Exhibitions: Contemporary Woodcut and Its Variations

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    Arts of Africa, Steinberg Family Sculpture Garden
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    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
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    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
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    Luce Center for American Art

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Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: In Danger

    Like the French painters of the Barbizon School whom they greatly admired, Mesdag and his counterparts in the Hague School—so named fo...

     
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    Contemporary Woodcut and Its Variations

    Press Releases ?
    • August 28, 1964: An exhibition of fifty contemporary American woodcuts, spanning the period 1948 to 1962, will be on view at The Brooklyn Museum from August 31 through September 30. The exhibition was organized at the request of the United States Information Service by the Museum’s Curator of Prints and Drawings, Una E. Johnson, for display throughout West Germany during 1962-1963.

      Artists represented in the exhibition, each with five works, are Will Barnet, Leonard Baskin, Worden Day, Arthur Deshaies, Misch Kohn, Vincent Longo, Seong Moy, Bernard Reder, Louis Schanker and Carol Summers. A variety of woodcut techniques are illustrated including engravings on wood and lucite, and plaster prints.

      In the catalogue published to accompany the exhibition in Germany, Miss Johnson notes[,] “The 20th century artist in the United States generally is unhampered by a long tradition in the art of fine printmaking. Perhaps this freedom has led him to pioneer in new and fresh adventures in the very old medium of woodcut and other allied relief printing techniques.” While American artists have long been aware of the visual legacy of printmaking from E[ur]ope and the Orient, it was not until the mid-1930s that younger artists began to think of the woodcut as a truly modern idiom of graphic expression.

      Color in its delicate harmonies or sharp dissonances is very much a part of 20th century graphic art. While a number of the artists in this exhibition have held to the tradition of the black and white woodcut, there are also works in color by Schanker, Reder, Barnet, Day, Moy and Summers.

      By selecting from among the most distinguished names in contemporary printmaking, Miss Johnson gave the German public a selective view of the range and vitality of the relief print in the United States.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1953 - 1970. 1964, 014. View Original

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    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
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    Prints, Drawings and Photographs

    Over the years, the collections of the Brooklyn Museum have been organized and reorganized in different ways. Collections of the former Department of Prints, Drawings, and Photographs include works on paper that may fall into other categories: American Art, European Art, Asian Art, Contemporary Art, and Photography.
    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
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