On View: American Identities: A New Look, Making Art: Centennial Era, 5th Floor
The son of slaves, folk carver William Edmondson did not begin to create art until 1931, when the Nashville hospital where he worked as an orderly closed. A deeply religious man, he obeyed what he experienced as a divine calling to carve tombstones. "I was out in the driveway with some old pieces of stone," he explained, "when I heard a voice telling me to pick up my tools and start to work on a tombstone. I looked up in the sky and right there in the noon daylight He hung a tombstone out for me to make." Gradually, Edmondson extended the scope of his work to include small animals and figures as well. Angel conveys the essence of his art in its graceful directness and simplicity. The pitted limestone surface recalls the weathered faces of the early American and African American tombstones that were the source for many of his forms.
18 1/2 x 13 1/2 x 7 in. (47.0 x 34.3 x 17.8 cm) (show scale)
Gift of Mr. and Mrs. Alastair B. Martin, the Guennol Collection
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William Edmondson (American, 1874-1951). Angel, n.d. Limestone, 18 1/2 x 13 1/2 x 7 in. (47.0 x 34.3 x 17.8 cm). Brooklyn Museum, Gift of Mr. and Mrs. Alastair B. Martin, the Guennol Collection, 87.28. © artist or artist's estate
overall, 87.28_SL1.jpg. Brooklyn Museum photograph
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Blocky and simplifed figure of angel standing on a rectangular plinth with hands clasped in front of belly, wings attached to hooded cloak that falls to floor around body, surfaces roughly hewn and pocked.
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