On View: American Identities: A New Look, Making Art: Centennial Era, 5th Floor
The form of nearly contemporary Japanese ceramic teapots directly inspired this surprisingly modern-looking, intimate tea set. Silverplate, made by electroytically bonding silver particles to base metals, was an inexpensive alternative to costly silver. Because it was inexpensive, silverplate companies often produced adventurous designs that were highly responsive to the latest styles. Here the shape exemplifies the Japanese craze of the late 1870s and 1880s, and the linear, two-dimensional incised floral decoration is rendered in the so-called Eastlake, or Reform, style imported from England at the same time.
Silver-plate on white metal
4 x 5 1/4 x 3 3/8 in. (10.2 x 13.3 x 8.6cm) (show scale)
Impressed on bottom: "JAMES W. TUFTS / BOSTON / [four-pointed star enclosing 'T'] / WARRENTED / TRIPLE PLATE / 1900."
Purchased with funds given by Roy Zuckerberg
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James W. Tufts (1875-ca. 1914). Sugar Bowl, ca. 1880. Silver-plate on white metal, 4 x 5 1/4 x 3 3/8 in. (10.2 x 13.3 x 8.6cm). Brooklyn Museum, Purchased with funds given by Roy Zuckerberg, 1990.39.3a-b. Creative Commons-BY
group, 1990.39.1_1990.39.2_1990.39.3a-b.jpg. Brooklyn Museum photograph, 2005
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Sugar bowl (a) and lid (b) (en suite with teapot and creamer 1990.39.1-.2), silver-plate on white metal. Body (a) is in the shape of truncated pyramid with square base; two D-shaped, angular, faux bamboo handles and flat, square detachable lid (b) with a finial in the shape of a cube, on point, resting on a short tapered base. Each face of the pyramid and the lid is densely engraved. At the top of the pyramid is a double band with interlocking chevrons in lower part, interlocking semi-palmettes in upper. At base of pyramid is another band of alternating demi-lunes and chevrons on front and rear of body and alternating half-fans on two ends. On front face of body a diagonal reserve runs from lower left to upper right with the hooped handle of a basket looped over it. Basket depends into right section over vermicullae ground; foliage in lower right corner. In upper left is a bird perched on a branch with blossom, on vermicullae ground. On rear face of body, diagonal reserve runs from lower left to upper right. Above are bamboo shoots on vermicullae ground; below is a game bird on vermicullae ground, standing in marsh with semi-fan shape at lower right. On face behind left handle a diagonal reserve runs from lower left to upper right and a diagonal band with cross bandings intersects this at upper handle juncture and runs to lower right edge. Pointed oval lozenge overlaps at the intersection and is filled with a stalk and blossoms. In area to upper right is a ground of overlapping semi-discs. To the left of the handle on vermicullae ground are two long-tailed birds, back to back, foliage in lower left corner. On face behind right handle, diagonal reserve runs from lower left to upper right. To the left is a branching vine on vermicullae ground, with foliage. On lid, a diagonal band runs from corner to corner under the finial and filled with discs with stylized blossoms on articulated ground. The band runs over a central checkerboard square, which is bordered, by a detached band of scroll pattern.
Condition: Finial slightly depressed. Plate slightly worn in places, especially on bottom, handles.
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