Arts of the Americas
On View: Luce Visible Storage and Study Center, 5th Floor
Brooklyn Museum Collection
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Ancient Pueblo (Anasazi) (Native American). Jar, ca. 900-1300. Clay, slip, 5 3/4 x 6 1/2 in. (14.6 x 16.5 cm). Brooklyn Museum, Brooklyn Museum Collection, X949.7. Creative Commons-BY
overall, x949.7_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Jar is a globular form with a narrow, short neck and lipped rim. The exterior design is unevenly painted black on whitish gray ground and the bottom is plain. The pattern on the sides is alternating hatching and solid steps. The neck has a plain band, then thin frets and stacked triangles. Inside the mouth are six arrows pointing clockwise.
Two sections broken off lip, 1 3/4" and 3/8". Abrasion of paint on bottom. Dark splotches from firing on sides.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.