Exhibitions: Plates Showing Modern Composition & Design

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Man and Llama Vessel

This vessel may represent a shaman, or ritual specialist, taking a llama to be sacrificed to Pachamama (Mother Earth) or to the mountain spi...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Mask (Kanaga)

    Masks may be used at funeral ceremonies to honor and commemorate the dead as they enter the ancestral realm. Dogon dancers perform with kana...

     

    Login to play

    Login with Google ID

    Forgot your password?

    Not a Posse member? Register

    Brooklyn Museum Posse:
    Exploring the collection

    When you join the posse, your tags comments and favorites will display with your attribution and save to your profile.

    Plates Showing Modern Composition & Design

    Press Releases ?
    • Fall approximately 1931: A collection of Plates showing the Means of Travel and the Costumes of Travelers Through the Ages has been installed in the library Gallery of the Brooklyn Museum and will remain there until October 15th.

      The idea of such an exhibition was conceived by Miss Elizabeth Haynes assistant Curator of Decorative Art, who with the cooperation of Grace Turner assistant librarian has garnered from the extensive reference files of the library about a hundred and fifty prints tracing the history of the modes of travel from the ancient Egyptians to the present time of the areoplane, with particular emphasis on the developments of the nineteenth century.

      The modern idea of education is founded on the correlation of subjects – showing their interdependence, and in these plates parrelell with the progress of methods of transportation we may trace the resultant effect on the clothes worn in the different vehicles and to carry the idea even farther we may consider the variations of types of luggage from the small satchel of the horseback rider through the light carpet bag and papier-mache trunks of the experimental stages of light rail roads to the stupendous trunks and suitcases of the late nineteenth century.

      Clothes have always been designed –either consciously or indirectly, to be most suitable for the task to be performed in them. In these pictures we can no more imagine the Russian in his open sleigh without his furs than we could conceive of one of the ladies in the wide carriages of the Victorian days entering the crowded subways of present day life. Just as the short skirt was a result of a widening range of activity for the modern woman, so was the costume of another day suitable to the lady of the period.

      Other exhibitions from time to time will be arranged using the librarys’ research material. The study of the plates may be made even more graphic by reference to the Museum’s decorative arts collections where the group of nineteenth century gowns and accessories is particularly rich. In fact as a result of the recent interest in this period of Eugenie both the library and the Decorative Arts Department have been deluged with students and designers seeking for inspiration in this field.

      Note for Editor:

      Photographs to supplement this article are available if desired.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1931 - 1936. 07-12_1931, 118. View Original

    advanced 106,538 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."


      Recently Tagged Exhibitions

      Warning: Invalid argument supplied for foreach() in /home/www/default/views/opencollection/_tags_list.php on line 15

      Recent Comments

      "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
      By shelley

      "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
      By Aimee Record

      "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
      By Lou Siegel

      Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.


      Prints, Drawings and Photographs

      Over the years, the collections of the Brooklyn Museum have been organized and reorganized in different ways. Collections of the former Department of Prints, Drawings, and Photographs include works on paper that may fall into other categories: American Art, European Art, Asian Art, Contemporary Art, and Photography.
      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.