Egyptian, Classical, Ancient Near Eastern Art
4 1/2 x 1 3/16 x 7/8 in. (11.5 x 3 x 2.3 cm) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Uninscribed Ushabti, 664-525 B.C.E. Faience, 4 1/2 x 1 3/16 x 7/8 in. (11.5 x 3 x 2.3 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.193E. Creative Commons-BY (Photo: Brooklyn Museum, CUR.37.193E_view1.jpg)
. Brooklyn Museum photograph, 2014
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
[One of] fifteen blue faience mummiform ushabtis. Only the hands are indicated in relief, each holding a hoe. Each sports a beard and a non-striated tripartite wig. A bag is incised over the left shoulder. The hands are each positioned over the lappets of the wig. None of these ushabtis is inscribed.
Condition: The group ranges in color from a light blue to green. Some show good traces of glaze while others show no remaining glaze whatsoever. Several show spots of discoloration and one (37.195E) shows chipping on the left side of the head.
Comments: Although these ushabtis did not all come from the same mold, they show such stylistic affinities and are uniform enough in size that we can conclude that they most likely came from the same burial.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.