Exhibitions: Ghada Amer: Love Has No End

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Kneeling Statue of the Scribe and Treasurer Sety

This statue of Sety, a scribe and superintendent of the treasury, is an early example of a non-royal person shown kneeling. The figure's pos...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Child's Chair

    Gardner was a family-run furniture company that secured several United States patents for its innovated seating furniture. The patent on thi...

    Want to add this object to a set? Please join the Posse, or log in.


    DIG_E2008_Amer_014_PS2.jpg DIG_E2008_Amer_013_PS2.jpg DIG_E2008_Amer_012_PS2.jpg DIG_E2008_Amer_011_PS2.jpg DIG_E2008_Amer_010_PS2.jpg DIG_E2008_Amer_009_PS2.jpg DIG_E2008_Amer_008_PS2.jpg DIG_E2008_Amer_007_PS2.jpg DIG_E2008_Amer_006_PS2.jpg DIG_E2008_Amer_005_PS2.jpg DIG_E2008_Amer_003_PS2.jpg DIG_E2008_Amer_004_PS2.jpg DIG_E2008_Amer_002_PS2.jpg DIG_E2008_Amer_001_PS2.jpg

    Ghada Amer: Love Has No End

    Press Releases ?
    • December 2007: Ghada Amer: Love Has No End, the first major U.S. retrospective of the renowned artist’s work, will feature some fifty pieces from every aspect of Amer’s career as a painter, sculptor, illustrator, performer, garden designer, and installation artist. These include the iconic Barbie Loves Ken, Ken Loves Barbie (1995/2002), The Reign of Terror (2005), and Big Black Kansas City Painting—RFGA (2005), as well as a generous selection of works never before exhibited in this country. The exhibition will be on view February 16 through October 19, 2008.

      While she describes herself as a painter and has won international recognition for her abstract canvases embroidered with erotic motifs, Ghada Amer is a multimedia artist whose entire body of work is infused with the same ideological and aesthetic concerns. The submission of women to the tyranny of domestic life, the celebration of female sexuality and pleasure, the incomprehensibility of love, the foolishness of war and violence, and an overall quest for formal beauty, constitute the territory that she explores and expresses in her art.

      Organized in a chronological and thematic manner that reflects the stages of Amer’s career over the past two decades, Love Has No End commences with her earliest sketchbooks that illustrate the genesis of her ideas about patterning and embroidery. The exhibition continues with a series of works from the artist’s early “domestic series,” followed by works examining fairy tales and other clichés about gender. In addition to the more iconic erotic paintings for which she is most famous, numerous works devoted to world politics are exhibited, including some of her more recent antiwar pieces.

      Ghada Amer was born in Cairo, Egypt, in 1963, and moved to France at age eleven. She earned a B.F.A. in 1986 and an M.F.A. in 1989 from École Pilote Internationale d’Art et de Recherche, Villa Arson, Nice, France. She now lives and works in New York City. These relocations are reflected in Amer’s work. Her painting is influenced by the idea of shifting meanings and the appropriation of the languages of abstraction and expressionism. Her prints, drawings, and sculptures question clichéd roles imposed on women; her garden projects connect embroidery and gardening as specifically “feminine” activities; and her recent installations address the current tumultuous political climate. Despite the differences between her Islamic upbringing and Western models of behavior, Amer’s work addresses universal problems, such as the oppression of women, which are prevalent in all cultures.

      Ghada Amer: Love Has No End
      is organized for the Brooklyn Museum by Maura Reilly, Ph.D., Curator of the Elizabeth A. Sackler Center for Feminist Art.

      A variety of education programs will be presented in conjunction with the exhibition. Visit www.brooklynmuseum.org for information.

      View Original

    Press Coverage of this Exhibition ?

    • Museum and Gallery ListingsJanuary 4, 2008 By THE NEW YORK TIMES"ART 'FOCUS: ELLSWORTH KELLY' Few artists of the so-called Minimalist persuasion have applied the less-is-more aesthetic with the encompassing grace of Ellsworth Kelly. The point is marvelously made by a large, all-Kelly gallery in the Museum of Modern Art's Focus series. The 27 paintings and drawings on view -- many acquired during the past decade..."
    • ArtJanuary 4, 2008 "ART Museums and galleries are in Manhattan unless otherwise noted. Full reviews of recent art shows: nytimes.com/art. Museums BROOKLYN MUSEUM: 'INFINITE ISLAND: CONTEMPORARY CARIBBEAN ART,' through Jan. 27. This large show, with 45 artists and a collective of designers, photographers and architects from the Dominican Republic adding to the count,..."
    • ArtJanuary 25, 2008 By THE NEW YORK TIMES"ART Museums and galleries are in Manhattan unless otherwise noted. Full reviews of recent art shows: nytimes.com/art. Museums HISPANIC SOCIETY OF AMERICA: 'FRANCIS AL$(YUML$)S FABIOLA,' through April 6. The first of three collaborations between the Dia Foundation for the Arts and the Hispanic Society of America is an astutely site-specific display..."
    • Museum and Gallery ListingsJanuary 25, 2008 By THE NEW YORK TIMES"ART Museums and galleries are in Manhattan unless otherwise noted. Full reviews of recent art shows: nytimes.com/art. LUIS GISPERT: 'EL MUNDO ES TUYO (THE WORLD IS YOURS)' A boy lies on a trampoline, clutching a boombox to his chest. Gradually the blue tarpaulin turns a sickly green as he empties his bladder. ''Smother,'' a riveting new 26-minute..."
    advanced 109,021 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Recently Tagged Exhibitions

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.

    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.