le Grand-Saint-Bernard)</em>, 1800–1. Oil on canvas, 102<sup>1</sup>/<sub>3</sub> x 87 in. (261 x 221 cm). Collection of Château de Malmaison. (Photo: Courtesy RMN-GP)</p>

Jacques-Louis David (French, 1748–1825). Bonaparte Crossing the Alps (Bonaparte franchissant le Grand-Saint-Bernard), 1800–1. Oil on canvas, 1021/3 x 87 in. (261 x 221 cm). Collection of Château de Malmaison. (Photo: Courtesy RMN-GP)

Jacques-Louis David Meets Kehinde Wiley

January 24–May 10, 2020

Morris A. and Meyer Schapiro Wing, 4th Floor

Kehinde Wiley’s triumphant Napoleon Leading the Army over the Alps (2005), a hallmark of our collection, comes face to face with the nineteenth-century painting on which it is based: Jacques-Louis David’s Bonaparte Crossing the Alps (1800–1). The unprecedented pairing of these two magisterial portraits, in the exhibition Jacques-Louis David Meets Kehinde Wiley, also marks the first time David’s original version of Bonaparte Crossing the Alps is on view in New York.

Seen together, the works by David and Wiley reveal how race, masculinity, power, and representation layer onto portraiture and shape the writing of history. Both paintings cast their protagonists—be it the French general Napoleon Bonaparte or an unnamed man in everyday streetwear—within a heroic tradition of equestrian portraiture. However, each artist defines an icon that reflects the unique political, historical, social, and artistic conditions of their day and age. This project emerges from a collaboration with the Château de Malmaison, France, whose presentation Kehinde Wiley Meets Jacques-Louis David (2019–20) unites both portraits in the historic home of Josephine and Napoleon Bonaparte.

Jacques-Louis David Meets Kehinde Wiley is organized by the Brooklyn Museum and Musée national des châteaux de Malmaison et Bois-Préau. The Brooklyn presentation is curated by Lisa Small, Senior Curator, European Art, and Eugenie Tsai, John and Barbara Vogelstein Senior Curator, Contemporary Art, Brooklyn Museum.

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