A Cliff in the Katskills
Though separated by several generations, Jervis McEntee and Marsden Hartley both employed emotive styles to express personal impressions of landscape rather than faithful transcripts of nature. In A Cliff in the Katskills (at left), McEntee rendered a well-known natural landmark in the Catskill Mountains with thickly applied daubs of paint, in a departure from the studious detail typical of mid-nineteenth- century landscape painting. The drama of McEntee’s painting, with its imposing boulder and foreboding clouds, is echoed in Marsden Hartley’s seascape. A Maine native, Hartley used an expressionist style of rough brushstrokes, bold outlines, and compressed space to depict the churning sea crashing against the rocky shore.
This text refers to these objects: ' 84.81; 1992.11.18
- Artist: Jervis McEntee, American, 1828-1891
- Medium: Oil on canvas
- Dates: ca. 1885
- Dimensions: 36 1/8 x 30 in. (91.7 x 76.2 cm) (show scale)
- Signature: Signed lower left: "JMcNA"
- Collections:American Art
- Museum Location: This item is on view in American Identities: A New Look, American Landscape, 5th Floor
- Accession Number: 84.81
- Credit Line: Gift of The Roebling Society in honor of Carl L. Selden
- Rights Statement: No known copyright restrictions
- Caption: Jervis McEntee (American, 1828-1891). A Cliff in the Katskills, ca. 1885. Oil on canvas, 36 1/8 x 30 in. (91.7 x 76.2 cm). Brooklyn Museum, Gift of The Roebling Society in honor of Carl L. Selden, 84.81
- Record Completeness: Best (83%)