|Our Lady of Holy Death
Nuestra Señora de la Santa Muerte
|Other names||Lady of Shadows, Lady of Night, White Lady, Black Lady, Skinny Lady, Bony Lady, Mictecacihuatl (Lady of the Dead)|
|Affiliation||A wide variety of powers, including love, prosperity, good health, fortune, healing, safe passage, protection against witchcraft, against assaults, against gun violence, against violent death. Protection of various jobs and outcasts.|
|Major cult centre||Earliest temple is the Shrine of Most Holy Death founded by Enriqueta Romero in Mexico City|
|Artifacts||Globe, scale of justice, hourglass, oil lamp|
|Symbol||Human female skeleton clad in a robe|
|Region||Mexico and the (primarily Southwestern) United States|
|Festivals||Day of the Dead, November 1, August 15|
|Look up Santa Muerte in Wiktionary, the free dictionary.|
Nuestra Señora de la Santa Muerte (Spanish: [ˈnwestra seˈɲora ðe la ˈsanta ˈmwerte]) (Spanish for Our Lady of Holy Death), often shortened to Santa Muerte, is a female deity or folk saint in Mexican and Mexican-American folk Catholicism. A personification of death, she is associated with healing, protection, and safe delivery to the afterlife by her devotees. Despite condemnation by the Catholic Church, her cult has become increasingly prominent since the 2000s.
Since the pre-Columbian era Mexican culture has maintained a certain reverence towards death, which can be seen in the widespread commemoration of the Day of the Dead. Elements of that celebration include the use of skeletons to remind people of their mortality. The worship of Santa Muerte is condemned by the Catholic Church in Mexico as invalid, but it is firmly entrenched among an increasing percentage of Mexican culture.
Santa Muerte generally appears as a skeletal female figure, clad in a long robe and holding one or more objects, usually a scythe and a globe. Her robe can be of any color, as more specific images of the figure vary widely from devotee to devotee and according to the rite being performed or the petition being made.
As the worship of Santa Muerte was clandestine until the 20th century, most prayers and other rites have been traditionally performed privately at home. Since the beginning of the 21st century, worship has become more public, especially in Mexico City after Enriqueta Romero initiated her famous Mexico City shrine in 2001. The number of believers in Santa Muerte has grown over the past ten to twenty years, to an estimated 10-20 million followers in Mexico, the United States, and parts of Central America. Santa Muerte has similar male counterparts in the Americas, such as the skeletal folk saints San La Muerte of Paraguay and Rey Pascual of Guatemala.
- 1 Names
- 2 History
- 3 Attributes and iconography
- 4 Veneration
- 5 Sociology of the cult
- 6 Votive candles
- 7 Santa Muerte and the Catholic Church
- 8 Santa Muerte in the United States
- 9 See also
- 10 References
- 11 Bibliography
- 12 External links
The deity's Spanish name, Santa Muerte, can be translated into English as either "Sacred Death" or "Holy Death", although religious studies scholar R. Andrew Chesnut believed that the former was a more accurate translation because it "better reveals" her identity as a folk saint. A variant of this is Santísima Muerte, which is translated as "Most Holy Death" or "Most Saintly Death", while devotees often call her Santisma Muerte during their rituals.
Santa Muerte is also known by a wide variety of other names: the Skinny Lady (la Flaquita), the Bony Lady (la Huesuda), the White Girl (la Niña Blanca), the White Sister (la Hermana Blanca), the Pretty Girl (la Niña Bonita), the Powerful Lady (la Dama Poderosa), the Godmother (la Madrina), Señora de las Sombras ("Lady of Shadows"), Señora Blanca ("White Lady"), Señora Negra ("Black Lady"), Niña Santa ("Holy Girl"), Santa Sebastiana ("Saint Sebastienne", i.e. "Holy Sebastian") or Doña Bella Sebastiana ("Beautiful Lady Sebastienne") and La Flaca ("The Skinny Woman").
Though the origins of the worship of Our Lady of Holy Death are subject to debate, it is most likely a syncretism between pre-Columbian Mesoamerican religion and Spanish culture. Mesoamerica had always maintained a certain reverence towards death, which manifested itself among the religious practices of ancient Mexico, including in the Aztec religion. Death was personified in Aztec and other cultures in the form of humans with half their flesh missing, symbolizing the duality of life and death. From their ancestors the Aztecs inherited the gods Mictlantecuhtli and Mictecacihuatl, the lord and lady of Mictlan, the realm of those dead who died of natural causes. In order for the deceased to be accepted into Mictlan, offerings to the lord and lady of death were necessary. In European Christian tradition, many paintings employed skeletons to symbolize human mortality.
INAH researcher Elsa Malvido Miranda notes that the worship of skeletal figures has precedent in Europe during times of epidemics. They would be dressed up as royalty with scepters and crowns, and be seated on thrones to symbolize the triumph of death. In Latin America, the human skeleton was used to remind Catholics of the need for a "holy death," (muerte santa) fully confessed of sins. As relics, bones are also associated with certain saints, such as San Pascual Bailón in Guatemala and Chiapas.
After the Spanish conquest of the Aztec Empire, the worship of death diminished but was never eradicated. John Thompson of the University of Arizona's Southwest Center has found references dating to 18th-century Mexico. According to one account, recorded in the annals of the Spanish Inquisition, indigenous people in central Mexico tied up a skeletal figure, whom they addressed as "Santa Muerte," and threatened it with lashings if it did not perform miracles or grant their wishes. Another syncretism between Pre-Columbian and Christian beliefs about death can be seen in Day of the Dead celebrations. During these celebrations, many Mexicans flock to cemeteries to sing and pray for friends and family members who have died. Children partake in the festivities by eating chocolate or candy in the shape of skulls.
In contrast to the Day of the Dead, overt veneration of Santa Muerte remained clandestine until the middle of the 20th century. When it went public in sporadic occurrences, reaction was often harsh, and included the desecration of shrines and altars. At the beginning of the 20th century, José Guadalupe Posada created a similar, but secular figure by the name of Catrina, a female skeleton dressed in fancy clothing of the period. José Guadelupe Posada began to evoke the idea that the universality of death generated a fundamental equality amongst man. His paintings of skeletons in daily life and that La Catrina were meant to represent the arbitrary and violent nature of an unequal society.
Modern artists began to reestablish Posada's styles as a national artistic objective to push the limits of upper-class tastes, like that of Diego Rivera's mural painting Dream of a Sunday Afternoon in the Alameda Central with the image La Catrina. The image of the skeleton and the Day of the Dead ritual that used to be held underground became commercialized and domesticated. The skeletal images became that of folklore, encapsulating Posada's message of "la muerte igualadora" (Death the equalizer) in time.
Skeletons were put in extravagant dresses with braids in their hair, altering the image of Posada's original La Catrina. As opposed to being the political message Posada intended, the skeletons of equality became skeletal images which were appealing to tourists and the national folkloric Mexican identity. In the past decade the regeneration of the social and political meaning and emergence of Doña Queta's statue has formed cult of Our Lady of Holy Death, despite strong condemnation by the Catholic Church and other Christian churches.
Veneration of Santa Muerte was documented in the 1940s in working-class neighborhoods in Mexico City such as Tepito. Other sources state that the revival has its origins around 1965 in the state of Hidalgo. At present Santa Muerte can be found throughout Mexico and also in parts of the United States and Central America. There are videos, web sites, and music composed in honor of this religious expression. The cult of Santa Muerte first came to widespread popular attention in Mexico in August 1998, when police arrested notorious gangster Daniel Arizmendi López and discovered a shrine to the saint in his home. Widely reported in the press, this discovery inspired the common association between Santa Muerte, violence, and criminality in Mexican popular consciousness.
Since 2001, there has been a "meteoric growth" in the size of the Santa Muerte cult, largely due to her reputation for performing miracles. Worship has been made up of roughly two million adherents, mostly in Mexico State, Guerrero, Veracruz, Tamaulipas, Campeche, Morelos, and Mexico City, with a recent spread to Nuevo León. In the late 2000s, the founder of Mexico City's first Santa Muerte church, David Romo, estimated that there were around 5 million devotees in Mexico, constituting approximately 5% of the country's population.
By the late 2000s Santa Muerte had become Mexico's second-most popular saint, after Saint Jude, and had come to rival the country's "national patroness", the Virgin of Guadalupe. The cult's rise was controversial, and in March 2009 the Mexican army demolished 40 roadside shrines near the U.S. border. Circa 2005, the Santa Muerte cult was brought to the United States by Mexican and Central American migrants, and by 2012 had tens of thousands of followers throughout the country, primarily in cities with high Latino populations. As of 2016, the cult of Santa Muerte is said to be one of the fastest growing new religious movements in the world, with an estimated 10 to 12 million followers.
Attributes and iconography
Our Lady of Holy Death is a personification of death. Unlike other saints who originated in Mexican folk religion, Santa Muerte is not, herself, seen as a dead human being. She is associated with healing, protection, financial wellbeing, and assurance of a path to the afterlife.
Although there are other death saints in Latin America, such as San La Muerte, Santa Muerte is the only female saint of death in either of the Americas. Iconographically, Santa Muerte is a skeleton dressed in female clothes or a shroud, and carrying both a scythe and a globe. Santa Muerte is marked out as female not by her figure but by her attire and hair. The latter was introduced by Enriqueta Romero.
There are variations on the color of the cloak, and in which objects Santa Muerte holds in her hands. Interpretations of the color of her robe and accoutrements also vary. Images of Santa Muerte range from mass-produced articles sold in shops throughout Mexico and the U.S. to handcrafted effigies, to tattoos. Sizes vary immensely from icons held in one hand to those requiring a pickup truck to transport them.
The two most common objects that Santa Muerte holds in her hands are a globe and a scythe. The scythe can symbolize the cutting of negative energies or influences. As a harvesting tool, a scythe may also symbolize hope and prosperity. Her scythe reflects her origins as the Grim Reapress ("la Parca" of medieval Spain), and can represent the moment of death, when it is said to cut a silver thread. The scythe has a long handle, indicating that it can reach anywhere. The globe represents Death's vast power and dominion over the earth, and may be seen as a kind of a tomb to which we all return.
Other objects associated with Santa Muerte include scales, an hourglass, an owl, and an oil lamp. The scales allude to equity, justice, and impartiality, as well as divine will. An hourglass indicates the time of life on earth and also the belief that death is not the end, as the hourglass can be inverted to start over. The hourglass denotes Santa Muerte's relationship with time as well as with the worlds above and below. It also symbolizes patience. An owl symbolizes her ability to navigate the darkness and her wisdom. The owl is also said to act as a messenger. A lamp symbolizes intelligence and spirit, to light the way through the darkness of ignorance and doubt.
Some followers of Santa Muerte believe that she is jealous and that her image should not be placed next to other saints or deities, or there will be consequences.
Rites associated with Santa Muerte
Rites dedicated to Our Lady of Holy Death include processions and prayers with the aim of gaining a favor. Some believers of Santa Muerte remain members of the Catholic Church, while millions are cutting ties with the Catholic Church and founding independent Santa Muerte churches and temples. Altars of Santa Muerte temples generally contain one or multiple images of the Lady, generally surrounded by any or all of the following: cigarettes, flowers, fruit, incense, water, alcoholic beverages, coins, candies and candles.
According to popular belief, Santa Muerte is very powerful and is reputed to grant many favors. Her images are treated as holy and can give favors in return for the faith of the believer, with miracles playing a vital role. As Señora de la Noche ("Lady of Night"), she is often invoked by those exposed to the dangers of working at night, such as taxi drivers, bar owners, police, soldiers, and prostitutes. As such, devotees believe she can protect against assaults, accidents, gun violence, and all types of violent death.
The image is dressed differently depending on what is being requested. Usually, the vestments of the image are differently colored robes, but it is also common for the image to be dressed as a bride (for those seeking a husband) or in European medieval nun's garments similarly to Catholic female saints. The colors of Our Lady of Holy Death's votive candles and vestments are associated with the type of petitions made.
White is the most common color and can symbolize gratitude, purity, or the cleansing of negative influences. Red is for love and passion. It can also signal emotional stability. The color gold signifies economic power, success, money, and prosperity. Green symbolizes justice, legal matters, or unity with loved ones. Amber or dark yellow indicates health. Images with this color can be seen in rehabilitation centers, especially those for drug addiction and alcoholism. Black represents total protection against black magic or sorcery, or conversely negative magic or for force directed against rivals and enemies. Blue candles and images of the saint indicate wisdom, which is favored by students and those in education. It can also be used to petition for health. Brown is used to invoke spirits from beyond while purple, like yellow, usually symbolizes health.
Devotees may present her with a polychrome seven-color candle, which Chesnut believed was probably adopted from the seven powers candle of Santería, a syncretic faith brought to Mexico by Cuban migrants. Here the seven colors are gold, silver, copper, blue, purple, red, and green. In addition to the candles and vestments, each devotee adorns his or her own image in his or her own way, using U.S. dollars, gold coins, jewelry, and other items.
Santa Muerte also has a "saint's day", which varies from shrine to shrine. The most prominent is November 1, when Enriqueta Romero celebrates hers at her historic Tepito shrine where the famous effigy is dressed as a bride. Others celebrate her day on August 15.
Places of worship
According to Chesnut, the cult of Our Lady of Holy Death is "generally informal and unorganized". Since worship of this image has been, and to a large extent still is, clandestine, most rituals are performed in altars constructed at the homes of devotees. Recently shrines to this image have been mushrooming in public. The one on Dr. Vertiz Street in Colonia Doctores is unique in Mexico City because it features an image of Jesús Malverde along with Santa Muerte. Another public shrine is in a small park on Matamoros Street very close to Paseo de la Reforma.
Shrines can also be found in the back of all kinds of stores and gas stations. As veneration of Santa Muerte becomes more accepted, stores specializing in religious articles, such as botánicas, are carrying more and more paraphernalia related to the cult. Historian R. Andrew Chesnut has discovered that many botanicas in both Mexico and the U.S. are kept in business by sales of Santa Muerte paraphernalia, with numerous shops earning up to half of their profits on Santa Muerte items. This is true even of stores in very well known locations such as Pasaje Catedral behind the Mexico City Cathedral, which is mostly dedicated to store selling Catholic liturgical items. Her image is a staple in esoterica shops.
There are those who now call themselves Santa Muerte priests or priestesses, such as Jackeline Rodríguez in Monterrey. She maintains a shop in Mercado Juárez in Monterrey, where tarot readers, curanderos, herbal healers and sorcerers can also be found.
Shrine of the Most Holy Death
The establishment of the first public shrine to the image began to change how Santa Muerte was venerated. The veneration has grown rapidly since then, and others have put their images on public display, as well.
In 2001, a believer by the name of Enriqueta Romero decided to take a life-sized image of Santa Muerte out of her home in Mexico City and build a shrine for it, visible from the street. The shrine does not hold Catholic masses or occult rites, but people come here to pray and to leave offerings to the image.
The effigy is dressed in different color garb depending on the season, with the Romero family changing the dress every first Monday of the month. Over the dress are large quantities of jewelry on her neck and arms, as well as pinned to her clothing. These are offerings that have been left to the image as well as the flowers, fruits (esp. apples) candles, toys, money, notes of thanks for prayers granted, cigarettes, and alcoholic beverages that surround it.
Enriqueta considers herself the chaplain of the shrine, a role she says she inherited from her aunt, who began the practice in the family in 1962. The shrine is located on 12 Alfarería Street in Tepito, Colonia Morelos. For many, this Santa Muerte is the patron saint of Tepito. The house also contains a shop that sells amulets, bracelets, medallions, books, images, and other items, but the most popular item is votive candles.
On the first day of every month Enriqueta or one of her sons lead prayers and the saying of the Santa Muerte rosary, which lasts for about an hour and is based on the Catholic rosary. On the first of November the anniversary of the altar to Santa Muerte constructed by Enriqueta Romero is celebrated. The Santa Muerte of Tepito is dressed as a bride and wears hundreds of pieces of gold jewelry given by the faithful to show gratitude for favors received, or to ask for one.
The celebration officially begins at the stroke of midnight of November 1. About 5,000 faithful turn out to pray the rosary. For purification, instead of incense there is the smoke of marijuana. Flowers, pan de muerto, sweets, and candy skulls among other things can be seen. Food such as cake, chicken with mole, hot chocolate, coffee, and atole are served. Mariachis and marimba bands play.
Sociology of the cult
The cult of Santa Muerte is present throughout the strata of Mexican society, although the majority of devotees are from the urban working class. Most are young people, aged in their teens, twenties, or thirties, and are also mostly female. A large following developed among Mexicans who are disillusioned with the dominant, institutional Catholic Church and, in particular, with the inability of established Catholic saints to deliver them from poverty.
The phenomenon is based among people with scarce resources, excluded from the formal market economy, as well as the judicial and educational systems, primarily in the inner cities and the very rural areas. Devotion to Santa Muerte is what anthropologists call a "cult of crisis". Devotion to the image peaks during economic and social hardships, which tend to affect the working classes more. Santa Muerte tends to attract those in extremely difficult or hopeless situations but also appeals to smaller sectors of middle class professionals and even the affluent. Some of her most devoted followers are those individuals associated with petty economic crimes, committed often out of desperation; such as prostitutes, pickpockets and thieves.
The worship of Santa Muerte also attracts those who are not inclined to seek the traditional Catholic Church for spiritual solace, as it is part of the "legitimate" sector of society. Many followers of Santa Muerte live on the margins of the law or outside it entirely. Many street vendors, taxi drivers, vendors of counterfeit merchandise, street people, prostitutes, pickpockets, petty drug traffickers and gang members are not practicing Catholics or Protestants, but neither are they atheists.
In essence they have created their own new religion that reflects their realities, identity, and practices, especially since it speaks to the violence and struggles for life that many of these people face. Conversely both police and military in Mexico can be counted among the faithful who ask for blessings on their weapons and ammunition.
While worship is largely based in poor neighborhoods, Santa Muerte is also venerated in affluent areas such as Mexico City's Condesa and Coyoacán districts. However, negative media coverage of the worship and condemnation by the Catholic Church in Mexico and certain Protestant denominations have influenced public perception of the cult of Santa Muerte. With the exception of some artists and politicians, some of whom perform rituals secretly, those in higher socioeconomic strata look upon the veneration with distaste as a form of superstition.
Association with the LGBT community
Santa Muerte is also seen as a protector of homosexual, bisexual, and transgender communities in Mexico, since many are considered to be outcast from society. Many LGBT people ask her for protection from violence, hatred, disease, and to help them in their search for love.
Her intercession is commonly invoked in same-sex marriage ceremonies performed in Mexico. The Iglesia Católica Tradicional México-Estados Unidos, also known as the Church of Santa Muerte, recognizes gay marriage and performs religious wedding ceremonies for homosexual couples.
Association with criminality
In the Mexican and U.S. press, the Santa Muerte cult is often associated with violence, criminality, and the illegal drug trade. She is a popular deity in prisons, both among inmates and staff, and shrines dedicated to her can be found in many cells.
Altars with images of Santa Muerte have been found in many drug houses in both Mexico and the United States. Among Santa Muerte's more famous devotees are kidnapper Daniel Arizmendi López, known as El Mochaorejas, and Gilberto García Mena, one of the bosses of the Gulf Cartel. In March 2012, the Sonora State Investigative Police announced that they had arrested eight people for murder for allegedly having performed a human sacrifice of a woman and two ten-year-old boys to Santa Muerte (see: Silvia Meraz).
In December 2010, the self-proclaimed bishop David Romo was arrested on charges of banking funds of a kidnapping gang linked to a cartel. He continues to lead his sect from his prison, but it is unfeasible for Romo or anyone else to gain dominance over the Santa Muerte cult. Her faith is spreading rapidly and "organically" from town to town, so that is easy to become a preacher or messianic figure. Drug lords, like that of La Familia Cartel, take advantage of "gangster foot soldiers'" vulnerability and enforced religious obedience to establish a holy meaning to their cause that would keep their soldiers disciplined.
Santa Muerte is a multifaceted saint, with various symbolic meanings and her devotees can call upon her a wide range of reasons. In herbal shops and markets one can find a plethora of Santa Muerte paraphernalia like the votive candles that have her image on the front and in a color representative of its purpose. On the back of the candles are prayers associated with the color's meaning and may sometimes come with additional prayer cards.
The candles are placed on altars and devotees turn to specific colored candles depending on their circumstance. Some keep the full range of colored candle while others focus on one aspect Santa Muerte's spirit. Santa Muerte's image as satanic or evil has been derived from her association with drug trafficking and the dead bodies found at her altar, however, the specific colors for the candles indicate that Santa Muerte's devotees stem from many walks of life beyond crime, violence, and the drug trade. Santa Muerte is called upon for matters of the heart, health, money, wisdom, and justice. There is the brown candle of wisdom, the white candle of gratitude and consecration, the black candle for protection and vengeance, the red candle of love and passion, the gold candle for monetary affairs, the green candle for crime and justice, the purple candle for healing.
The black votive candle is lit for prayer in order to implore La Flaca's protection and vengeance. It is the lowest selling candle due to its association with "black magic" and witchcraft. It is not regularly seen at devotional sites, and is usually kept and lit in the privacy of one's home. To avert from calling upon official Catholic saints for illegal purpose, drug trafficker will light Santa Muerte's black candle to ensure protection of shipment of drugs across the border.
Black candles are presented to Santa Muerte's altars that drug traffickers used to ensure protection from violence of rival gangs as well as ensure harm to their enemies in gangs and law enforcement. As the drug war in Mexico escalates, Santa Muerte's veneration by drug bosses increases and her image is seen again and again in various drug houses. Ironically, the military and police officers that are employed to dismantle the White Lady's shrines make up a large portion of her devotees. Furthermore, even though her presence in the drug world is becoming routine, the sale of black candles pales in comparison to top selling white, red, and gold candles.
One of Santa Muerte's more popular uses is in matters of the heart. The red candle that symbolizes love is helpful in various situations having to do with love. Her initial main purpose was in that of love magic during the colonial era in Mexico, which may have been derived from the love magic being brought over from Europe. Her origins are still unclear but it is possible that the image of the European Grim Reaper combined with the indigenous celebrations of death are at the root of La Flaca's existence, in so that the use of love magic in Europe and that of pre-Columbian times that was also merging during colonization may have established the saint as manipulator of love.
The majority of anthropological writing on Santa Muerte discuss her significance as provider of love magic and miracles. The candle can be lit for Santa Muerte to attract a certain lover and ensure their love. In contrast though, the red candle can be prayed to for help in ending a bad relationship in order to start another one. These love miracles require specific rituals to increase their love doctors power. The rituals require several ingredients including red roses and rose water for passion, binding stick to unite the lovers, cinnamon for prosperity, and several others depending on the specific ritual.
Santa Muerte and the Catholic Church
The Vatican has condemned the cult of Santa Muerte in Mexico as blasphemous and satanic, calling it a "degeneration of religion". Latin American Protestant churches have condemned it too, as black magic and trickery. Mexico's Catholic Church has accused Santa Muerte devotees—many of whom were baptized in the Catholic religion despite the difference of belief and the fact that Santa Muerte churches and temples have instituted a separate baptism practice—of having turned to devil-worship.
Catholics say that Santa Muerte is an idol, the worship of which has been rejected by God in the Old Testament. Veneration of this or any other idol can be a form of inadvertent devil-worship, because regardless of the intent of the worshipers; the devil can trick people into doing such things. Priests regularly chastise parishioners, telling them that death is not a person but rather a phase of life. However, the Church stops short of labeling such followers as heretics, instead accusing them of heterodoxy.
Other reasons the Mexican Catholic Church has officially condemned the worship of Santa Muerte is that most of her rites are modeled after Catholic liturgy, and some of Santa Muerte devotees eventually split from the Catholic Church and began vying for control of church buildings.
Santa Muerte in the United States
The Santa Muerte cult established itself in the United States circa 2005, brought to the country by Mexican and Central American migrants. By 2012, Chesnut suggested that there were tens of thousands of devotees in the U.S., This cult is primarily visible in cities with high populations, such as New York City, Chicago, Houston, San Antonio, Tucson, and Los Angeles, although it has also been located in cities with small Latino communities like Richmond, Virginia. There are fifteen religious groups dedicated to her in Los Angeles alone, which include the Temple of Santa Muerte.
In some places, such as Northern California and New Orleans, her popularity has spread beyond the Latino community. For instance, The Santisima Muerte Chapel of Perpetual Pilgrimage is maintained by a woman of Danish descent, while the New Orleans Chapel of the Santisima Muerte was founded in 2012 by a European-American devotee.
As in Mexico, some elements of the Catholic Church in the United States are trying to combat Santa Muerte worship, in Chicago particularly. But compared to the Catholic Church in Mexico, the official reaction in the U.S. is mostly either non-existent or muted. The U.S. Conference of Catholic Bishops has not issued an official position on this relatively new phenomenon in the country. Opposition to the veneration of Santa Muerte took an unprecedented violent turn in late January, 2013, when vandal(s) smashed a controversial statue of the folk saint, which had appeared in the San Benito, Texas, municipal cemetery at the beginning of the month.
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