Exhibitions: From Mexican Markets

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Reliquary Guardian Figure (Eyema-o-Byeri)

These five artworks from throughout the African continent display the range of approaches artists have taken to figur...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Golgotha

    One of Germany’s leading Symbolists, Stuck frequently painted biblical or mythological subjects that addressed dark themes such as sin...


    From Mexican Markets

    Press Releases ?
    • September 23, 1939: Toys from Mexico acquired for the Brooklyn Museum this summer by Dr. Herbert J. Spinden of the Museum for the Education Division to use in its school class work have been made into an exhibition at the Museum to be on view until October 1st.

      It is called “From Mexican Markets” and consists of toys and miniature ornaments such as dolls made of corn husks, pottery utensils, whistles, banks and animals, The featured item of the collection is a miniature kitchen five inches high and seven inches long with tiny figures of women cooking and grinding corn. The pitchers, pots and dishes used in a Mexican kitchen are all perfect replicas of everyday ones. An idea of the scale of the objects is shown in some of the pitchers which are less than a quarter of an inch high. Casual notes in the kitchen are a parrot on a porch and an unplucked turkey hanging from a hook on the wall.

      Among the other toys are little baskets of straw and dyed horsehair, the smallest of which are half an inch high.

      There is also a full size dance costume in the exhibition called a “China poblana”, with a bright red and green skirt, liberally decorated with sequins, and a white blouse embroidered in red. At one time this kind of costume was worn unadorned by Pueblo women. Its name derives from the legend of its origin which says that once a pirate ship brought a beautiful and wealthy Chinese princess to Mexico whore she was sold to a Pueblo merchant. She eventually became a Catholic, gave her wealth to the church and abandoned her costly Chinese dress for the simple Mexican one. As she was much beloved by the women of Puebla, they imitated her style of dross which is now known as “China poblana.”

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 07-09/1939, 214. View Original

    advanced 110,573 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Recently Tagged Exhibitions

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.

    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.