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Carved Pilaster from Our Lady of Guadalupe

Arts of the Americas

MEDIUM Wood, gesso, pigments
DATES 1701-1800
DIMENSIONS 103 1/2 x 14 in. (256.5 x 36.0 cm)  (show scale)
COLLECTIONS Arts of the Americas
MUSEUM LOCATION This item is not on view
CREDIT LINE Museum Expedition 1904, Museum Collection Fund
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CAPTION Bernardo Miera y Pacheco. Carved Pilaster from Our Lady of Guadalupe, 1701-1800. Wood, gesso, pigments, 103 1/2 x 14 in. (256.5 x 36.0 cm). Brooklyn Museum, Museum Expedition 1904, Museum Collection Fund, 04.297.5143. Creative Commons-BY
IMAGE overall, 04.297.5143.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
CATALOGUE DESCRIPTION Around 1700 the distinctive estípite column with its angular profile - widest in the middle of the shaft, narrower at the base and capital - became popular in Spain, particularly in Andalusia. Its transmission to the New World occurred when Spanish artist Jerónimo Balbás traveled to Mexico to design an altar screen for the cathedral. His Altar of the Kings (1718-37) included numerous polychrome and gilded estípite columns, which were rapidly copied and, unlike in Spain, also applied to some stone facades. The first known use of estípite columns on the northern frontier of New Spain is on the carved and painted stone altar of the castrense chapel (1761) in the style of Spanish-born artist Captain Bernardo Miera y Pacheao (1714-1785). The columns from the Lady of Guadalupe at Zuni Pueblo represent the second known example of this style in New Mexico and are exceptionally well-executed, provincial examples of the form. These were apparently gessoed and polychromed, not layered with gold leaf like estípite in central Mexico. The carving includes standard elements of the late Baroque or Estípite Baroque style characterized by Rococo decorative details such as geometric compartments in the shape of squares, circles, and rectangles as well as opposing S- and C-scroll motifs, seen on the upper shaft. The lower shaft displays chevrons, winged cherubs, vegetal filler overlapping the shaft's frame, and suspended bunches of Eucharistic grapes. Photographs and illustrations from the mid-to-late nineteenth century depict the altar screen with four large estípite columns (this one and three counterparts). The altar screen originally included a large oil painting of the Virgin of Guadalupe, images of Saint Dominic, Francis, Michael, and Gabriel, and a relief of God the Father at the top.
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Carved Pilaster from Our Lady of Guadalupe