Wood, gilt, fabric
34 1/4 x 17 x 19 in. (87 x 43.2 x 48.3 cm) (show scale)
on underside of proper right stretcher below seat rail: "4660"
This item is not on view
Marie Bernice Bitzer Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Herter Brothers (American, 1865-1905). Side Chair, ca. 1878. Wood, gilt, fabric, 34 1/4 x 17 x 19 in. (87 x 43.2 x 48.3 cm). Brooklyn Museum, Marie Bernice Bitzer Fund, 2000.4. Creative Commons-BY
mark, maker's mark, CUR.2000.4_mark.jpg
. Brooklyn Museum photograph, 2010
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Side Chair, gilded maple,bird's-eye maple, mahogany and rosewood (marquetry), ash (secondary wood), red and black paint, modern upholstery. Delicately proportioned turned, incised, carved and inlaid chair in the Anglo- Japanese taste. Simple square-profile upholstered seat. Gilded square-profile rear legs splayed backward rise to intricately turned back stiles highlighted with red paint capped with graduated conical finials. Stiles connected by two pairs of narrow square-profile horizontal braces above seat and at crest. Five short turned spindles connect lower braces and four connect upper pair. Rectangular bird's-eye maple marquery panel, framed by red and black painted borders, at center of back supported by square-profile vertical braces that rise from lower cross brace and intersect upper pair of braces and that curve to form flat crest rail with symmetrical carved and cut-out leafy motifs inside each upper curved corner. Panel decorated with asymmetrical Japanese-style floral decoration: bifurcated flowering and leafy branch rises from proper left lower corner of panel with butterfly at proper right upper corner. Turned and incised downward tapering front legs highlighted with red paint rise to square blocks below seat rail. Narrow square-profile horizontal stretchers below seat rails connected to seat rails by three pairs of short turned spindles on sides and front.
CONDITION - Overall losses to gilding and painted areas. Marquetry panel on back upholstered over; tack holes now around perimeter. Surface conserved by Pascale Patrice and seat conserved by Nancy Britton, both from the Metropolitan Museum of Art (summer/Fall 2000) . See cosevation reports for frame and upholstery in file.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.