Like the other early sculpture of Vishnu displayed here, this fragmentary figure once had four arms: two in front, holding a lotus seed and a conch shell, and two in back (now missing). The soft but athletic physique of the god is typical of Indian representations of divine males. The distinctive red sandstone was a favorite sculpting material in northern and central India for centuries; here, we can see the natural strata of the stone, made more visible by years of weathering.
Late 4th-5th Century
This item is not on view
Gift of Amy and Robert L. Poster and anonymous donors
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Vishnu, Late 4th-5th Century. Sandstone, 27 x 16 1/2 in. (68.6 x 41.9 cm). Brooklyn Museum, Gift of Amy and Robert L. Poster and anonymous donors, 81.203. Creative Commons-BY
overall, 81.203_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.