Korumbo Gable Painting
Arts of the Pacific Islands
These three Abelam works are all associated with the korumbo, a large ceremonial house for spirits. Every few years, Abelam men carve representations of ancestral figures in conjunction with the initiation ceremonies of young men. The figures represent the benevolent spirits, or ngwalndu, of individual clans and are considered responsible for clan prosperity. The figures are carved in the forest and brought into the korumbo, where they are covered with mud and painted.
73 x 44 x 3 in. (185.4 x 111.8 x 7.6 cm)
wallmount: 76 x 47 x 1 in. (193 x 119.4 x 2.5 cm) (show scale)
This item is not on view
Brooklyn Museum Collection
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Abelam. Korumbo Gable Painting, 20th century. Bark, pigment, 73 x 44 x 3 in. (185.4 x 111.8 x 7.6 cm). Brooklyn Museum, Brooklyn Museum Collection, X579. Creative Commons-BY
overall, x579_PS9.jpg. Brooklyn Museum photograph, 2013
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.