Hilltop View, Yushima Tenjin Shrine, No. 117 from One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
This view is to the northeast from the precincts of Yushima Tenjin Shrine, looking out over the Shinobazu Pond. The main sanctuary of the shrine is off to the left. Pictured is a side approach that could be reached by the two different stone stairways shown here, either the one on the lower right or the one by which the two figures in the center are ascending.
Yushima Tenjin was one of the oldest shrines in Edo and was dedicated to Sugawara Michizane, the patron saint of learning and the arts. It is still devoutly patronized by rich and poor alike. Like many favorite shrines and temples, it served as a major center of recreation in Hiroshige's day.
4th month of 1856
Edo Period, Ansei Era
Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm)
Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm) (show scale)
Publisher: Shitaya Uo Ei. Seals in top margin: Date and censor seal.
This item is not on view
Gift of Anna Ferris
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Hilltop View, Yushima Tenjin Shrine, No. 117 from One Hundred Famous Views of Edo, 4th month of 1856. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.117
overall, 30.1478.117.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
View of the side approach to Yushima Tenjin Shrine, which is on a hill about forty feet above the pond. There are two different stone stairways shown here, the steep Male Slope to the lower right and the gentler Female Slope, which the two figures in the center are ascending. From this hilltop view one can see Benten Shrine in the middle of Shinobazu Pond and to the right are some of the red temple buildings of Kan'eiji. Both stairways survive today, but multistory hotels now obstruct the view. Yushima Tenjin, one of the oldest shrines in Edo, was dedicated to Sugawara Michizane, the patron saint of learning and the arts. Today Yushima Tenjin is known for its spring plum blossoms and is popular among students who pray to the patron saint of learning for success in school entrance examinations. There is a touch of festivity in the row of red lanterns on the teahouse to the left.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.