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Robin, #43, Oakland, CA

Lise Sarfati

Photography

Adolescence has become ubiquitous subject matter in contemporary photography. Whether it is the awkwardness of Rineke Dijkstra’s gangly prepubescents or the sexuality, malaise, and dysfunction depicted by Larry Clark, the worlds of adolescents and teenagers seem to have been exhaustively described.

While Lise Sarfati continues to mine this rich vein of subject matter, she evokes a slightly different tone. In her first book of photographs, Acta Est, she documented the dark, emotional territory of wayward youth in post-Soviet Russia. Robin, #43, Oakland, CA is from her subsequent project, titled The American Series. Published in book form as The New Life, the series comprises images of young people from Texas, Georgia, North Carolina, Oregon, and California. Directionless, dispossessed, and dejected, these young people (mainly young women) appear ghost-like and unattached to their surroundings. Sarfati’s subjects transcend their social, political, or cultural categories; as carriers of individual, as well as universal, psychological states, they represent the interstitial space between inertia and movement.

In Robin, #43, Oakland, CA, the young woman gazes into a backyard hidden from view. Framed by the intersecting lines of backyard fences bathed in a saturated cyan light, Robin may sit firmly on her home soil, but she is emotionally unmoored from it.
MEDIUM Chromogenic photograph
DATES 2003
DIMENSIONS Sheet: 16 x 21 in. (40.6 x 53.3 cm)  (show scale)
COLLECTIONS Photography
MUSEUM LOCATION This item is not on view
ACCESSION NUMBER 2006.64.2
EDITION Edition 2 of 10
CREDIT LINE Gift of Kenneth H. Schweber
RIGHTS STATEMENT © Lise Sarfati
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CAPTION Lise Sarfati (French, born 1958). Robin, #43, Oakland, CA, 2003. Chromogenic photograph, Sheet: 16 x 21 in. (40.6 x 53.3 cm). Brooklyn Museum, Gift of Kenneth H. Schweber, 2006.64.2. © Lise Sarfati
IMAGE overall, 2006.64.2_PS2.jpg. Brooklyn Museum photograph, 2008
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RECORD COMPLETENESS Best (83%)
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