Exhibitions: David Mach: A Hair's Breadth

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

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This complete dance costume shows how masks are normally one part of a larger ensemble. The mask is sewn directly onto the costume of looped...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Fragment of Palette

    The court of Amunhotep III showed great interest in Egypt's past. This fragment comes from a cosmetic palette made just before or during Dyn...

     

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    David Mach: A Hair's Breadth

    Press Releases ?
    • November 1989: A Hair’s Breadth, a site-specific installation using over 50 tons of castaway magazines, by contemporary Scottish artist David Mach will open at The Brooklyn Museum December 15 and remain on view through March 5, 1990. The magazines will be constructed into several monumental pillars, which repeat the proportions of two columns already standing in the Museum’s Grand Lobby, where the work will be installed.

      Born in Methil, Fife, Scotland, in 1956, David Mach attended the Duncan of Jordanstone College of Art at Dundee and is presently working on his doctorate on the subject of landscapes at the Royal College of Art in London. While he has exhibited his work extensively throughout Europe, his installation in Brooklyn marks his first solo museum exhibition in this country.

      Unlike the Museum’s existing columns, Mach’s installation is short-lived and will be returned to its original state of waste after the exhibition closes. It is through his transformation of discarded objects into art that Mach demythologizes the artistic process, while communicating his concern about consumerism and overproduction.

      The installation was organized by Charlotta Kotik, Curator of Contemporary Art at the Museum. The Grand Lobby installations are made possible by a generous grant from the Lila Wallace-Reader’s Digest Fund. Additional support has been provided by the National Endowment for the Arts, a federal agency.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 1989, 162. View Original

    Press Coverage of this Exhibition ?

    • Review/Art; Pillars of Periodicals at the Brooklyn MuseumDecember 29, 1989 By MICHAEL BRENSON"LEAD: The latest installation in the Grand Lobby of the Brooklyn Museum is trendy and spectacular. It is a huge colonnade that seems entirely constructed of magazines like Harper's Bazaar and Esquire. Three of the five columns are new; the other two, sheathed in magazines, are actually part of the building. The latest installation in the Grand..."
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      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
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